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Author: M. Keith Booker
Publisher: Rowman & Littlefield
ISBN: 1538120879
Category : Performing Arts
Languages : en
Pages : 233
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Book Description
For more than three decades, Joel and Ethan Coen have produced some of the most unique and thought-provoking works in modern cinema. In broad comedies such as Raising Arizona, violent thrillers like No Country for Old Men, and black comedies such as Fargo, the filmmakers have offered brilliant takes on a variety of film genres. One of the most distinctive features of their movies is their skewed view of America itself. In The Coen Brothers’ America, M. Keith Booker discusses feature films produced by the pair since their 1984 debut Blood Simple. The author focuses on how the Coen brothers’ films engage with American cultural history and are embedded in specific geographical settings. From New York to Los Angeles, from Texas to Minnesota, the Coens capture the essence of real locations from unusual angles, which often make the films appear as if they are taking place in an alternate reality. In addition, many of the brothers’ films are steeped in America’s cultural past, from the deep south of the 1930s in O Brother, Where Art Thou to the Greenwich Village of the 1960s in Inside Llewyn Davis. The Coens make particularly effective use of films from Hollywood’s Golden Age, producing their own updated versions of such genres as film noir (The Man Who Wasn’t There), the Western (True Grit), and screwball comedy (The Hudsucker Proxy)—not to mention their idiosyncratic depictions of Hollywood itself in Barton Fink and Hail Caesar! This book also explores how the Coens draw upon cultural phenomena outside of film, including literature, music, and television. Approaching each film within the framework of Ethan and Joel’s overall vision. The Coen Brothers’ America provides an entertaining look at the pair’s work that will appeal to scholars and fans alike.
Author: M. Keith Booker
Publisher: Rowman & Littlefield
ISBN: 1538120879
Category : Performing Arts
Languages : en
Pages : 233
Get Book Here
Book Description
For more than three decades, Joel and Ethan Coen have produced some of the most unique and thought-provoking works in modern cinema. In broad comedies such as Raising Arizona, violent thrillers like No Country for Old Men, and black comedies such as Fargo, the filmmakers have offered brilliant takes on a variety of film genres. One of the most distinctive features of their movies is their skewed view of America itself. In The Coen Brothers’ America, M. Keith Booker discusses feature films produced by the pair since their 1984 debut Blood Simple. The author focuses on how the Coen brothers’ films engage with American cultural history and are embedded in specific geographical settings. From New York to Los Angeles, from Texas to Minnesota, the Coens capture the essence of real locations from unusual angles, which often make the films appear as if they are taking place in an alternate reality. In addition, many of the brothers’ films are steeped in America’s cultural past, from the deep south of the 1930s in O Brother, Where Art Thou to the Greenwich Village of the 1960s in Inside Llewyn Davis. The Coens make particularly effective use of films from Hollywood’s Golden Age, producing their own updated versions of such genres as film noir (The Man Who Wasn’t There), the Western (True Grit), and screwball comedy (The Hudsucker Proxy)—not to mention their idiosyncratic depictions of Hollywood itself in Barton Fink and Hail Caesar! This book also explores how the Coens draw upon cultural phenomena outside of film, including literature, music, and television. Approaching each film within the framework of Ethan and Joel’s overall vision. The Coen Brothers’ America provides an entertaining look at the pair’s work that will appeal to scholars and fans alike.
Author: Jesse Gerlach Ulmer
Publisher: McFarland
ISBN: 147665042X
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
For more than three decades, Joel and Ethan Coen have produced some of the most memorable and influential American roots music soundtracks in film history. From Raising Arizona (1987) to O Brother, Where Art Thou? (2000) to Inside Llewyn Davis (2013), the Coens, along with musical archivist and producer T-Bone Burnett, have curated half-forgotten yet unforgettable genres, artists and songs from America's cultural past for new audiences. This book is the first devoted to giving a full account of this rich cinematic legacy.
