Author: Timothy Verdon
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 644
Book Description
Christianity and the Renaissance
Author: Timothy Verdon
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 644
Book Description
Sacred History
Author: Katherine Van Liere
Publisher: Oxford University Press on Demand
ISBN: 0199594791
Category : History
Languages : en
Pages : 364
Book Description
The first geographically broad, comparative survey of early modern 'sacred history', or writing on the history of the Christian Church, its leaders and saints, and its internal developments, in the two centuries from c. 1450 to c. 1650.
Publisher: Oxford University Press on Demand
ISBN: 0199594791
Category : History
Languages : en
Pages : 364
Book Description
The first geographically broad, comparative survey of early modern 'sacred history', or writing on the history of the Christian Church, its leaders and saints, and its internal developments, in the two centuries from c. 1450 to c. 1650.
The Sexuality of Christ in Renaissance Art and in Modern Oblivion
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022622631X
Category : Art
Languages : en
Pages : 426
Book Description
Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.
Publisher: University of Chicago Press
ISBN: 022622631X
Category : Art
Languages : en
Pages : 426
Book Description
Originally published in 1983, Leo Steinberg's classic work has changed the viewing habits of a generation. After centuries of repression and censorship, the sexual component in thousands of revered icons of Christ is restored to visibility. Steinberg's evidence resides in the imagery of the overtly sexed Christ, in Infancy and again after death. Steinberg argues that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation. This revised and greatly expanded edition not only adduces new visual evidence, but deepens the theological argument and engages the controversy aroused by the book's first publication.
Renaissance Religions
Author: Peter Howard
Publisher:
ISBN: 9782503590691
Category :
Languages : en
Pages : 350
Book Description
Several decades of cultural and inter-disciplinary scholarship have yielded, and continue to yield, new insights into the diversity of religious experience in Europe from the fifteenth through the seventeenth centuries. Revisionist approaches to humanism and humanists have led to a re-evaluation of the framing of belief; the boundaries between Christianity, Judaism, and Islam are seen to be more fluid and porous; a keen interest in devotion and materiality has lent new voice to 'subaltern' elements in society; sermon studies has emerged as a distinct discipline and a preacher's omissions are now understood to be often more telling than what was said; under the influence of the 'spatial turn' art and architectural history is generating new understandings of how belief and devotion translated into material culture; the emphasis in defining early modern Catholic culture and identity has moved from emphasizing reactions to Protestantism towards exploring roots and forms in fifteenth century reform movements; globalization, mass migration and issues surrounding social inclusion have re-positioned our understanding of reform in the late medieval and early modern period. The essays in this volume reflect these historiographical and methodological developments and are organized according to four themes: Negotiating Boundaries, Modelling Spirituality, Sense and Emotion, and Space and Form. This organization underscores how analysis of religious life clarifies the questions that are at the core of Renaissance studies today
Publisher:
ISBN: 9782503590691
Category :
Languages : en
Pages : 350
Book Description
Several decades of cultural and inter-disciplinary scholarship have yielded, and continue to yield, new insights into the diversity of religious experience in Europe from the fifteenth through the seventeenth centuries. Revisionist approaches to humanism and humanists have led to a re-evaluation of the framing of belief; the boundaries between Christianity, Judaism, and Islam are seen to be more fluid and porous; a keen interest in devotion and materiality has lent new voice to 'subaltern' elements in society; sermon studies has emerged as a distinct discipline and a preacher's omissions are now understood to be often more telling than what was said; under the influence of the 'spatial turn' art and architectural history is generating new understandings of how belief and devotion translated into material culture; the emphasis in defining early modern Catholic culture and identity has moved from emphasizing reactions to Protestantism towards exploring roots and forms in fifteenth century reform movements; globalization, mass migration and issues surrounding social inclusion have re-positioned our understanding of reform in the late medieval and early modern period. The essays in this volume reflect these historiographical and methodological developments and are organized according to four themes: Negotiating Boundaries, Modelling Spirituality, Sense and Emotion, and Space and Form. This organization underscores how analysis of religious life clarifies the questions that are at the core of Renaissance studies today
The Spiritual Language of Art: Medieval Christian Themes in Writings on Art of the Italian Renaissance
Author: Steven F.H. Stowell
Publisher: BRILL
ISBN: 9004283927
Category : History
Languages : en
Pages : 418
Book Description
Analyzing the literature on art from the fifteenth and sixteenth centuries, The Spiritual Language of Art explores the complex relationship between visual art and spiritual experiences during the Italian Renaissance. Though scholarly research on these writings has predominantly focused on the influence of classical literature, this study reveals that Renaissance authors consistently discussed art using terms, concepts and metaphors derived from spiritual literature. By examining these texts in the light of medieval sources, greater insight is gained on the spiritual nature of the artist’s process and the reception of art. Offering a close re-readings of many important writers (Alberti, Leonardo, Vasari, etc.), this study deepens our understanding of attitudes toward art and spirituality in the Italian Renaissance.
