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Author: Takahiko Iimura
Publisher: Wildside Press LLC
ISBN: 1434400824
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
"Taka iimura has been making films since the early 1960s. His work has gone through a series of relatively clear, consistent developments: from 1962 to 1968, iimura was largely involved with surreal imagery, with eroticism, and with social criticism; from 1968 through 1971, he continued to use photographic imagery, but worked with it in increasingly formal ways; from 1972 until 1978, he devoted himself very largely to a series of minimalist explorations of time and space. During the years since, iimura has been more fully involved with video than with film." --Scott MacDonald "Although Taka was and continues to be an active part of the New York avant-garde scene, he always remained an enigmatic, mysterious presence, pursuing his own unique route through the very center of the avant-garde cinema. While the intensity and the fire of the American avant-garde film movement inspired him and attracted him, his Japanese origins contributed decisively to his uncompromising explorations of cinema's minimalist and conceptualist possibilities. He has explored this direction of cinema in greater depth than anyone else." -- Jonas Mekas
Author: Takahiko Iimura
Publisher: Wildside Press LLC
ISBN: 1434400824
Category : Performing Arts
Languages : en
Pages : 202
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Book Description
"Taka iimura has been making films since the early 1960s. His work has gone through a series of relatively clear, consistent developments: from 1962 to 1968, iimura was largely involved with surreal imagery, with eroticism, and with social criticism; from 1968 through 1971, he continued to use photographic imagery, but worked with it in increasingly formal ways; from 1972 until 1978, he devoted himself very largely to a series of minimalist explorations of time and space. During the years since, iimura has been more fully involved with video than with film." --Scott MacDonald "Although Taka was and continues to be an active part of the New York avant-garde scene, he always remained an enigmatic, mysterious presence, pursuing his own unique route through the very center of the avant-garde cinema. While the intensity and the fire of the American avant-garde film movement inspired him and attracted him, his Japanese origins contributed decisively to his uncompromising explorations of cinema's minimalist and conceptualist possibilities. He has explored this direction of cinema in greater depth than anyone else." -- Jonas Mekas
Author: Slavko Kacunko
Publisher: Logos Verlag Berlin GmbH
ISBN: 3832538992
Category : Architecture
Languages : en
Pages : 383
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Book Description
By following and reproducing the cultural turn, the rhetoric of cultural mix and hybridism is disseminated today primarily in its crossing of trade barriers. Cultures reduced to their exchange value function as capital - an accumulative, speculative and, ultimately, financial affair. In some of its media and site-(un)specific manifestations, process art - which aims to encompass both old and new media art - seems to resist this pressure, despite, nonetheless, not being protected from regulations and incorporations. In the present collection of his recent essays, Slavko Kacunko discusses the process art by crossing the disciplines of art history and comparative media-, visual- and -cultural studies. As a first approximation, several historiographical remarks on closed-circuit video installations underline their importance as a core category of process art. In the second part, the problems of process art, seen as a threshold of art history, are further examined in another retroanalytical step, in which concepts and objects related to `mirror', `frame' and `immediacy' are analyzed as the triple delimitation of visual culture studies. In the third part, previously outlined manifestations of what is termed the `post-visual condition' are summarized and projected to the `coreless core' of the emerging art and research related to the coreless beings par excellence, the bacteria.
Author: P. Eckersall
Publisher: Springer
ISBN: 1137017384
Category : Social Science
Languages : en
Pages : 289
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Book Description
Performativity and Event in 1960s Japan considers the artists and events in 1960s Japan. In response to the social upheavals of the 1960s, it shows how art interacted with society in unique and transformational ways, nterweaving arguments about the critical role of performance as an artistic medium and as a social dramaturgy.
Author: Stephen Barber
Publisher: SCB Distributors
ISBN: 1909923818
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
"Beginning in 1993 with Artaud: Blows and Bombs, Stephen Barber has quietly, independently forged one of the most singular and enriching bodies of work in contemporary writing." -David Peace Over the three decades since 1990, Stephen Barber has written many essays and experimental writings around film and digital arts. For the first time, this collection in two parts assembles all of those writings, many otherwise unavailable, over seventy in all. Many of those writings explore unknown elements of vital bodies of work that remain inspirational for contemporary art, writing and film. Others interrogate the transmutations of cities - especially those of Europe and of Japan - across those three decades, anatomizing their urban futures. These writings are often residues from, or accompaniments to, Stephen Barber’s thirty books, short writings which possess their own distinctive and accumulating presence, and can display the interrogative resilience to explore preoccupations with greater intensity and pointedness than an entire book. THE RESIDUES, PART ONE collects 38 writings on subjects including Antonin Artaud, Jean Genet, Tatsumi Hijikata, Pierre Guyotat, and Friedrich Nietzsche.
