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Author: John Millington Synge
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
room (although tight) on pp270 for LS barcode-if not drop in an extra 2 pages
Author: John Millington Synge
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 296
Get Book Here
Book Description
room (although tight) on pp270 for LS barcode-if not drop in an extra 2 pages
Author: Seán Hewitt
Publisher: Oxford University Press
ISBN: 0192606662
Category : Drama
Languages : en
Pages : 272
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Book Description
This book is a complete re-assessment of the works of J.M. Synge, one of Ireland's major playwrights. The book offers the first complete consideration of all of Synge's major plays and prose works in nearly 30 years, drawing on extensive archival research to offer innovative new readings. Much work has been done in recent years to uncover Synge's modernity and to emphasise his political consciousness. This book builds on this re-assessment, undertaking a full systematic exploration of Synge's published and unpublished works. Tracing his journey from an early Romanticism through to the more combative modernism of his later work, the book's innovative methodology treats text as process, and considers Synge's reading materials, his drafts, letters, diaries, and journalism, turning up exciting and unexpected revelations. Thus, Synge's engagement with occultism, pantheism, socialism, Darwinism, and even a late reaction against eugenic nationalisms, are all brought into the critical discussion. Breaking new ground in ascertaining the tenets of Synge's spirituality, and his aesthetic and political idealization of harmony with nature, the book also builds on new work in modernist studies, arguing that Synge can be understood as a leftist modernist, exhibiting many of the key concerns of early modernism, but routing them through a socialist politics. Thus, this book is valuable not only to considerations of Synge and the Irish Revival, but also to modernist studies more broadly.
Author: P. J. Mathews
Publisher: Cambridge University Press
ISBN: 113982483X
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
John Millington Synge was a leading literary figure of the Irish Revival who played a significant role in the founding of Dublin's Abbey Theatre in 1904. This Companion offers a comprehensive introduction to the whole range of Synge's work from well-known plays like Riders to the Sea, The Well of the Saints and The Playboy of the Western World, to his influential prose work The Aran Islands. The essays provide detailed and insightful analyses of individual texts, as well as perceptive reflections on his engagements with the Irish language, processes of decolonisation, gender, modernism and European culture. Critical accounts of landmark productions in Ireland and America are also included. With a guide to further reading and a chronology, this book will introduce students of drama, postcolonial studies, and Irish studies as well as theatregoers to one of the most influential and controversial dramatists of the twentieth century.
Author: Giulia Bruna
Publisher: Syracuse University Press
ISBN: 0815654111
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Between the late 1890s and the early 1900s, the young Irish writer John Millington Synge journeyed across his home country, documenting his travels intermittently for ten years. His body of travel writing includes the travel book The Aran Islands, his literary journalism about West Kerry and Wicklow published in various periodicals, and his articles for the Manchester Guardian about rural poverty in Connemara and Mayo. Although Synge’s nonfiction is often considered of minor weight compared with his drama, Bruna argues persuasively that his travel narratives are instances of a pioneering ethnographic and journalistic imagination. J. M. Synge and Travel Writing of the Irish Revival is the first comprehensive study of Synge’s travel writing about Ireland, compiled during the zeitgeist of the preindependence Revival movement. Bruna argues that Synge’s nonfiction subverts inherited modes of travel writing that put an emphasis on Empire and Nation. Synge’s writing challenges these grand narratives by expressing a more complex idea of Irishness grounded in his empathetic observation of the local rural communities he traveled amongst. Drawing from critically neglected revivalist travel literature, newspapers and periodicals, and visual and archival documents, Bruna sketches a new portrait of a seminal Irish Literary Renaissance figure and sheds new light on the itineraries of activism and literary engagement of the broader Revival movement.
