Author: Jessica Goodman
Publisher: Oxford University Press
ISBN: 019251668X
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
The thirty years Carlo Goldoni spent in Paris hold an ambiguous place in his career. The preface to his autobiography explicitly draws attention to France as the site of his authorial glory, but elsewhere he dismisses his work for the Parisian Comédie-Italienne as a failure, and this view has come to dominate modern readings of his French experience. This study sets out to explore this apparent contradiction. By reading Goldoni's own contemporary and subsequent accounts through the lens of his context as a dramatic author in 1760s Paris, Jessica Goodman sheds new light on both his experience and critical reactions to that experience. A key part of this contextualisation is an examination of contemporary Comédie-Italienne archives, resulting in the most comprehensive existing account of this oft-neglected theatre and its authorial relations in the period. When material and artistic conditions at the Comédie-Italienne thwarted the self-fashioning strategies Goldoni had developed in Italy, he turned his attention to other areas of French life; notably the court and the Comédie-Française. Yet despite relative success in this regard, his career as an eclectic homme de lettres was lost in translation to posterity. In his French Mémoires, he constructed the claim of Parisian glory according to an out-dated understanding of what it meant to succeed in the French literary field, focusing predominantly on the power of Comédie-Française success. Ultimately, this construction was a failure: in modern France, Goldoni is remembered as a famous foreigner, not the consecrated French littérateur he believed he had become.
Goldoni in Paris
Author: Jessica Goodman
Publisher: Oxford University Press
ISBN: 019251668X
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
The thirty years Carlo Goldoni spent in Paris hold an ambiguous place in his career. The preface to his autobiography explicitly draws attention to France as the site of his authorial glory, but elsewhere he dismisses his work for the Parisian Comédie-Italienne as a failure, and this view has come to dominate modern readings of his French experience. This study sets out to explore this apparent contradiction. By reading Goldoni's own contemporary and subsequent accounts through the lens of his context as a dramatic author in 1760s Paris, Jessica Goodman sheds new light on both his experience and critical reactions to that experience. A key part of this contextualisation is an examination of contemporary Comédie-Italienne archives, resulting in the most comprehensive existing account of this oft-neglected theatre and its authorial relations in the period. When material and artistic conditions at the Comédie-Italienne thwarted the self-fashioning strategies Goldoni had developed in Italy, he turned his attention to other areas of French life; notably the court and the Comédie-Française. Yet despite relative success in this regard, his career as an eclectic homme de lettres was lost in translation to posterity. In his French Mémoires, he constructed the claim of Parisian glory according to an out-dated understanding of what it meant to succeed in the French literary field, focusing predominantly on the power of Comédie-Française success. Ultimately, this construction was a failure: in modern France, Goldoni is remembered as a famous foreigner, not the consecrated French littérateur he believed he had become.
Publisher: Oxford University Press
ISBN: 019251668X
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
The thirty years Carlo Goldoni spent in Paris hold an ambiguous place in his career. The preface to his autobiography explicitly draws attention to France as the site of his authorial glory, but elsewhere he dismisses his work for the Parisian Comédie-Italienne as a failure, and this view has come to dominate modern readings of his French experience. This study sets out to explore this apparent contradiction. By reading Goldoni's own contemporary and subsequent accounts through the lens of his context as a dramatic author in 1760s Paris, Jessica Goodman sheds new light on both his experience and critical reactions to that experience. A key part of this contextualisation is an examination of contemporary Comédie-Italienne archives, resulting in the most comprehensive existing account of this oft-neglected theatre and its authorial relations in the period. When material and artistic conditions at the Comédie-Italienne thwarted the self-fashioning strategies Goldoni had developed in Italy, he turned his attention to other areas of French life; notably the court and the Comédie-Française. Yet despite relative success in this regard, his career as an eclectic homme de lettres was lost in translation to posterity. In his French Mémoires, he constructed the claim of Parisian glory according to an out-dated understanding of what it meant to succeed in the French literary field, focusing predominantly on the power of Comédie-Française success. Ultimately, this construction was a failure: in modern France, Goldoni is remembered as a famous foreigner, not the consecrated French littérateur he believed he had become.
A Critical Bibliography of French Literature V4 18th C Supplement
Author: Richard A. Brooks
Publisher: Syracuse University Press
ISBN:
Category :
Languages : en
Pages : 320
Book Description
Publisher: Syracuse University Press
ISBN:
Category :
Languages : en
Pages : 320
Book Description
The Eighteenth Century
Author: Richard A. Brooks
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 320
Book Description
A Critical Bibliography of French Literature: Suppl. The eighteenth century; ed. by R. A. Brooks
Author: David Clark Cabeen
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 320
Book Description
Reader's Guide to Periodical Literature Supplement
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 818
Book Description
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 818
Book Description
Books in Print
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2330
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 2330
Book Description
The Eighteenth Century, 1715-1789
Author: Robert Niklaus
Publisher: London : Benn ; New York : Barnes & Noble
ISBN:
Category : French literature
Languages : en
Pages : 464
Book Description
Publisher: London : Benn ; New York : Barnes & Noble
ISBN:
Category : French literature
Languages : en
Pages : 464
Book Description
Books in Series
Author:
Publisher:
ISBN:
Category : Monographic series
Languages : en
Pages : 1858
Book Description
Vols. for 1980- issued in three parts: Series, Authors, and Titles.
Publisher:
ISBN:
Category : Monographic series
Languages : en
Pages : 1858
Book Description
Vols. for 1980- issued in three parts: Series, Authors, and Titles.
A Literary History of France
Author: Patrick Edward Charvet
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 464
Book Description
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 464
Book Description
A Field of Honor
Author: Gregory S. Brown
Publisher: Columbia University Press
ISBN: 9780231503655
Category : History
Languages : en
Pages : 536
Book Description
Gregory S. Brown's A Field of Honor: The Identities of Writers, Court Culture and Public Theater in the French Intellectual Field from Racine to the Revolution offers a multilevel study of the intellectual, social, and institutional contexts of dramatic authorship and the world of playwrights in 18th-century Paris. Brown deftly interweaves research in archival and printed materials, case studies of individual authorial strategies, the rich, often contentious historiography on the French Enlightenment and contemporary cultural theory and criticism. Drawing on a sophisticated array of recent studies, Brown positions his work against and between the grain of alternative approaches and interpretations. He combines scholarship on the history of the book with analyses of political culture and cultural identity, leaving the reader with a strong and revealing appreciation for the tensions and crosscurrents staged at the center of the 18th-century "republic of letters."
Publisher: Columbia University Press
ISBN: 9780231503655
Category : History
Languages : en
Pages : 536
Book Description
Gregory S. Brown's A Field of Honor: The Identities of Writers, Court Culture and Public Theater in the French Intellectual Field from Racine to the Revolution offers a multilevel study of the intellectual, social, and institutional contexts of dramatic authorship and the world of playwrights in 18th-century Paris. Brown deftly interweaves research in archival and printed materials, case studies of individual authorial strategies, the rich, often contentious historiography on the French Enlightenment and contemporary cultural theory and criticism. Drawing on a sophisticated array of recent studies, Brown positions his work against and between the grain of alternative approaches and interpretations. He combines scholarship on the history of the book with analyses of political culture and cultural identity, leaving the reader with a strong and revealing appreciation for the tensions and crosscurrents staged at the center of the 18th-century "republic of letters."