Author: Josh Levine
Publisher: ECW Press
ISBN: 1550224247
Category : Biography & Autobiography
Languages : en
Pages : 189
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Book Description
Full biography of the renowned film directors, the Coen brothers, and how they came to write, shoot, and direct some of the most gruesome, exhilarating, and funniest films of our time, including Barton Fink, Fargo, Blood Simple and the forthcoming George Clooney film O Brother, Where Art Thou?
Author: M. Keith Booker
Publisher: Rowman & Littlefield
ISBN: 1538130122
Category : Performing Arts
Languages : en
Pages : 655
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Book Description
One of the most powerful forces in world culture, American cinema has a long and complex history that stretches through more than a century. This history not only includes a legacy of hundreds of important films but also the evolution of the film industry itself, which is in many ways a microcosm of the history of American society. Historical Dictionary of American Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries covering people, films, companies, techniques, themes, and subgenres that have made American cinema such a vital part of world culture.
Author: M. Keith Booker
Publisher: Rowman & Littlefield
ISBN: 1538120879
Category : Performing Arts
Languages : en
Pages : 233
Get Book Here
Book Description
For more than three decades, Joel and Ethan Coen have produced some of the most unique and thought-provoking works in modern cinema. In broad comedies such as Raising Arizona, violent thrillers like No Country for Old Men, and black comedies such as Fargo, the filmmakers have offered brilliant takes on a variety of film genres. One of the most distinctive features of their movies is their skewed view of America itself. In The Coen Brothers’ America, M. Keith Booker discusses feature films produced by the pair since their 1984 debut Blood Simple. The author focuses on how the Coen brothers’ films engage with American cultural history and are embedded in specific geographical settings. From New York to Los Angeles, from Texas to Minnesota, the Coens capture the essence of real locations from unusual angles, which often make the films appear as if they are taking place in an alternate reality. In addition, many of the brothers’ films are steeped in America’s cultural past, from the deep south of the 1930s in O Brother, Where Art Thou to the Greenwich Village of the 1960s in Inside Llewyn Davis. The Coens make particularly effective use of films from Hollywood’s Golden Age, producing their own updated versions of such genres as film noir (The Man Who Wasn’t There), the Western (True Grit), and screwball comedy (The Hudsucker Proxy)—not to mention their idiosyncratic depictions of Hollywood itself in Barton Fink and Hail Caesar! This book also explores how the Coens draw upon cultural phenomena outside of film, including literature, music, and television. Approaching each film within the framework of Ethan and Joel’s overall vision. The Coen Brothers’ America provides an entertaining look at the pair’s work that will appeal to scholars and fans alike.
Author: Lynnea Chapman King
Publisher: Rowman & Littlefield
ISBN: 0810885778
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
Joel and Ethan Coen have written and directed some of the most celebrated American films of the last thirty years. The output of their work has embraced a wide range of genres, including the neo-noirs Blood Simple and The Man Who Wasn’t There, theabsurdist comedy Raising Arizona, and the violent gangster film Miller’s Crossing. Whether producing original works like Fargo and Barton Fink or drawing on inspiration from literature, such as Charles Portis’ True Grit or Cormac McCarthy’s No Country for Old Men, the brothers put their distinctive stamp on each film. In The Coen Brothers Encyclopedia, all aspects of these gifted siblings as writers, directors, producers, and even editors—in the guise of Roderick Jaynes—are discussed. Entries in this volume focus on creative personnel behind the camera, including costume designers, art directors, and frequent contributors like cinematographer Roger Deakins and composer Carter Burwell. Recurring actors are also represented, such as Jeff Bridges, Steve Buscemi, George Clooney, John Goodman, Holly Hunter, Frances McDormand, and John Turturro. Each entry is followed by a bibliography of published sources, both in print and online. From Blood Simple to Inside Llewyn Davis, The Coen Brothers Encyclopedia is a comprehensive reference on two of the most significant filmmakers of the last three decades. An engaging examination of their work, this volume will appeal to scholars, researchers, and fans interested in this creative duo.
