The Construction of Black Masculinity in Blaxploitation and Hood Movies PDF Download
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Author: Stephan Jaskolla
Publisher: GRIN Verlag
ISBN: 3668981841
Category : Literary Collections
Languages : en
Pages : 28
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Book Description
Seminar paper from the year 2014 in the subject American Studies - Miscellaneous, grade: 1,7, University of Dusseldorf "Heinrich Heine", language: English, abstract: In this term paper the construction of black masculinity and black male characters in Blaxploitation movies and Hood Movies will be compared to analyze if the two periods of filmmaking have created another view on the black masculine. To make the two genres comparable in such a limited scope I will focus on two movies, each of which can be regarded as prototypical for its genre. Considering the ‘Blaxploitation’ genre I will focus on the movie Shaft (1971) by Gordon Parks. The Hood movie I chose is John Singleton’s Boyz N The Hood (1991), which will be called Boyz in the rest of this term paper. Anybody who has seen movies featuring black male protagonists in major roles – like Bad Boys or Django Unchained – might have noticed that often those black male characters are depicted in certain and often clichéd ways. This depiction can be described by another term which is ‘construction’. What those films actually do is a construction of a black masculinity through means of acting, filming techniques or even the choice of the actor, especially with regard to his outward appearance. The black male character has been a very central figure in American literature and movies for a long time. Considering movies it can be argued that for roughly one century there have been constructions of African-American males in American cinema starting with the highly racist film The Birth of a Nation. Nowadays virtually everybody will know movies that feature black masculine main protagonists. Two periods which can be considered as highly influential with regard to the construction of black masculinity are the early seventies and the early nineties because they originated two important genres. These two genres will be referred to as ‘Blaxploitation’ and ‘hood movie’ throughout this text.
Author: Stephan Jaskolla
Publisher: GRIN Verlag
ISBN: 3668981841
Category : Literary Collections
Languages : en
Pages : 28
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Book Description
Seminar paper from the year 2014 in the subject American Studies - Miscellaneous, grade: 1,7, University of Dusseldorf "Heinrich Heine", language: English, abstract: In this term paper the construction of black masculinity and black male characters in Blaxploitation movies and Hood Movies will be compared to analyze if the two periods of filmmaking have created another view on the black masculine. To make the two genres comparable in such a limited scope I will focus on two movies, each of which can be regarded as prototypical for its genre. Considering the ‘Blaxploitation’ genre I will focus on the movie Shaft (1971) by Gordon Parks. The Hood movie I chose is John Singleton’s Boyz N The Hood (1991), which will be called Boyz in the rest of this term paper. Anybody who has seen movies featuring black male protagonists in major roles – like Bad Boys or Django Unchained – might have noticed that often those black male characters are depicted in certain and often clichéd ways. This depiction can be described by another term which is ‘construction’. What those films actually do is a construction of a black masculinity through means of acting, filming techniques or even the choice of the actor, especially with regard to his outward appearance. The black male character has been a very central figure in American literature and movies for a long time. Considering movies it can be argued that for roughly one century there have been constructions of African-American males in American cinema starting with the highly racist film The Birth of a Nation. Nowadays virtually everybody will know movies that feature black masculine main protagonists. Two periods which can be considered as highly influential with regard to the construction of black masculinity are the early seventies and the early nineties because they originated two important genres. These two genres will be referred to as ‘Blaxploitation’ and ‘hood movie’ throughout this text.
Author: Jared Sexton
Publisher: Springer
ISBN: 3319661701
Category : Language Arts & Disciplines
Languages : en
Pages : 218
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Book Description
This book offers a critical survey of film and media representations of black masculinity in the early twenty-first-century United States, between President George W. Bush’s 2001 announcement of the War on Terror and President Barack Obama’s 2009 acceptance of the Nobel Peace Prize. It argues that images of black masculine authority have become increasingly important to the legitimization of contemporary policing and its leading role in the maintenance of an antiblack social order forged by racial slavery and segregation. It examines a constellation of film and television productions—from Antoine Fuqua’s Training Day to John Lee Hancock’s The Blind Side to Barry Jenkin's Moonlight—to illuminate the contradictory dynamics at work in attempts to reconcile the promotion of black male patriarchal empowerment and the preservation of gendered antiblackness within political and popular culture.
Author: Amy Abugo Ongiri
Publisher: University of Virginia Press
ISBN: 0813928591
Category : Art
Languages : en
Pages : 237
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Book Description
Exploring the interface between the cultural politics of the Black Power and the Black Arts movements and the production of postwar African American popular culture, Amy Ongiri shows how the reliance of Black politics on an oppositional image of African Americans was the formative moment in the construction of "authentic blackness" as a cultural identity. While other books have adopted either a literary approach to the language, poetry, and arts of these movements or a historical analysis of them, Ongiri's captures the cultural and political interconnections of the postwar period by using an interdisciplinary methodology drawn from cinema studies and music theory. She traces the emergence of this Black aesthetic from its origin in the Black Power movement's emphasis on the creation of visual icons and the Black Arts movement's celebration of urban vernacular culture.
