The Cities, the Towns, the Crowds PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Cities, the Towns, the Crowds PDF full book. Access full book title The Cities, the Towns, the Crowds by Brian H. Peterson. Download full books in PDF and EPUB format.
Author: Brian H. Peterson
Publisher: University of Pennsylvania Press
ISBN: 9780812238297
Category : Art
Languages : en
Pages : 178
Get Book Here
Book Description
A complete picture of Robert Spencer, one of the most recognizable of the Pennsylvania impressionist painters. From his beginnings as the son of a minister and early interest in painting, through his volatile home life and battle with depression, to his death by suicide, The Cities, The Towns, The Crowds presents the definitive portrait of a great American artist.
Author: Brian H. Peterson
Publisher: University of Pennsylvania Press
ISBN: 9780812238297
Category : Art
Languages : en
Pages : 178
Get Book Here
Book Description
A complete picture of Robert Spencer, one of the most recognizable of the Pennsylvania impressionist painters. From his beginnings as the son of a minister and early interest in painting, through his volatile home life and battle with depression, to his death by suicide, The Cities, The Towns, The Crowds presents the definitive portrait of a great American artist.
Author: Marcy Heidish
Publisher: WaterBrook
ISBN: 0307499022
Category : Religion
Languages : en
Pages : 242
Get Book Here
Book Description
Your City Guide to God Beneath the relentless rhythms of city life beats the heart of God, and award-winning author Marcy Heidish takes you into a more intimate relationship with him in the midst of crowds, chaos, and concrete. Her experiences from a curb in Brooklyn, the bay in San Francisco, a rooftop of Chartres Cathedaral in Paris, and the busy halls of Washington, D.C., help you see the city in a new light. She turns common city distractions, annoyances, and challenges into spiritual invitations or “gateways” to a new kind of contemplation where: •screaming sirens become cues to silent intercession, •skyscrapers, like spires, pull your eyes and thoughts heavenward, •and red traffic lights work as “pause” buttons that call for you to stop and pray. “In the city there is grit,” Marcy writes. And grime and garbage. But her practical tools in every chapter for reflection, discussion, and application help you see–whether you’re visiting, working, or dwelling in Philadelphia or Phoenix, New York or Los Angeles, Seattle or Syracuse–that in the city there is also grace.
Author: Charles Mackay
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Get Book Here
Book Description
Author: Mark Harrison
Publisher: Cambridge University Press
ISBN: 9780521520133
Category : History
Languages : en
Pages : 382
Get Book Here
Book Description
A fresh look at the crowd in relation to the urbanising process and the civic culture it inspired.
Author: David Clarke
Publisher: Routledge
ISBN: 1134797966
Category : Science
Languages : en
Pages : 270
Get Book Here
Book Description
The Cinematic City offers an innovative and thought-provoking insight into cityscape and screenscape and their inter-connection. Illustrated throughout with movie stills, a diverse selection of films (from 'Bladerunner' to 'Little Caesar'), genres, cities and historical periods are examined by leading names in the field. The key dimensions of film and urban theory are introduced before detailed analysis of the various cinematic forms which relate most significantly to the city. From early cinema and documentary film, to film noir, 'New Wave' and 'postmodern cinema', the contributors provide a wealth of empirical material and illustration whilst drawing on the theoretical insights of contemporary feminism, Benjamin, Baudrillard, Foucault, Lacan, and others. The Cinematic City shows how the city has been undeniably shaped by the cinematic form, and how cinema owes much of its nature to the historical development of urban space. Engaging with current theoretical debates, this is a book that is set to change the way in which we think about both the nature of the city and film. Contributors: Giuliana Bruno, Iain Chambers, Marcus Doel, David Clarke, Anthony Easthope, Elisabeth Mahoney, Will Straw, Stephen Ward, John Gold, James Hay, Rob Lapsley, Frank Krutnik
Author: Daniela Daniele
Publisher: BRILL
ISBN: 9004483233
Category : Social Science
Languages : en
Pages : 223
Get Book Here
Book Description
