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Author: Sean Redmond
Publisher: Columbia University Press
ISBN: 0231163320
Category : Performing Arts
Languages : en
Pages : 129
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Book Description
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan’s finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano’s oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano’s films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).
Author: Sean Redmond
Publisher: Columbia University Press
ISBN: 0231163320
Category : Performing Arts
Languages : en
Pages : 129
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Book Description
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan’s finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano’s oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano’s films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).
Author: Aaron Gerow
Publisher: Bloomsbury Publishing
ISBN: 1838716629
Category : Biography & Autobiography
Languages : en
Pages : 363
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Book Description
Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author relates the director to issues of contemporary cinema, Japanese national identity, and globalism.
Author:
Publisher:
ISBN: 9781885030290
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
Called "the world's most original action auteur" by the Village Voice, world-renowned Japanese filmmaker Takeshi Kitano is an enormously popular figure in his own country, not only for his films but for his legendary alter ego, comedian Beat Takeshi. The U.S. release this summer of his latest film, Kikujiro -- an official selection at Cannes 1999 -- will add to the recognition he gained here with Fireworks two years ago, and expose an even larger audience to the stylish noir aesthetic previously lauded by such directors as Martin Scorcese and Quentin Tarantino. Kitano's films have won awards at the Venice and Cannes film festivals, but despite his impact on contemporary cinema, Beat Takeshi vs. Takeshi Kitano is the first English language book to be published on his work. This collection of essays by Casio Abe, one of Japan's preeminent cultural critics, examines both Kitano's films and his Beat Takeshi persona, offering an incisive and revelatory critique of the Japanese consumer culture which Kitano's films and comedy both draw on and play against. Beat Takeshi vs. Takeshi Kitano is the first book in Kaya's Wicked Radiance series, which examines the work of the new wave of Asian filmmakers who are reshaping contemporary cinema.
Author: Hideaki Fujiki
Publisher: Bloomsbury Publishing
ISBN: 1844576817
Category : Performing Arts
Languages : en
Pages : 625
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Book Description
The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions
Author: Aaron Andrew Gerow
Publisher:
ISBN: 9781838711016
Category : Motion picture producers and directors
Languages : en
Pages : 0
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Book Description
The award-winning art film Hana-Bi, the stoic gangster elegy Sonatine, the surfer romance A Scene at the Sea, the absurdist comedy Getting Any?, the entertainment samurai spectacle Zatoichi-very different films made under one name Kitano Takeshi. Who is this varied and sometimes elusive Kitano Takeshi? What relationship does he have to Beat Takeshi, the name he also uses as an actor and immensely popular media personality in Japan? Is he an artistic auteur in the traditional sense, offering a singular vision easily identifiable in all his work, or a new kind of star who manages multiples identities, strategically changing them from film to film and situation to situation? This book will explore these issues of auteurship and stardom in the films of Kitano Takeshi especially as they relate to problems of personal and national identity in a Japan confronting an age of globalization. Starting in his early days as one side of a stand-up comedy duo, Kitano has used pairs throughout his films to deftly play out a liminal space between cinema and television, traditional and modern, Japan and the world. Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author, a renowned expert on Japanese cinema who himself participated in the debates about Kitano in Japan, relates the director to issues of contemporary cinema, Japanese national identity, and globalism.
Author: Aaron Andrew Gerow
Publisher: Univ of California Press
ISBN: 0520256727
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
In this study, Aaron Gerow focuses on the early period in which the institutional and narrational structure of Japanese cinema was in flux, arguing that the transnational intertext is less important than the power-laden operations by which the meaning of cinema itself was discursively defined. Both progressive critics of the 'pure film' movement and the more conservative Japanese cultural bureaucrats demanded a unitary text that suppressed the hybrid and unpredictable meanings attendant on early Japanese cinema's informal exhibition contexts. Gerow points out the irony that the progressive and individualist pure film movement critics worked in concert with the Japanese state to undo the 'theft' of Japanese cinema, proposing to replace representations of Japan in Western films by exporting a Japanese cinema 'reformed' to emulate the international norm.
