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Author: Tom Milne
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
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Author: Tom Milne
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
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Author: David Bordwell
Publisher: Univ of California Press
ISBN: 9780520044500
Category : Performing Arts
Languages : en
Pages : 268
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Author: Tom Milne
Publisher:
ISBN: 9780302020579
Category :
Languages : en
Pages : 191
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Author: Jean Drum
Publisher: Scarecrow Press
ISBN: 1461669995
Category : Performing Arts
Languages : en
Pages : 366
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Book Description
In an industry that celebrates extravagance and showmanship, Danish film director Carl Th. Dreyer was a rarity, a man who guarded his privacy fiercely and believed that film provided a way to understand human nature by focusing on the individual person. Best known for his 1928 film The Passion of Joan of Arc, dominated by its emotionally harrowing close-ups of Joan during her trial, it was Dreyer who pioneered some of the seminal techniques of modern film, techniques that would later be made famous by better known contemporaries such as Sergei Eisenstein and D.W. Griffith. Now, in My Only Great Passion, the first full-length English language biography of Dreyer, Jean and Dale D. Drum restore his reputation to its rightful place. Based on extensive and exclusive interviews with both Dreyer and the people who worked with him—including personal correspondence dating back to 1952—this biography provides the most comprehensive critical examination to date of both Dreyer's life and his approach to filmmaking. A valuable resource for film critics and historians, those in the film industry, and university cinema departments, as well as anyone with an interest in Danish art and culture, My Only Great Passion provides long neglected insights into the man who first raised European film above the level of entertainment and placed it in the realm of art.
Author: Carl Theodor Dreyer
Publisher: Da Capo Press
ISBN:
Category : Motion pictures
Languages : en
Pages : 218
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Book Description
Carl-Theodor Dreyer (1889-1968) is recognized as one of the great stylists of the cinema. The Passion of Joan of Arc, Vampyr, Day of Wrath, Ordet and Gertrud are among the best-known works of this rigorous, austere and powerful film-maker.
Author: Jan Wahl
Publisher: University Press of Kentucky
ISBN: 0813136180
Category : Performing Arts
Languages : en
Pages : 194
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Regarded by many filmmakers and critics as one of the greatest directors in cinema history, Carl Theodor Dreyer (1889-1968) achieved worldwide acclaim after the debut of 'The Passion of Joan of Arc (1928). This book explores how, in 1955, student Jan Wahl spent an unforgettable summer with Dreyer during the filming of 'Ordet'.
Author: James Schamus
Publisher: University of Washington Press
ISBN: 0295801484
Category : Performing Arts
Languages : en
Pages : 128
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If there is one film in the canon of Carl Theodor Dreyer that can be said to be, as Jacques Lacan might put it, his most �painfully enjoyable,� it is Gertrud. The film's Paris premier in 1964 was covered by the Danish press as a national scandal; it was lambasted on its release for its lugubrious pace, wooden acting, and old-fashioned, stuffy milieu. Only later, when a younger generation of critics came to its defense, did the method in what appeared to be Dreyer's madness begin to become apparent. To make vivid just what was at stake for Dreyer, and still for us, in his final work, James Schamus focuses on a single moment in the film. He follows a trail of references and allusions back through a number of thinkers and artists (Boccaccio, Lessing, Philostratus, Charcot, and others) to reveal the richness and depth of Dreyer's work--and the excitement that can accompany cinema studies when it opens itself up to other disciplines and media. Throughout, Schamus pays particular attention to Dreyer's lifelong obsession with the �real,� developed through his practice of �textual realism,� a realism grounded not in standard codes of verisimilitude but on the force of its rhetorical appeal to its written, documentary sources. As do so many of the heroines of Dreyer's other films, such as La Passion de Jeanne d'Arc (1928), Gertrud serves as a locus for Dreyer's twin fixations; written texts, and the heroines who both embody and free themselves from them. Dreyer based Gertrud not only on Hjalmar Soderberg's play of 1906, but also on his own extensive research into the life of the �real� Gertrud, Maria van Platen, whose own words Dreyer interpolated into the film. By using his film as a kind of return to the real woman beneath the text, Dreyer rehearsed another lifelong journey, back to the poor Swedish girl who gave birth to him out of wedlock and who gave him up for adoption to a Danish family, a mother whose existence Dreyer only discovered later in life, long after she had died.
Author: Paul Matthew St. Pierre
Publisher: Rowman & Littlefield
ISBN: 1683931017
Category : Performing Arts
Languages : en
Pages : 311
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Book Description
Legendary Danish filmmaker Carl Theodor Dreyer (3 February 1889-20 March 1968) was born in Copenhagen to a single mother, Josefine Bernhardine Nilsson, a Swede. His Danish father, Jens Christian Torp, a married farmer, employed Nilsson as a housekeeper. After spending his first two years in orphanages, Dreyer was adopted by Carl Theodor Dreyer, a typographer, and his wife, Inger Marie Dreyer. He was given his adoptive father’s name. At age 16, he renounced his adoptive parents and worked his way into the film industry as a journalist, title card writer, screenwriter, and director. Throughout his career he concealed his birth name and the details of his upbringing and his adult private life, which included a period in which he explored his homosexual orientation and endured a nervous breakdown. Despite his relatively small output of fourteen feature films and seven documentary short films, 1919-64, he is considered one of the greatest filmmakers in history because of the diversity of his subjects, themes, techniques, and styles, and the originality of the bold visual grammar he mastered. In Cinematography of Carl Theodor Dreyer: Performative Camerawork, Transgressing the Frame, I argue: 1) that Dreyer, an anonymous orphan, an unsourced subject, manufactured his individuality through filmmaking, self-identifying by shrouding himself in the skin of film, and 2) that, as a screenwriter-director who blocked entire feature films in his imagination in advance—sets, lighting, photography, shot breakdowns, editing—and imposed his vision on camera operators, lighting directors, actors, and crews in production, he saw filmmaking essentially as camerawork and he directed in the style of a performative cinematographer.
Author: Raymond Carney
Publisher: CUP Archive
ISBN: 9780521378079
Category : Performing Arts
Languages : en
Pages : 388
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Book Description
Although Carl Dreyer is universally acknowledged to be one of the supreme masters of world cinema, it is one of the oddities of film history that beyond The Passion of Joan of Arc, his works have seldom had the general recognition that they undeniable deserve. This book is an attempt to bring his films to the awareness of contemporary filmgoers everywhere. The author argues that the key to an understanding of Dryers work is to be found in an appreciation of his distinctive style.
Author:
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Languages : en
Pages :
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