The Church of the Panaghia Tou Arakos at Lagoudhera, Cyprus PDF Download
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Author: David Winfield
Publisher: Harvard University Press
ISBN: 9780884022572
Category : Art
Languages : en
Pages : 490
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Book Description
"The book explains the language of Byzantine church decoration, discussing the methods of plastering that were used; setting out the proportional rules by which the painter was able to create a harmonious ensemble of scenes and figures; giving a detailed analysis of how the complex system of coloring was built up; and noting for the first time the constant changes made by a Byzantine painter as he worked, until he was fully satisfied that he had achieved the harmony and balance he wanted. Finally, the book illustrates the influence of Byzantine painting in the general development of early Renaissance wall painting."--BOOK JACKET.
Author: David Winfield
Publisher: Harvard University Press
ISBN: 9780884022572
Category : Art
Languages : en
Pages : 490
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Book Description
"The book explains the language of Byzantine church decoration, discussing the methods of plastering that were used; setting out the proportional rules by which the painter was able to create a harmonious ensemble of scenes and figures; giving a detailed analysis of how the complex system of coloring was built up; and noting for the first time the constant changes made by a Byzantine painter as he worked, until he was fully satisfied that he had achieved the harmony and balance he wanted. Finally, the book illustrates the influence of Byzantine painting in the general development of early Renaissance wall painting."--BOOK JACKET.
Author: Mati Meyer
Publisher: Pindar Press
ISBN: 1915837227
Category : Art
Languages : en
Pages : 571
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Book Description
Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.
Author: Gil Fishhof
Publisher: Routledge
ISBN: 0429515715
Category : History
Languages : en
Pages : 313
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Book Description
Settlement and Crusade in the Thirteenth Century sheds new light on formerly less explored aspects of the crusading movement and the Latin East during the thirteenth century. In commemoration of the 800th anniversary of the construction of 'Atlit Castle, a significant section of this volume is dedicated to the castle, which was one of the most impressive built in the Latin East. Scholarly debate has centred on the reasons behind the construction of the castle, its role in the defence of the Kingdom of Jerusalem during the thirteenth century, and its significance for the Templar order. The studies in this volume shed new light on diverse aspects of the site, including its cemetery and the surveys conducted there. Further chapters examine Cyprus during the thirteenth century, which under the Lusignan dynasty was an important centre of Latin settlement in the East, and a major trade centre. These chapters present new contributions regarding the complex visual culture which developed on the island, the relation between different social groups, and settlement patterns. Adopting a multidisciplinary approach, this book will be of interest to scholars and students of the medieval period, as well as those interested in the Crusades, archaeology, material culture, and art history.
Author: Angel Nicolaou Konnari
Publisher: BRILL
ISBN: 9004147675
Category : History
Languages : en
Pages : 452
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Book Description
The only one-volume scholarly survey of the ethnic groups, economy, religion, literature, and art of the multicultural Lusignan Kingdom of Cyprus during the first centuries of Frankish rule following the conquest of the Byzantine island in the Third Crusade.
Author: Rosa Bacile
Publisher: Routledge
ISBN: 1351191055
Category : Social Science
Languages : en
Pages : 724
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Book Description
"The sixteen papers collected in this volume explore points of contact across the Latin, Greek and Islamic worlds between c. 1000 and c. 1250. They arise from a conference organized by the British Archaeological Association in Palermo in 2012, and reflect its interest in patterns of cultural exchange across the Mediterranean, ranging from the importation of artefacts - textiles, ceramics, ivories and metalwork for the most part - to a specific desire to recruit eastern artists or emulate eastern Mediterranean buildings. The individual essays cover a wide range of topics and media: from the ways in which the Cappella Palatina in Palermo fostered contacts between Muslim artists and Christian models, the importance of dress and textiles in the wider world of Mediterranean design, and the possible use of Muslim-trained sculptors in the emergent architectural sculpture of late-11th-century northern Spain, to the significance of western saints in the development of Bethlehem as a pilgrimage centre and of eastern painters and techniques in the proliferation of panel painting in Catalonia around 1200. There are studies of buildings and the ideological purpose behind them at Canosa (Apulia), Feldebro (Hungary) and Charroux (Aquitaine), comparative studies of the domed churches of western France, significant reappraisals of the porphyry tombs in Palermo cathedral, the pictorial programme adopted in the Baptistery at Parma, and of the chapter-house paintings at Sigena, and wide-ranging papers on the migration of images of exotic creatures across the Mediterranean and on that most elusive and apparently Mediteranean of objects - the Oliphant. The volume concludes with a study of the emergence of a supra-regional style of architectural sculpture in the western Mediterranean and evident in Barcelona, Tarragona and Provence. It is a third volume, based on the British Archaeological Association's 2014 Conference in Barcelona, will explore Romanesque Patrons and Processes."
Author: Arthur Hubert Stanley Megaw
Publisher: Dumbarton Oaks
ISBN: 9780884022763
Category : Architecture
Languages : en
Pages : 598
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Book Description
Replete with mosaics and revetment, the basilica was the center of the ecclesiastical administration until its destruction in the late seventh century. In this long-awaited report, Megaw and colleagues present in full the results of excavations from the 1930s, 1950s, and 1970s.
Author: Henry Maguire
Publisher: Oxford University Press
ISBN: 0199766606
Category : Art
Languages : en
Pages : 219
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Book Description
Nature and Illusion is the first extended study of the portrayal of nature in Byzantine art and literature. It provides a new view of Byzantine art in relation to the medieval art of Western Europe.
Author: Aneilya Barnes
Publisher: Cambridge Scholars Publishing
ISBN: 1527502716
Category : Art
Languages : en
Pages : 295
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Book Description
This collection spans a vast chronology and territory, ranging from Old Kingdom Egypt to modern-day Slovenia and moving geographically from the centres to the peripheries of the Mediterranean and back again, including Antinoë, Calabria, Belgrade, and Paris. While this volume can be situated well within the context of Mediterranean studies, each essay serves as a micro-study that demonstrates one of the many ways in which Mediterranean communities have co-opted, appropriated, and adapted symbols from one another. As a result, this interdisciplinary volume adds something unique to each discipline represented within it (including history, anthropology, art history, literature, and philosophy, among others) while contributing to the greater discourse of Mediterranean studies. Furthermore, the essays collectively illustrate how symbols were distributed widely among Mediterranean communities and, consequently, further a dialogue about what “Mediterranean” might mean. Overall, the original content and its accessibility make the volume valuable to academics, graduate and undergraduate students, and general audiences alike.
Author: Lynn Jones
Publisher: Routledge
ISBN: 1351953834
Category : Art
Languages : en
Pages : 294
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Book Description
The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr’s work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of ’center’ and ’periphery’, expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr’s career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception.
Author: Foteini Spingou
Publisher: Cambridge University Press
ISBN: 1108643906
Category : History
Languages : en
Pages : 1683
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Book Description
In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.