Author: David Carter
Publisher: Oldacastle Books
ISBN: 1842433806
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
Film directors from East Asia frequently win top prizes at international film festivals, but few books have been published about them. The films of these countries reflect periods of great political turmoil, rapid modernization in the 20th century, and the conflicts between modern lifestyles and traditional values. Covering films and filmmakers from China, Hong Kong, Taiwan, Japan, and North and South Korea, this is an ideal reference work on all the major directors, including Akira Kurosawa, Won Kar Wai, Takeshi Kitano, Zhang Yimou, Shohei Imamura, Tsui Hark, and Takeshi Miike. Providing individual analyses on more than 100 key East Asian films and with checklists for the films of each country, this guide to an incredibly rich and diverse body of work is useful for both ardent fans and serious students.
Author: Justin Bowyer
Publisher: Wallflower Press
ISBN: 9781904764113
Category : History
Languages : en
Pages : 276
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Book Description
The Cinema of Japan and Korea is the fourth volume in the new 24 Frames series of studies of national and regional cinema, and focuses on the continuing vibrancy of Japanese and Korean film. The 24 concise and informative essays each approach an individual film or documentary, together offering a unique introduction to the cinematic output of the two countries. With a range that spans from silent cinema to the present day, from films that have achieved classic status to underground masterpieces, the book provides an insight into the breadth of the Japanese and Korean cinematic landscapes. Among the directors covered are Akira Kurosawa, Takeshi Kitano, Kim Ki-duk, Kenji Mizoguchi, Kinji Fukusaku, Kim Ki-young, Nagisa Oshima and Takashi Miike. Included are in-depth studies of films such as Battle Royale, Killer Butterfly, Audition, Violent Cop, In the Realm of the Senses, Tetsuo 2: Body Hammer, Teenage Hooker Becomes a Killing Machine, Stray Dog, A Page of Madness and Godzilla.
Author: Kashō Abe
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
The first volume in Kaya's series examining the work of a new wave of Asian filmmakers who are reshaping contemporary cinema Called "the world's most original action auteur" by the Village Voice, Takeshi Kitano is already legendary in Japan, where he is known both for his inventive films and for his legendarily caustic alter ego, comedian Beat Takeshi. In the United States, his stylishly noir aesthetic has both influenced and been admired by such directors as Martin Scorcese and Quentin Tarantino. His emotionally intense yet lyrical films have won him worldwide acclaim and honors, including the Grand Prix for Hanabi [Fireworks] at the Venice Film Festival. Now, the long-awaited Beat Takeshi vs. Takeshi Kitano offers a collection of essays on the internationally acclaimed film director by Casio Abe. Despite his impact on contemporary cinema, very little critical work on Kitano's films exists in the United States. Abe's book, originally published in Japan, combines a detailed look at Kitano's filmography with an incisive critique of the consumerist culture which Kitano's films play against. It is also purportedly Kitano's favorite book on his own work. This translation of Abe's writings on Kitano has been updated with articles that discuss Kitano's most recent releases, up to and including Dolls (2002), as well as extensive appendices and footnotes. Abe is one of Japan's preeminent cultural critics, and his book gives a rare and insightful look into the workings of one of the largest media cultures in the world. This will be the first book devoted exclusively to Kitano's work to be published in the United States. Beat Takeshi vs. Takeshi Kitano is the first volume in Kaya's Wicked Radiance series, which examines the work of a new wave of Asian filmmakers who are reshaping contemporary cinema.
Author: Jonathan Wroot
Publisher: Rowman & Littlefield
ISBN: 1793601224
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
The Paths of Zatoichi charts the history and influence of the Japanese film and television franchise about Zatoichi the blind swordsman. The franchise is comprised of 29 films and 100 TV episodes (starring the famous Shintaro Katsu, who starred in 26 of the 29 feature films). They all follow the adventures of a blind masseur in medieval Japan, who wanders from village to village and often has to defend himself with his deadly sword skills. The first film was released in 1962 and the most recent in 2010. These dates demonstrate how the franchise can be used as a means of charting Japanese cinema history, via the shifts in production practices and audience preferences which affected the Zatoichi series and numerous other film and TV texts. Zatoichi signifies a huge area of Japanese film history which has largely been ignored in much existing scholarly research, and yet it can reveal much about the appeal of long-running characters, franchises, and their constant adaptation and influence within global popular culture.