This book traces the origins of the Postmodern eclectic grammar of linguistic collision back in the Surrealist poetics of ruins. Keeping in mind the images of lost direction in the big city as a central figure in the discussion of both the Modern and Postmodern aesthetics of displacement, Daniele starts comparing the epiphanic encounters of the Baudelairian flâneur in metropolitan Paris - in constant search for the traces of a lost symbolic order - with Breton's enigmatic pursuit of Nadja, the elusive sphinx in the crowd who moves in a mental territory of puzzling condensations and of ineffable objets trouvé. In his visual and written work, Marcel Duchamp was probably the first artist to envision the space of the crowd as a trans-urban, multiple dimension: a cool arena of disjunctive encounters contributing to transform the Surrealist erotic space of desire in a cooler, open field of performance. Deeply influenced by Duchamp's hybrid aesthetics, American Postmodern writers such as Donald Barthelme and Thomas Pynchon, and the performance artist Laurie Anderson, represent metropolis as a “geographical incest”, as a plural, entropic semiosphere which transcends the notion of urban community to become the tolerant receptacle of an ethnic and discoursive multiplicity, an electronic area of linguistic collisions translatable in new fragmented and unfinished narratives. Evoking the assemblages of Abstract Expressionists, the debris of Simon Rodia “junk art”, and the hybrid language of Postmodern architecture, this neo-Surrealist narrative discourse transforms the epiphanic traces envisioned by the Baudelairian and Bretonian heroes in partial parodies, in enigmatic fragments whose ultimate source transcends the narrator's knowledge. The conceptual strategy which is constitutive of these texts implicitly asks the puzzled reader to disentangle the entropic plots, immerging him in the midst of a “linguistic wilderness,” where all opposites - fact and fiction, man and machine, man and female - enigmatically and humorously coexist.
Author: Gerard Charles Wilson
Publisher: Gerard Charles Wilson Publisher
ISBN: 1876262192
Category :
Languages : en
Pages : 155
Get Book Here
Book Description
A social history of Australia, not of the famous and heroic, but of the small people, the anonymous people who were the heartbeat of a growing nation What did kids do in the 1950s when there were no smartphones, tablets, and computers? They roamed the neighbourhood on scooters and bikes. They went on bush hikes. They went to Saturday matinees where the theatres were packed to the rafters, and kids yelled at hero-action and booed kissing. Most of their pleasures were self-made. Besides roaming the streets free of risk, kids enjoyed trips to the beach and zoo. They took a double-decker bus town to see the Christmas displays. Christmas in the city was a wonderland of toys and amusements. The decade of the 1950s now seems idyllic to many now in their seventies and eighties. It was so different from the first decades of the 21st century that those years now seem like another world, an impossible world of social and moral values. In today’s atmosphere, it seems hard to imagine it possessed any legitimate social and moral coherence. The author looks back on those years, telling the story as much about the world he grew up in as about himself. He starts from his birth in July 1946 and goes to the end of his second year at primary school, 1953, when he turned six and learnt to read. It was also the year that Princess Elizabeth was crowned Queen of England, a super-nova event for Australia. The author’s story involves his lifelong friend, Pete, a rubella baby, a condition which tragically took his already poor sight in his teenage years. Pete’s story, told as an adult without sight, is fascinating. The year 1946 was the year after the Second World War had ended. Despite an optimistic outlook, Australia was full of talk of the war – of the threat of war, of the suffering, of the shocking cruelty of the Japanese army, and of lost loved ones. The author’s upbeat father, just discharged from the navy with the rank of Chief Petty Officer, put it all behind him and began building the family’s first house in Lane Cove, a suburb on the north side of Sydney Harbour, and the scene of his childhood. Their new three-bedroom, double-brick home was like a palace. For a boy, who according to his mother had ants in his pants, the author remembers much about the social and political events that provoked his father into long and loud comment. He has clear memories of the Korean War, the activities of the communist-controlled unions, Prime Minister Menzies’ measures against them, and so much more. The local convent under the regime of the Mercy Sisters is an unmissable part of his story. He recalls with affection the sisters’ teaching methods and their strict regimentation of their pupils. He thinks some of their disciplinary methods, now condemned by many, are rather amusing to look back on. He regards that class of 1953 as the end of a phase in his development when he learnt to read. The following year, 1954, was rich in social and political events and will start the fourth book in the family history series, COMMUNISTS, BILLYCARTS AND TWO WHEELERS.