Author: John Millington Synge
Publisher: Oxford University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 424
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Book Description
'This authoritative edition adds a dimension to our understanding of John Millington Synge...annotated in generous detail.' British Book News 'it is good to have all this material brought together, splendidly elucidated by Professor Saddlemyer's notes.' London Review of Books 'a model of editorial scholarship.' Times Higher Education Supplement
Author: Anthony Roche
Publisher: Bloomsbury Publishing
ISBN: 1408166003
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
The Irish Dramatic Revival was to radically redefine Irish theatre and see the birth of Ireland's national theatre, the Abbey, in 1904. From a consideration of such influential precursors as Boucicault and Wilde, Anthony Roche goes on to examine the role of Yeats as both founder and playwright, the one who set the agenda until his death in 1939. Each of the major playwrights of the movement refashioned that agenda to suit their own very different dramaturgies. Roche explores Synge's experimentation in the creation of a new national drama and considers Lady Gregory not only as a co-founder and director of the Abbey Theatre but also as a significant playwright. A chapter on Shaw outlines his important intervention in the Revival. O'Casey's four ground-breaking Dublin plays receive detailed consideration, as does the new Irish modernism that followed in the 1930s and which also witnessed the founding of the Gate Theatre in Dublin. The Companion also features interviews and essays by leading theatre scholars and practitioners Paige Reynolds, P.J. Mathews and Conor McPherson who provide further critical perspectives on this period of radical change in modern Irish theatre.
Author: Cóilín Parsons
Publisher: Oxford University Press
ISBN: 0198767706
Category : History
Languages : en
Pages : 262
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Book Description
The Ordnance Survey and Modern Irish Literature offers a fresh new look at the origins of literary modernism in Ireland. Beginning with the archives of the Ordnance Survey, which mapped Ireland between 1824 and 1846, the book argues that the roots of Irish modernism lie in the attempt by the Survey to produce a comprehensive archive of a land emerging rapidly into modernity. Drawing on literary theory, studies of space, the history of cartography andIrish Studies, the book paints a picture of Irish writing deeply engaged in the representation of the multi-layered landscape, and will appeal to students of Irish literature, modernism, Irish history, mapshistory, and theories of space and place.
Author: Christopher Collins
Publisher: Springer
ISBN: 1349948721
Category : Performing Arts
Languages : en
Pages : 307
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Book Description
This book considers the cultural residue from pre-Christian Ireland in Synge’s plays and performances. By dramatising a residual culture in front of a predominantly modern and political Irish Catholic middle class audience, the book argues that Synge attempted to offer an alternative understanding of what it meant to be “modern” at the beginning of the twentieth century. The book draws extensively on Synge’s archive to demonstrate how pre-Christian residual culture informed not just how he wrote and staged pre-Christian beliefs, but also how he thought about an older, almost forgotten culture that Catholic Ireland desperately wanted to forget. Each of Synge’s plays is considered in an individual chapter, and they identify how Synge’s dramaturgy was informed by pre-Christian beliefs of animism, pantheism, folklore, superstition and magical ritual.
Author: Harry White
Publisher: OUP Oxford
ISBN: 0191563161
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W.B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition of speech and song in his poetry, Synge, Shaw and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing. Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin and Janácek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry as music.
Author: Edward A. Kopper
Publisher: Greenwood
ISBN:
Category : Drama
Languages : en
Pages : 296
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Book Description
In this 'literary companion,' Kopper includes excellent chapters devoted to (1) brief biography and chronology, (2) Synge's prose, (3) each of his six plays, (4) poems, (5) use of Christian and pagan motifs, (6) use of Irish mythology, (7) literary influences on Synge, (8) Synge's relationship to the Irish Literary Renaissance, (9) Synge's language of women, (10) his use of language generally, and (11) an assessment of Synge's achievement. In addition, Kopper includes a superb select bibliography; a detailed list (with annotation) of characters, locales, and motifs; and stage histories of Synge's plays. . . . Strongly recommended all libraries--academic and public--maintaining 20th-century Anglo-Irish literature collections or general drama/theater collections. Choice This companion to Synge's work covers the important issues in Synge criticism from about 1900 to the present day. Each essay includes a bibliography, and a general bibliography follows. Also included are a brief chronology; a glossary of characters, locales, and motifs; and representative stage histories which also describe productions of Synge's plays in Ireland, the United States, and several other countries. The final essay is the editor's assessment of Synge's overall contribution, and the volume concludes with a general index. This work takes into account the prominence that Synge and other writers of the Irish Renaissance have attained in recent years in the worldwide academic community. The essays deal with Synge's use of language, his place in the Irish Renaissance, his reputation abroad, the forces that influenced his thought and writing, and the foreign productions of his plays. Each essay supplements the author's analysis with bibliographical citations and a synthesis of previous Synge criticism in order to allow for further research. By combining thorough coverage of the basic issues and sources of Synge criticism with fresh approaches provided by a group of distinguished scholars, Kopper has produced an important study of Synge and his milieu. It should prove valuable for college and university courses in modern literature and the Irish Renaissance, modern drama, and the theatre.