Publisher: BRILL
ISBN: 9004283927
Category : History
Languages : en
Pages : 418
Book Description
Analyzing the literature on art from the fifteenth and sixteenth centuries, The Spiritual Language of Art explores the complex relationship between visual art and spiritual experiences during the Italian Renaissance. Though scholarly research on these writings has predominantly focused on the influence of classical literature, this study reveals that Renaissance authors consistently discussed art using terms, concepts and metaphors derived from spiritual literature. By examining these texts in the light of medieval sources, greater insight is gained on the spiritual nature of the artist’s process and the reception of art. Offering a close re-readings of many important writers (Alberti, Leonardo, Vasari, etc.), this study deepens our understanding of attitudes toward art and spirituality in the Italian Renaissance.
The Architecture of the Christian Holy Land
Author: Kathryn Blair Moore
Publisher: Cambridge University Press
ISBN: 1316943135
Category : Art
Languages : en
Pages : 439
Book Description
In the absence of the bodies of Christ and Mary, architecture took on a special representational role during the Christian Middle Ages, marking out sites associated with the bodily presence of the dominant figures of the religion. Throughout this period, buildings were reinterpreted in relation to the mediating role of textual and pictorial representations that shaped the pilgrimage experience across expansive geographies. In this study, Kathryn Blair Moore challenges fundamental ideas within architectural history regarding the origins and significance of European recreations of buildings in Jerusalem, Bethlehem, and Nazareth. From these conceptual foundations, she traces and re-interprets the significance of the architecture of the Holy Land within changing religious and political contexts, from the First Crusade and the emergence of the Franciscan Custody of the Holy Land to the anti-Islamic crusade movements of the Renaissance, as well as the Reformation.
Publisher: Cambridge University Press
ISBN: 1316943135
Category : Art
Languages : en
Pages : 439
Book Description
In the absence of the bodies of Christ and Mary, architecture took on a special representational role during the Christian Middle Ages, marking out sites associated with the bodily presence of the dominant figures of the religion. Throughout this period, buildings were reinterpreted in relation to the mediating role of textual and pictorial representations that shaped the pilgrimage experience across expansive geographies. In this study, Kathryn Blair Moore challenges fundamental ideas within architectural history regarding the origins and significance of European recreations of buildings in Jerusalem, Bethlehem, and Nazareth. From these conceptual foundations, she traces and re-interprets the significance of the architecture of the Holy Land within changing religious and political contexts, from the First Crusade and the emergence of the Franciscan Custody of the Holy Land to the anti-Islamic crusade movements of the Renaissance, as well as the Reformation.
