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Author: John Millington Synge
Publisher: Wordsworth Editions
ISBN: 9781840221510
Category : Drama
Languages : en
Pages : 484
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Book Description
Collects all of Synge's published plays, including The Playboy of The Western World, along with his Poetry and Translations, and the prose works that detail his travels in The Aran Islands, In Wicklow, In Kerry and In Connemara.
Author: John Millington Synge
Publisher: Wordsworth Editions
ISBN: 9781840221510
Category : Drama
Languages : en
Pages : 484
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Book Description
Collects all of Synge's published plays, including The Playboy of The Western World, along with his Poetry and Translations, and the prose works that detail his travels in The Aran Islands, In Wicklow, In Kerry and In Connemara.
Author: John Millington Synge
Publisher: New York : Random house
ISBN:
Category : Authors, Irish
Languages : en
Pages : 638
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Book Description
Author: John Millington Synge
Publisher:
ISBN: 9781494121648
Category :
Languages : en
Pages : 630
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Book Description
This is a new release of the original 1936 edition.
Author: John Millington Synge
Publisher: Harvard University Press
ISBN: 9780674528345
Category : Biography & Autobiography
Languages : en
Pages : 380
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Book Description
When John Millington Synge and Molly Allgood fell in love, he was thirty-five, she nineteen. Neither knew that he had Hodgkin's disease, of which he was to die in three years. Synge had already achieved recognition as a playwright--translations of two of his plays had been performed in Berlin and Prague--and he was codirector, with Yeats and Lady Gregory, of the Irish National Theatre Society. Molly had started her acting career the year before, in the newly opened Abbey Theatre, with a walk-on part in Synge's Well of the Saints. She had been promoted from crowd scenes to bit parts to lead roles in Riders to the Sea and The Shadow of the Glen. She was still only a member of the company, however, while Synge was a director, whose codirectors disapproved of fraternization. Synge and Molly also faced the disapproval of two widowed mothers. Barring an occasional holiday trip or company road tour, they could seldom be alone together, except on secret afternoon meetings for long walks in the country. Hence their hundreds of letters. Molly's letters do not survive; they apparently were destroyed when Synge died. But his letters convey her mercurial charm, her openness, her love of life, her impulsiveness, and her temper--as violent as his own. What they convey of him (when he is not reproving her or remonstrating with her, as he does in the early months of their relationship) is the love of nature, the poetic language, the bittersweet irony, the elemental quality of emotion, that we know from the plays. His concern for his craft is seen as he struggles with The Playboy. ("Parts of it are not structurally strong or good. I have been all this time trying to get over weak situations by strong writing, but now I find it won't do, and I am at my wit's end.") Synge was quite unperturbed by the violent outrage and near-riots the play provoked. ("Now we'll be talked about. We're an event in the history of the Irish stage," he wrote cheerily.) As his illness progresses, following operations in 1907 and 1908, there is great poignancy in the gradual abating of references to marriage plans and in the shift of salutation from "Dearest Changeling" to "My dearest child." After Synge's death his friends and biographers discreetly avoided mention of Molly, who under her stage name of Maire O'Neill became one of the leading actresses of the Irish theater and lived until 1952. His letters to her have not been published before, except for the few quoted in Greene and Stephens' 1959 biography. A primary source for the study of Synge and the Irish theater movement, the letters include poems inspired by Molly and extensive information about Abbey Theatre business. In addition to a biographical introduction, Ann Saddlemyer has included a map of the Wicklow and Dublin areas and numerous photographs of both Synge and Molly.
Author: John Millington Synge
Publisher:
ISBN:
Category : Aran Islands
Languages : en
Pages : 304
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Book Description
Author: John M. Synge
Publisher: Vintage
ISBN: 0307783960
Category : Drama
Languages : en
Pages : 272
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Book Description
This volume includes the complete texts of all the plays by J.M. Synge. Produced at the Abbey Theater which Synge founded. Represents one of the major dramatic achievements of the 20th century.
Author: P. J. Mathews
Publisher: Cambridge University Press
ISBN: 0521110106
Category : Drama
Languages : en
Pages : 215
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Book Description
Introduces students to the work of one of Ireland's most important playwrights.
Author: John Millington Synge
Publisher:
ISBN:
Category : Presses, Issues of
Languages : en
Pages : 86
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Book Description
Author: John Millington Synge
Publisher: Createspace Independent Publishing Platform
ISBN: 9781523433780
Category :
Languages : en
Pages : 24
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Book Description
Riders to the Sea A Play in One Act By J. M. Synge Riders to the Sea is a play written by Irish Literary Renaissance playwright John Millington Synge. It was first performed on 25 February 1904 at the Molesworth Hall, Dublin, by the Irish National Theater Society. A one-act tragedy, the play is set in the Aran Island, Inishmaan, and like all of Synge's plays it is noted for capturing the poetic dialogue of rural Ireland. The plot is based not on the traditional conflict of human wills but on the hopeless struggle of a people against the impersonal but relentless cruelty of the sea. It must have been on Synge's second visit to the Aran Islands that he had the experience out of which was wrought what many believe to be his greatest play. The scene of "Riders to the Sea" is laid in a cottage on Inishmaan, the middle and most interesting island of the Aran group. While Synge was on Inishmaan, the story came to him of a man whose body had been washed up on the far away coast of Donegal, and who, by reason of certain peculiarities of dress, was suspected to be from the island. In due course, he was recognised as a native of Inishmaan, in exactly the manner described in the play, and perhaps one of the most poignantly vivid passages in Synge's book on "The Aran Islands" relates the incident of his burial. The other element in the story which Synge introduces into the play is equally true. Many tales of "second sight" are to be heard among Celtic races. In fact, they are so common as to arouse little or no wonder in the minds of the people. It is just such a tale, which there seems no valid reason for doubting, that Synge heard, and that gave the title, "Riders to the Sea", to his play. It is the dramatist's high distinction that he has simply taken the materials which lay ready to his hand, and by the power of sympathy woven them, with little modification, into a tragedy which, for dramatic irony and noble pity, has no equal among its contemporaries. Great tragedy, it is frequently claimed with some show of justice, has perforce departed with the advance of modern life and its complicated tangle of interests and creature comforts. A highly developed civilisation, with its attendant specialisation of culture, tends ever to lose sight of those elemental forces, those primal emotions, naked to wind and sky, which are the stuff from which great drama is wrought by the artist, but which, as it would seem, are rapidly departing from us. It is only in the far places, where solitary communion may be had with the elements, that this dynamic life is still to be found continuously, and it is accordingly thither that the dramatist, who would deal with spiritual life disengaged from the environment of an intellectual maze, must go for that experience which will beget in him inspiration for his art. The Aran Islands from which Synge gained his inspiration are rapidly losing that sense of isolation and self-dependence, which has hitherto been their rare distinction, and which furnished the motivation for Synge's masterpiece. Whether or not Synge finds a successor, it is none the less true that in English dramatic literature "Riders to the Sea" has an historic value which it would be difficult to over-estimate in its accomplishment and its possibilities. A writer in The Manchester Guardian shortly after Synge's death phrased it rightly when he wrote that it is "the tragic masterpiece of our language in our time; wherever it has been played in Europe from Galway to Prague, it has made the word tragedy mean something more profoundly stirring and cleansing to the spirit than it did."
Author: John Millington Synge
Publisher: Mercier Press
ISBN: 9781856355995
Category : Aran Islands (Ireland)
Languages : en
Pages : 0
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Book Description
A masterpiece of travel writing on Connemara And The Aran Islands by one of Ireland's greatest dramatists.
