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Author: Geoff King
Publisher: Bloomsbury Publishing USA
ISBN: 1501359282
Category : Performing Arts
Languages : en
Pages : 305
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Book Description
How do we understand types of cinema that offer experiences of discomfort, awkwardness or disquieting uncertainty? This book examines a number of examples of such work at the heart of contemporary art and indie film. While the commercial mainstream tends to offer comforting viewing experiences – or moments of discomfort that exist largely to be overcome – The Cinema of Discomfort analyses films in which discomfort is offered in a sustained manner. Cinema of this kind confronts us with material such as distinctly uncomfortable sexual encounters. It invites us into uncertain relationships with awkward and sometimes unlikable characters. It presents us with challenging behaviour or what are presented as uncomfortable realities. It often refuses information on which to base judgments. More discomfortingly, cinema of this kind tends to provoke uncertainty at the level of what emotional responses we are encouraged to have towards difficult, sometimes controversial, characters or events. The Cinema of Discomfort examines a number of case-studies, including Palindromes by Todd Solondz (US) and Dogtooth from Yorgos Lanthimos (Greece), along with other examples from Austria, Sweden, the UK, the US and Germany. Offering close textual analysis of the manner in which discomfort is generated, it also asks how we should understand the appeal of such work to certain viewers and how the existence of films of this kind can be explained, as products of both their socio-cultural context and the more particular institutional realms of art and indie film.
Author: Geoff King
Publisher: Bloomsbury Publishing USA
ISBN: 1501359282
Category : Performing Arts
Languages : en
Pages : 305
Get Book Here
Book Description
How do we understand types of cinema that offer experiences of discomfort, awkwardness or disquieting uncertainty? This book examines a number of examples of such work at the heart of contemporary art and indie film. While the commercial mainstream tends to offer comforting viewing experiences – or moments of discomfort that exist largely to be overcome – The Cinema of Discomfort analyses films in which discomfort is offered in a sustained manner. Cinema of this kind confronts us with material such as distinctly uncomfortable sexual encounters. It invites us into uncertain relationships with awkward and sometimes unlikable characters. It presents us with challenging behaviour or what are presented as uncomfortable realities. It often refuses information on which to base judgments. More discomfortingly, cinema of this kind tends to provoke uncertainty at the level of what emotional responses we are encouraged to have towards difficult, sometimes controversial, characters or events. The Cinema of Discomfort examines a number of case-studies, including Palindromes by Todd Solondz (US) and Dogtooth from Yorgos Lanthimos (Greece), along with other examples from Austria, Sweden, the UK, the US and Germany. Offering close textual analysis of the manner in which discomfort is generated, it also asks how we should understand the appeal of such work to certain viewers and how the existence of films of this kind can be explained, as products of both their socio-cultural context and the more particular institutional realms of art and indie film.
Author: Geoff King
Publisher: Bloomsbury Publishing
ISBN: 1786735563
Category : Performing Arts
Languages : en
Pages : 341
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Book Description
Art cinema occupies a space in the film landscape that is accorded a particular kind of value. From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how is art cinema positioned in the film marketplace, or by critics and in academic analysis? Exactly what kinds of cultural value are attributed to films of this type and how can this be explained? This book offers a unique analysis of how such processes work, including the broader cultural basis of the appeal of art cinema to particular audiences. Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified. At one end of the spectrum are films accorded the most 'heavyweight' status, offering the greatest challenges to viewers. Others mix aspects of art cinema with more accessible dimensions such as uses of popular genre frameworks and 'exploitation' elements involving explicit sex and violence. Including case studies of key figures such as Michael Haneke, Pedro Almodóvar and Jean-Pierre and Luc Dardenne, this is a crucial contribution to understanding both art cinema itself and the discourses through which its value is established.
Author: Frederick Luis Aldama
Publisher: University of Michigan Press
ISBN: 0472053000
Category : Art
Languages : en
Pages : 221
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Book Description
Describes and defends the centrality of discomfort for consumers of various arts--literature, architecture, visual art, music, dance, and cinema.