Author: Jack Fischel
Publisher: Bloomsbury Publishing USA
ISBN: 0313087342
Category : Social Science
Languages : en
Pages : 513
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Book Description
This unique encyclopedia chronicles American Jewish popular culture, past and present in music, art, food, religion, literature, and more. Over 150 entries, written by scholars in the field, highlight topics ranging from animation and comics to Hollywood and pop psychology. Without the profound contributions of American Jews, the popular culture we know today would not exist. Where would music be without the music of Bob Dylan and Barbra Streisand, humor without Judd Apatow and Jerry Seinfeld, film without Steven Spielberg, literature without Phillip Roth, Broadway without Rodgers and Hammerstein? These are just a few of the artists who broke new ground and changed the face of American popular culture forever. This unique encyclopedia chronicles American Jewish popular culture, past and present in music, art, food, religion, literature, and more. Over 150 entries, written by scholars in the field, highlight topics ranging from animation and comics to Hollywood and pop psychology. Up-to-date coverage and extensive attention to political and social contexts make this encyclopedia is an excellent resource for high school and college students interested in the full range of Jewish popular culture in the United States. Academic and public libraries will also treasure this work as an incomparable guide to our nation's heritage. Illustrations complement the text throughout, and many entries cite works for further reading. The volume closes with a selected, general bibliography of print and electronic sources to encourage further research.
Author: Eddie Robson
Publisher: Random House
ISBN: 0753547708
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
Joel and Ethan Coen make up one of the most original and unconventional movie-making partnerships to come out of America at the end of the 20th century. From their debut tour de force Blood Simple to the hugely acclaimed The Man Who Wasn't There, the brothers' films have attracted critical kudos and commercial success in equal measure due to their irreverent, individual and technically virtuoso nature. Each of their films defies categorisation, yet you're never in any doubt you're watching a Coen brothers movie. This exploration of the movie career of Hollywood's best-loved outsiders charts their rise from cult favourites to box-office contenders, whilst combining indispensable reference material and critical analysis of their films.
Author: M. Keith Booker
Publisher: Rowman & Littlefield
ISBN: 1538194104
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
A deep dive into classic noir films and how filmmakers today are refreshing and updating the genre for new generations. Publishers Weekly praises the book, noting, "Cinephiles will be enthralled” and Library Journal says it's a "well-written introduction to noir films and how the genre has continued to thrive as times changed.”Booklist calls it a "riveting history of the film noir genre" in a starred review, saying, "This is one of the best, best written, most insightful analyses of film noir, and it demands to be read by fans of film history.” In American Noir Film, M. Keith Booker introduces readers to the cult-favorite genre of film noir and discusses the ongoing power and popularity of the genre’s key elements and themes in modern films, often considered neo-noir, well into the twenty-first century. Booker covers a wide range of noir favorites, from the early classics The Maltese Falcon and The Big Sleep, to late twentieth-century neo-noir such as Chinatown,and ultimately newer iterations of the genre as seen in such films as Inherent Vice, Promising Young Woman, and Uncut Gems. American Noir Film contains three separate parts, each exploring crucial categories of noir: the detective film, the lost man film, and femme fatale films. Within each section, Booker discusses the essential classic noir films that embody these themes as well as neo-noir films that invite viewers to analyze how the traditional components of noir have evolved with filmmaking. Finally, each section concludes with twenty-first-century films that evoke noir elements while refreshing the genre and enhancing viewers’ appreciation of the originals that inspired them—what Booker terms “revisionary noir.” Whether new to noir films, students of the genre, or long-time fans, readers will be sure to learn what makes this genre so special, discover why filmmakers keep coming back to it, and find a new favorite movie to add to their shelves.
Author: Sarah Woodland
Publisher: BRILL
ISBN: 9004363300
Category : Performing Arts
Languages : en
Pages : 167
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Book Description
In Remaking Gender and the Family, Sarah Woodland examines the complexities of Chinese-language cinematic remakes. With a particular focus on how changes in representations of gender and the family between two versions of the same film connect with perceived socio-cultural, political and cinematic values within Chinese society, Woodland explores how source texts are reshaped for their new audiences. In this book, she conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can highlight not just differences in attitudes towards gender across cultures, but also broader concerns relating to culture, genre, auteurism, politics and temporality.