Author: Ronald L. Jackson
Publisher: SUNY Press
ISBN: 0791466256
Category : Social Science
Languages : en
Pages : 192
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Book Description
Traces the origins of Black body politics in the United States and its contemporary manifestations in hip-hop music and film.
Author: Novotny Lawrence
Publisher: Routledge
ISBN: 1135900361
Category : History
Languages : en
Pages : 146
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Book Description
This book examines a number of blaxploitation films – including Cotton Comes to Harlem (1970), Blacula (1972), and The Mack (1973) – and illustrates the manner in which 'blaxploitation' came to be understood as a separate genre.
Author: Andrea Levy
Publisher: Macmillan + ORM
ISBN: 1429912340
Category : Fiction
Languages : en
Pages : 354
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Book Description
From the award-winning author of Small Island, “a bittersweet exploration of an outsider’s experience of British culture” (Bookmarks). Faith Jackson knows little about her parents’ lives before they moved to England. Happy to be starting her first job in the costume department at BBC television, and to be sharing a house with friends, Faith is full of hope and expectation. But when her parents announce that they are moving “home” to Jamaica, Faith’s fragile sense of her identity is threatened. Angry and perplexed as to why her parents would move to a country they so rarely mention, Faith becomes increasingly aware of the covert and public racism of her daily life, at home and at work. At her parents’ suggestion, in the hope it will help her to understand where she comes from, Faith goes to Jamaica for the first time. There she meets her Aunt Coral, whose storytelling provides Faith with ancestors, whose lives reach from Cuba and Panama to Harlem and Scotland. Branch by branch, story by story, Faith scales the family tree, and discovers her own vibrant heritage, which is far richer and wilder than she could have imagined. “Levy has chosen her title shrewdly: like the lemon, her loaded satire is bright and alluring, but its bite is sharp.” —Booklist “Levy’s raw sense of realism and depth of feeling infuses every line.” —Elle “Bright and inventive . . . Levy’s command of voices, whether English or Jamaican, is fine, fresh and funny.” —The Observer
Author: Daniel O'Brien
Publisher: Springer
ISBN: 1137593237
Category : Social Science
Languages : en
Pages : 224
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Book Description
This book provides wide-ranging commentary on depictions of the black male in mainstream cinema. O’Brien explores the extent to which counter-representations of black masculinity have been achieved within a predominately white industry, with an emphasis on agency, the negotiation and malleability of racial status, and the inherent instability of imposed racial categories. Focusing on American and European cinema, the chapters highlight actors (Woody Strode, Noble Johnson, Eddie Anderson, Will Smith), genres (jungle pictures, westerns, science fiction) and franchises (Tarzan, James Bond) underrepresented in previous critical and scholarly commentary in the field. The author argues that although the characters and performances generated in these areas invoke popular genre types, they display complexity, diversity and ambiguity, exhibiting aspects that are positive, progressive and subversive. This book will appeal to both the academic and the general reader interested in film, race, gender and colonial issues.
Author: Christopher J. Metzler
Publisher: AuthorHouse
ISBN: 1438901607
Category : History
Languages : en
Pages : 186
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Book Description
In my view, The Negro Problem in 2008 is part law, part politics, part oppression, part internalized oppression and part ideology. As America becomes more polarized into red states and blues states, into liberals and conservatives, into right, left, and even further into black and white, racism has become even more pronounced if not more difficult to identify. The Negro Problem of 2008 is helped along willingly by blacks whose sense of inferiority and internalized oppression so blind them that they too deal in oppressive and denigrating images for profits. Working hand in hand with the white executives who profit from those images and the white liberals who justify this denigration, they too add grist to the mill of oppression and exclusion. Members of the American media have moved from reporting the news to advancing their opinions and discussing race in a roundabout way, which they claim is race neutral, but which is in fact race conscious. How has their unfettered power defined the coverage of Barack Obama and Hillary Clinton in the 2008 Democratic primary? What role does rap music, with its revival of the most vile and base stereotypes of black men from slavery and the Jim Crow era and its attendant culture of debauchery, play in stoking racial subordination and domination? Does the fact that so many rap artists are black provide them with the veritable black pass to lyrically and virtually debase and defile black women and themselves that whites, by virtue of their whiteness, are denied?
Author: Robert Staples
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 200
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Book Description
Black masculinity is the first comprehensive study by a sociologist (himself a black man) of the role of Afro-American men in the U.S.A.
Author: Ed Guerrero
Publisher: Temple University Press
ISBN: 1439904138
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
A challenge to Hollywood's one-dimensional images of African Americans.