Author: Nikolaj Luebecker
Publisher: Edinburgh University Press
ISBN: 0748698000
Category : Performing Arts
Languages : en
Pages : 299
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Book Description
An analysis of what contemporary directors seek to attain by putting their spectators in a position of strong discomfort
Author: Bretton White
Publisher:
ISBN: 9781683401544
Category : Cuban drama
Languages : en
Pages : 0
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Book Description
"This volume examines how queer bodies are theatrically represented on the Cuban stage in ways that challenge the state's categorization and homogenization of individuals. Bretton White critically analyzes contemporary performances that upset traditional understandings of what constitutes the ideal Cuban citizenry"--
Author: Catherine Doyle
Publisher: Simon and Schuster
ISBN: 139854325X
Category : Young Adult Fiction
Languages : en
Pages : 332
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Book Description
Romeo and Juliet meets The Godfather in this thrilling Mafia romance from number one bestselling author Catherine Doyle. Sophie Gracewell’s only plans for the summer involve working at her family’s diner, hanging out with her best friend Millie, and generally keeping a low profile after the drama of her father’s arrest last year. But when five mysterious Italian brothers suddenly move into town, her life changes forever. Irresistibly drawn to bad boy Nic, Sophie finds herself falling into a dangerous criminal underworld governed by powerful families. When her own dark family secrets come to light, she must pick a side – the family she was born into, or the boy she is falling in love with. When she does, blood will spill and hearts will break… Praise for VENDETTA: ‘A grimy, tense, crime/gang thriller with a dynamic cast of characters; VENDETTA brings drama and realism to a dark story of grudges, revenge and passion.’ – Alice Oseman, author of SOLITAIRE and HEARTSTOPPER ‘I stayed up until Late o’clock finishing VENDETTA… It’s AWESOME. Great fighting. Great kissing.’ – C.J. Daugherty, author of the NIGHT SCHOOL series ‘A vibrant new twist on Romeo and Juliet. Full of energy and intrigue!’ Lucy Christopher, author of STOLEN ‘Fan-freaking-tastic … I honestly can’t say enough good things about it! I would read anything Cat Doyle writes after flying through VENDETTA!’ Victoria Scott, author of the FIRE & FLOOD series
Author: Julio Cabrera
Publisher: Cambridge Scholars Publishing
ISBN: 1527522806
Category : Philosophy
Languages : en
Pages : 280
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Book Description
This book explores the connections between the current situation of human beings in the world and ethics, connecting suffering with morality. The human condition can be described as marked by sensible suffering and moral difficulty. As such, this text discusses the rapports between this sensible and moral discomfort and the two moral requirements of not manipulating and not harming. The issue of procreation also arises within this context, specifically with regards to the conditions for responsible procreation and the moral quality of abstention.
Author: Geoff King
Publisher: Bloomsbury Publishing
ISBN: 0857716972
Category : Social Science
Languages : en
Pages : 224
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Book Description
What is the appeal of the contemporary Hollywood blockbuster? The sheer scale and impact of big special effects sequences is part of the attraction of films such as Independence Day, Jurassic Park, Titanic or Mission Impossible. But they also offer other appeals, including the dynamics of narrative. Spectacular Narratives is the first serious book-length treatment of the contemporary blockbuster, including the digital-effects-based spectacle, space fictions, the action film, war spectaculars, the recent wave of disaster movies and films evoking new technologies such as virtual reality. Consideration is also given to the impact of profitable spin-offs such as film-related theme park rides and computer games. Geoff King argues against the view that an emphasis on the spectacular has led to an erosion of the importance of narrative in Hollywood. Instead, he suggests, even the most spectacular and effects-led contemporary blockbuster offers a blend of appeals, mixing elements of spectacle and narrative. Narrative is explored at the levels of both linear story-telling and underlying thematic patterns, a particular emphasis being placed on the persistence of elements of the myth/ideology of the American frontier. Close textual analysis is combined with consideration of the industrial and social contexts of contemporary Hollywood in a readable, original and rewarding book on the cinema that dominates markets across the globe.
Author: Corey Ann Haydu
Publisher: HarperCollins
ISBN: 0062689843
Category : Juvenile Fiction
Languages : en
Pages : 268
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Book Description
Kirkus Best Books of 2019 * Kids’ Indie Next Pick List * Bookpage Best Books of 2019: Middle Grade “Beautiful, mysterious and deeply satisfying.” —Rebecca Stead, Newbery Medal-winning author of When You Reach Me and Goodbye Stranger The world tilted for Elodee this year, and now it’s impossible for her to be the same as she was before. Not when her feelings have such a strong grip on her heart. Not when she and her twin sister, Naomi, seem to be drifting apart. So when Elodee’s mom gets a new job in Eventown, moving seems like it might just fix everything. Indeed, life in Eventown is comforting and exciting all at once. Their kitchen comes with a box of recipes for Elodee to try. Everyone takes the scenic way to school or work—past rows of rosebushes and unexpected waterfalls. On blueberry-picking field trips, every berry is perfectly ripe. Sure, there are a few odd rules, and the houses all look exactly alike, but it’s easy enough to explain—until Elodee realizes that there are only three ice cream flavors in Eventown. Ever. And they play only one song in music class. Everything may be “even” in Eventown, but is there a price to pay for perfection—and pretending? “Engrossing.” —New York Times Book Review “Enchanting, heart-rending, and bittersweet.” —Kirkus Reviews (starred review) “An emotionally complex and wonderfully told story.” —School Library Journal (starred review) “Thought-provoking.” —Publishers Weekly (starred review)
Author: Chenshu Zhou
Publisher: Univ of California Press
ISBN: 0520974778
Category : Social Science
Languages : en
Pages : 281
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Book Description
At a time when what it means to watch movies keeps changing, this book offers a case study that rethinks the institutional, ideological, and cultural role of film exhibition, demonstrating that film exhibition can produce meaning in itself apart from the films being shown. Cinema Off Screen advances the idea that cinema takes place off screen as much as on screen by exploring film exhibition in China from the founding of the People’s Republic in 1949 to the end of the Cold War in the early 1990s. Drawing on original archival research, interviews, and audience recollections, Cinema Off Screen decenters the filmic text and offers a study of institutional operations and lived experiences. Chenshu Zhou details how the screening space, media technology, and the human body mediate encounters with cinema in ways that have not been fully recognized, opening new conceptual avenues for rethinking the ever-changing institution of cinema.