Strangeness and Recognition
Author: Chloë R. Reddaway
Publisher: Brepols Publishers
ISBN: 9782503581200
Category : Christian art and symbolism
Languages : en
Pages : 0
Book Description
How do you paint a figure who is fully human and fully divine? How do you paint Christ? Strangeness and Recognition takes a fresh look at well-known Renaissance paintings of Christ and shows how surprising and deeply 'strange' they can be. This book brings an imaginative and affective theological perspective to the viewing experience as it explores the twin roles played by 'strangeness' and 'recognition' in responding to the challenge of creating and relating to images of Christ. By confounding expectations and defamiliarising subject matter, the ambiguity and mystery of these paintings disturbs viewers' expectations and reconnects them with the extraordinary mystery of the Incarnation. While neither words nor images can fully describe God, through a questioning, challenging dialogue with paintings, whose visual language disrupts itself, viewers can be brought to the limits of their own understanding and can enter into transformative and personlike relationships with paintings. These personal exchanges lead through estrangement to the rediscovery of the familiar within the strange and the renewed within the familiar, and to the ultimately unspeakable, unpaintable, mystery of the Incarnation. Drawing on a diverse range of theologians, philosophers, art historians and art theorists, and building on her own earlier work, Chloe Reddaway shows the theological potential of Christian images, even when they are far removed from their original contexts. A major contribution to the emerging field of visual theology, this book will appeal to scholars of theology and art history alike, as well as to the museum-going public.
Publisher: Brepols Publishers
ISBN: 9782503581200
Category : Christian art and symbolism
Languages : en
Pages : 0
Book Description
How do you paint a figure who is fully human and fully divine? How do you paint Christ? Strangeness and Recognition takes a fresh look at well-known Renaissance paintings of Christ and shows how surprising and deeply 'strange' they can be. This book brings an imaginative and affective theological perspective to the viewing experience as it explores the twin roles played by 'strangeness' and 'recognition' in responding to the challenge of creating and relating to images of Christ. By confounding expectations and defamiliarising subject matter, the ambiguity and mystery of these paintings disturbs viewers' expectations and reconnects them with the extraordinary mystery of the Incarnation. While neither words nor images can fully describe God, through a questioning, challenging dialogue with paintings, whose visual language disrupts itself, viewers can be brought to the limits of their own understanding and can enter into transformative and personlike relationships with paintings. These personal exchanges lead through estrangement to the rediscovery of the familiar within the strange and the renewed within the familiar, and to the ultimately unspeakable, unpaintable, mystery of the Incarnation. Drawing on a diverse range of theologians, philosophers, art historians and art theorists, and building on her own earlier work, Chloe Reddaway shows the theological potential of Christian images, even when they are far removed from their original contexts. A major contribution to the emerging field of visual theology, this book will appeal to scholars of theology and art history alike, as well as to the museum-going public.
Christians and Jews in the Twelfth-Century Renaissance
Author: Dr Anna Brechta Sapir Abulafia
Publisher: Routledge
ISBN: 1134990251
Category : History
Languages : en
Pages : 208
Book Description
The twelfth century was a period of rapid change in Europe. The intellectual landscape was being transformed by new access to classical works through non-Christian sources. The Christian church was consequently trying to strengthen its control over the priesthood and laity and within the church a dramatic spiritual renewal was taking place. Christians and Jews in the Twelfth-Century Renaissance reveals the consequences for the only remaining non-Christian minority in the heartland of Europe: the Jews. Anna Abulafia probes the anti-Jewish polemics of scholars who used the new ideas to redefine the position of the Jews within Christian society. They argued that the Jews had a different capacity for reason since they had not reached the 'right' conclusion - Christianity. They formulated a universal construct of humanity which coincided with universal Christendom, from which the Jews were excluded. Dr Abulafia shows how the Jews' exclusion from this view of society contributed to their growing marginalization from the twelfth century onwards. Christians and Jews in the Twelfth-Century Renaissance is important reading for all students and teachers of medieval history and theology, and for all those with an interest in Jewish history.
