The Concerto and London's Musical Culture in the Late Eighteenth Century PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Concerto and London's Musical Culture in the Late Eighteenth Century PDF full book. Access full book title The Concerto and London's Musical Culture in the Late Eighteenth Century by Thomas B. Milligan. Download full books in PDF and EPUB format.
Author: Thomas B. Milligan
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 404
Get Book Here
Book Description
Author: Thomas B. Milligan
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 404
Get Book Here
Book Description
Author: David Wyn Jones
Publisher: Routledge
ISBN: 1351557416
Category : Music
Languages : en
Pages : 333
Get Book Here
Book Description
This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.
Author: Simon McVeigh
Publisher: Cambridge University Press
ISBN: 0521028906
Category : History
Languages : en
Pages : 332
Get Book Here
Book Description
This book is a detailed investigation of a lively and innovative period in London's cultural life.
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
Get Book Here
Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 113982726X
Category : Music
Languages : en
Pages : 591
Get Book Here
Book Description
No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.
Author: Luca Lévi Sala
Publisher: Routledge
ISBN: 1351800884
Category : Music
Languages : en
Pages : 258
Get Book Here
Book Description
Recent scholarship has vanquished the traditional perception of nineteenth-century Britain as a musical wasteland. In addition to attempting more balanced assessments of the achievements of British composers of this period, scholars have begun to explore the web of reciprocal relationships between the societal, economic and cultural dynamics arising from the industrial revolution, the Napoleonic wars, and the ever-changing contours of British music publishing, music consumption, concert life, instrument design, performance practice, pedagogy and composition. Muzio Clementi (1752–1832) provides an ideal case-study for continued exploration of this web of relationships. Based in London for much of his life, whilst still maintaining contact with continental developments, Clementi achieved notable success in a diversity of activities that centred mainly on the piano. The present book explores Clementi’s multivalent contribution to piano performance, pedagogy, composition and manufacture in relation to British musical life and its international dimensions. An overriding purpose is to interrogate when, how and to what extent a distinctive British musical culture emerged in the early nineteenth century. Much recent work on Clementi has centred on the Italian National Edition of his complete works (MiBACT); several chapters report on this project, whilst continuing to pursue the book’s broader themes.
Author: Susan Wollenberg
Publisher: Routledge
ISBN: 1351571214
Category : Music
Languages : en
Pages : 316
Get Book Here
Book Description
In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.
Author: William Weber
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 296
Get Book Here
Book Description
This is the first book to explore the formation of musical 'classics' in regard to repertory and social context. It examines the performance of old music in eighteenth-century England, from the interest in music of the Elizabethan period at the beginning of the century, through the performance of works by Henry Purcell, Arcangelo Corelli, and other English and Italian composers, and the development of festivals that featured choral-orchestral works of Purcell and Handel. It concludes with the establishment of the Concert of Antient Music in 1776, where the traditions of performing old works came together as a self-conscious canon focused upon the work of Handel. The book examines closely the political and social reasons for these developments. In addition, it shows how they laid the groundwork for the classical-music tradition of the nineteenth century.
Author: Peter Clark
Publisher: Cambridge University Press
ISBN: 9780521431415
Category : History
Languages : en
Pages : 980
Get Book Here
Book Description
This volume examines when, why, and how Britain became the first modern urban nation.
Author: Jane Girdham
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 296
Get Book Here
Book Description
Stephen Storace (1762-96) was a prominent opera composer in London. His works exemplify the best in English opera, with music closely integrated with the drama, and including attractive tunes the audience could sing and play at home. This book provides unique insights into the musical world of the period, examining theatrical life and music publishing from the perspective of Storace's works.