Author: Joanna Merwood-Salisbury
Publisher: University of Chicago Press
ISBN: 022660490X
Category : History
Languages : en
Pages : 309
Get Book Here
Book Description
Situated on Broadway between Fourteenth and Seventeenth Streets, Union Square occupies a central place in both the geography and the history of New York City. Though this compact space was originally designed in 1830 to beautify a residential neighborhood and boost property values, by the early days of the Civil War, New Yorkers had transformed Union Square into a gathering place for political debate and protest. As public use of the square changed, so, too, did its design. When Frederick Law Olmsted and Calvert Vaux redesigned the park in the late nineteenth century, they sought to enhance its potential as a space for the orderly expression of public sentiment. A few decades later, anarchists and Communist activists, including Emma Goldman, turned Union Square into a regular gathering place where they would advocate for radical change. In response, a series of city administrations and business groups sought to quash this unruly form of dissidence by remaking the square into a new kind of patriotic space. As Joanna Merwood-Salisbury shows us in Design for the Crowd, the history of Union Square illustrates ongoing debates over the proper organization of urban space—and competing images of the public that uses it. In this sweeping history of an iconic urban square, Merwood-Salisbury gives us a review of American political activism, philosophies of urban design, and the many ways in which a seemingly stable landmark can change through public engagement and design. Published with the support of Furthermore: a program of the J. M. Kaplan Fund.
Author: Michael J. Tan Creti
Publisher: Xlibris Corporation
ISBN: 1499081006
Category : Religion
Languages : en
Pages : 575
Get Book Here
Book Description
The Great Crowd is a social history of All Saints Episcopal Church of Omaha, Nebraska. Founded in 1885, precisely at the moment when Omaha was experiencing a spurt of rapid grown, the parish has continued to succeed as a religious community deeply enmeshed in the life of the city. It was from the beginning a distinctly urban parish and, as change came for the city, underwent its changes, including a major relocation of its facility. It also found itself navigating the changes in national culture and in the character of the larger Episcopal Church. Curiously, very different rectorseight in all, with different configurations of lay leadership drawn from across the cityresponded to these successive waves of change, and yet, they held on the conviction that they had maintained the unique identity of the parish that they had inherited from those who had gone before them. They did so in no small part by telling their story. Drawing from the parish archives, including its vestry minutes, correspondence, and publications the author, himself one of the eight rectors, has taken up a critical retelling the story bring up to 9/11, 2001. These pages contain a strange tapestry of names and faces, from Omahas cowboy mayor to its storied lawyers and devout bus drivers who melded themselves in that strange unity called a parish. In the authors telling, the story becomes a critical tool for understanding how a Christian community works and for providing a basis for a critical assessment of the purpose and meaning of religious community in American life.
Author: J. Timothy Cole
Publisher: McFarland
ISBN: 9780786480401
Category : Social Science
Languages : en
Pages : 208
Get Book Here
Book Description
Politics in Rutherford County were heated a century ago: the developing textile industry, the growing population, an agricultural crisis and race relations inflamed everyone. Mills Higgins Flack, a leader of the Farmers' Alliance and the county's first Populist in the state House, was allegedly murdered on August 28, 1900, by Avery Mills, an African American. This book documents the murder and the lynching of Avery Mills. The author (Flack's great-great-grandson) considers the phenomena of racial lynching, the Populist movement in the county, the white supremacy movement of the state's Democratic party and the county's KKK activities.