Publisher: Routledge
ISBN: 1134990251
Category : History
Languages : en
Pages : 208
Book Description
The twelfth century was a period of rapid change in Europe. The intellectual landscape was being transformed by new access to classical works through non-Christian sources. The Christian church was consequently trying to strengthen its control over the priesthood and laity and within the church a dramatic spiritual renewal was taking place. Christians and Jews in the Twelfth-Century Renaissance reveals the consequences for the only remaining non-Christian minority in the heartland of Europe: the Jews. Anna Abulafia probes the anti-Jewish polemics of scholars who used the new ideas to redefine the position of the Jews within Christian society. They argued that the Jews had a different capacity for reason since they had not reached the 'right' conclusion - Christianity. They formulated a universal construct of humanity which coincided with universal Christendom, from which the Jews were excluded. Dr Abulafia shows how the Jews' exclusion from this view of society contributed to their growing marginalization from the twelfth century onwards. Christians and Jews in the Twelfth-Century Renaissance is important reading for all students and teachers of medieval history and theology, and for all those with an interest in Jewish history.
The Controversy of Renaissance Art
Author: Alexander Nagel
Publisher: University of Chicago Press
ISBN: 0226567729
Category : Art
Languages : en
Pages : 372
Book Description
Sansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this period was succeeded by a new era of cultural codification in the second half of the sixteenth century. --
Publisher: University of Chicago Press
ISBN: 0226567729
Category : Art
Languages : en
Pages : 372
Book Description
Sansovino successively dismantled and reconstituted the categories of art-making. Hardly capable of sustaining a program of reform, the experimental art of this period was succeeded by a new era of cultural codification in the second half of the sixteenth century. --
Rome and the Maronites in the Renaissance and Reformation
Author: Sam Kennerley
Publisher: Routledge
ISBN: 1000455815
Category : History
Languages : en
Pages : 185
Book Description
Rome and the Maronites in the Renaissance and Reformation provides the first in-depth study of contacts between Rome and the Maronites during the fifteenth and sixteenth centuries. This book begins by showing how the church unions agreed at the Council of Ferrara-Florence (1438-1445) led Catholics to endow an immense amount of trust in the orthodoxy of Christians from the east. Taking the Maronites of Mount Lebanon as its focus, it then analyses how agents in the peripheries of the Catholic world struggled to preserve this trust into the early sixteenth century, when everything changed. On one hand, this study finds that suspicion of Christians in Europe generated by the Reformation soon led Catholics to doubt the past and present fidelity of the Maronites and other Christian peoples of the Middle East and Africa. On the other, it highlights how the expansion of the Ottoman Empire caused many Maronites to seek closer integration into Catholic religious and military goals in the eastern Mediterranean. By drawing on previously unstudied sources to explore both Maronite as well as Roman perspectives, this book integrates eastern Christianity into the history of the Reformation, while re-evaluating the history of contact between Rome and the Christian east in the early modern period. It is essential reading for scholars and students of early modern Europe, as well as those interested in the Reformation, religious history, and the history of Catholic Orientalism.
Publisher: Routledge
ISBN: 1000455815
Category : History
Languages : en
Pages : 185
Book Description
Rome and the Maronites in the Renaissance and Reformation provides the first in-depth study of contacts between Rome and the Maronites during the fifteenth and sixteenth centuries. This book begins by showing how the church unions agreed at the Council of Ferrara-Florence (1438-1445) led Catholics to endow an immense amount of trust in the orthodoxy of Christians from the east. Taking the Maronites of Mount Lebanon as its focus, it then analyses how agents in the peripheries of the Catholic world struggled to preserve this trust into the early sixteenth century, when everything changed. On one hand, this study finds that suspicion of Christians in Europe generated by the Reformation soon led Catholics to doubt the past and present fidelity of the Maronites and other Christian peoples of the Middle East and Africa. On the other, it highlights how the expansion of the Ottoman Empire caused many Maronites to seek closer integration into Catholic religious and military goals in the eastern Mediterranean. By drawing on previously unstudied sources to explore both Maronite as well as Roman perspectives, this book integrates eastern Christianity into the history of the Reformation, while re-evaluating the history of contact between Rome and the Christian east in the early modern period. It is essential reading for scholars and students of early modern Europe, as well as those interested in the Reformation, religious history, and the history of Catholic Orientalism.