Author: Stephen Barber
Publisher: SCB Distributors
ISBN: 1909923826
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
"Beginning in 1993 with Artaud: Blows and Bombs, Stephen Barber has quietly, independently forged one of the most singular and enriching bodies of work in contemporary writing." -David Peace Over the three decades since 1990, Stephen Barber has written many essays and experimental writings around film and digital arts. For the first time, this collection in two parts assembles all of those writings, many otherwise unavailable, over seventy in all. Many of those writings explore unknown elements of vital bodies of work that remain inspirational for contemporary art, writing and film. Others interrogate the transmutations of cities - especially those of Europe and of Japan - across those three decades, anatomizing their urban futures. These writings are often residues from, or accompaniments to, Stephen Barber’s thirty books, short writings which possess their own distinctive and accumulating presence, and can display the interrogative resilience to explore preoccupations with greater intensity and pointedness than an entire book. THE RESIDUES, PART TWO collects 30 writings on subjects including JG Ballard, Pier Paolo Pasolini, Donald Richie, and much more.
Author: Maryclare Foá
Publisher: Bloomsbury Publishing
ISBN: 135011300X
Category : Art
Languages : en
Pages : 396
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Book Description
What is 'performance drawing'? When does a drawing turn into a performance? Is the act of drawing in itself a performative process, whether a viewer is present or not? Through conversation, interviews and essays, the authors illuminate these questions, and what it might mean to perform, and what it might mean to draw, in a diverse and expressive contemporary practice since 1945. The term 'performance drawing' first appeared in the subtitle of Catherine de Zegher's Drawing Papers 20: Performance Drawings, in particular with reference to Alison Knowles and Elena del Rivero. In this book, it is used as a trope, and a thread of thinking, to describe a process dedicated to broadening the field of drawing through resourceful practices and cross-disciplinary influence. Featuring a wide range of international artists, this book presents pioneering practitioners, alongside current and emerging artists. The combination of experiences and disciplines in the expanded field has established a vibrant art movement that has been progressively burgeoning in the last few years. The Introduction contextualises the background and identifies contemporary approaches to performance drawing. As a way to embrace the different voices and various lenses in producing this book, the authors combine individual perspectives and critical methodology in the five chapters. While embedded in ephemerality and immediacy, the themes encompass body and energy, time and motion, light and space, imagined and observed, demonstrating how drawing can act as a performative tool. The dynamic interaction leads to a collective understanding of the term, performance drawing, and addresses the key developments and future directions of this applied drawing process.
Author: Kitchen Center for Video, Music, Dance, Performance, Film, and Literature (New York, N.Y.)
Publisher: Kitchen Center for Video, Dance, Performance, Film and Liter
ISBN:
Category : Art
Languages : en
Pages : 154
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Book Description
Author: Midori Yoshimoto
Publisher: Rutgers University Press
ISBN: 0813541050
Category : Art
Languages : en
Pages : 269
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Book Description
The 1960s was a time of incredible freedom and exploration in the art world, particularly in New York City, which witnessed the explosion of New Music, Happenings, Fluxus, New Dance, pop art, and minimalist art. Also notable during this period, although often overlooked, is the inordinate amount of revolutionary art that was created by women. Into Performance fills a critical gap in both American and Japanese art history as it brings to light the historical significance of five women artists—Yoko Ono, Yayoi Kusama, Takako Saito, Mieko Shiomi, and Shigeko Kubota. Unusually courageous and self-determined, they were among the first Japanese women to leave their country—and its male-dominated, conservative art world—to explore the artistic possibilities in New York. They not only benefited from the New York art scene, however, they played a major role in the development of international performance and intermedia art by bridging avant-garde movements in Tokyo and New York. This book traces the pioneering work of these five women artists and the socio-cultural issues that shaped their careers. Into Performance also explores the transformation of these artists' lifestyle from traditionally confined Japanese women to internationally active artists. Yoshimoto demonstrates how their work paved the way for younger Japanese women artists who continue to seek opportunities in the West today.
Author: Chris Meigh-Andrews
Publisher: A&C Black
ISBN: 0857851896
Category : Art
Languages : en
Pages : 579
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Book Description
A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists' video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists' video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet.
Author: Esther Schlicht
Publisher: Kerber Verlag
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
ZELLULOID is dedicated to a particular genre of artistic film, in which the image is generated directly, by physically processing the film strip. Unlike other forms of experimental film, the film material is interpreted as if it were a canvas by using a diverse range of artistic processes: through painting, drawing, collage on the celluloid, scores and scratches in the photographic emulsion, chemical manipulation or the direct lighting of photo-sensitive media. This exhibition catalogue contains outstanding examples of 'films without a camera' and features some 20 international artists and filmmakers from the 1930s to the present day. Published on the occasion of the exhibition Zelluloid: Film ohne Kamera, June ndash; August 2010, Schirn Kunsthalle Frankfurt. English and German text.
