Author: Cheryl Samuel
Publisher: University of Oklahoma Press
ISBN: 9780806122991
Category : Social Science
Languages : en
Pages : 256
Book Description
Describes the origin of the Chilkat or Dancing blanket and provides detailed information on materials, spinning, dyeing and weaving techniques. Well illustrated.
The Chilkat Dancing Blanket
Author: Cheryl Samuel
Publisher: University of Oklahoma Press
ISBN: 9780806122991
Category : Social Science
Languages : en
Pages : 256
Book Description
Describes the origin of the Chilkat or Dancing blanket and provides detailed information on materials, spinning, dyeing and weaving techniques. Well illustrated.
Publisher: University of Oklahoma Press
ISBN: 9780806122991
Category : Social Science
Languages : en
Pages : 256
Book Description
Describes the origin of the Chilkat or Dancing blanket and provides detailed information on materials, spinning, dyeing and weaving techniques. Well illustrated.
The Raven's Tail
Author: Cheryl Samuel
Publisher: UBC Press
ISBN: 0774843187
Category : Art
Languages : en
Pages : 169
Book Description
To produce this book, Cheryl Samuel travelled to Leningrad, Copenhagen, and London to examine the six robes in Europe. She also studied the robes housed in museums in Canada and the United States. In 1985, she reconstructed Chief Kotlean's robe, using information she had gathered from her study of the actual robes and Tikhanov's paintings. In the process, she resurrected an old weaving style no longer used by the Native people on the northern coast. Through her extensive and careful research, Cheryl Samuel makes an important contribution to the knowledge of early Indian weaving.
Publisher: UBC Press
ISBN: 0774843187
Category : Art
Languages : en
Pages : 169
Book Description
To produce this book, Cheryl Samuel travelled to Leningrad, Copenhagen, and London to examine the six robes in Europe. She also studied the robes housed in museums in Canada and the United States. In 1985, she reconstructed Chief Kotlean's robe, using information she had gathered from her study of the actual robes and Tikhanov's paintings. In the process, she resurrected an old weaving style no longer used by the Native people on the northern coast. Through her extensive and careful research, Cheryl Samuel makes an important contribution to the knowledge of early Indian weaving.
A Companion to Textile Culture
Author: Jennifer Harris
Publisher: John Wiley & Sons
ISBN: 1118768906
Category : Design
Languages : en
Pages : 528
Book Description
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.
Publisher: John Wiley & Sons
ISBN: 1118768906
Category : Design
Languages : en
Pages : 528
Book Description
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.
Myths and Legends of Alaska
Author: Katharine Berry Judson
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 226
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 226
Book Description
Haa Tuwunáagu Yís, for Healing Our Spirit
Author: Nora Dauenhauer
Publisher: University of Washington Press
ISBN: 9780295968506
Category : Literary Criticism
Languages : en
Pages : 612
Book Description
A compendium of Tlingit oratory recorded in performance, featuring Tlingit texts with facing English translations and detailed annotations; photographs of the orators and the settings in which the speeches were delivered; and biographies of the elders. Most speeches were recorded on Canada's Northwest Coast, primarily in British Columbia, between 1968 and 1988, but two date from 1899. Includes references and glossary.
Publisher: University of Washington Press
ISBN: 9780295968506
Category : Literary Criticism
Languages : en
Pages : 612
Book Description
A compendium of Tlingit oratory recorded in performance, featuring Tlingit texts with facing English translations and detailed annotations; photographs of the orators and the settings in which the speeches were delivered; and biographies of the elders. Most speeches were recorded on Canada's Northwest Coast, primarily in British Columbia, between 1968 and 1988, but two date from 1899. Includes references and glossary.
Raven Tales
Author: Dennis Waller
Publisher: CreateSpace
ISBN: 9781499180619
Category : History
Languages : en
Pages : 146
Book Description
“The Tlingit and the Haida don't have myths; they are stories about our history” The Raven is as much a paradoxical creature as he is important in the myths of many native cultures. The central character of these stories, the Raven is considered the benevolent creator, filling the world with beauty and harmony, the master mind behind all that is good and looked upon with warm admiration. On the other hand, he is often viewed as a malevolent conniving, scheming trickster with self-gratification as his only goal. Including stories of the Raven eating the unsuspecting victim out of house and home or bidding someone to do his work, he is still the ultimate larger-than-life heroic figure within the myths. Whether it is creating animals or chasing down a woman to marry, one thing for sure, the Raven has left us with a rich and colorful history recorded in the myths and legends of the indigenous people. While the Raven appears throughout the world in mythology, our focus here will be centered on the Tlingit, Tsimshian, Haida, the Yupiit and Inupiat also known as the Eskimo, and the Athapascan Peoples of Alaska. What follows are 30 stories that seem to contradict each other adding to the confusion as to what or who this Raven really is. The cornerstone of this book is the Tlingit Creation Story which shows why the Raven is regarded as a grandfather to the people and is thought of with respect in asking for good health, good hunting, and for good fortune. It was the Raven that created man, the forest and the animals that inhabited them, the rivers and the fish that live in the water. In this context, the Raven is revered. However there are other stories that portray the Raven as a lazy scavenger, living off the hard work of others, or seeking sexual pleasure, the Raven is a shining example of how multi-faceted a myth can be. From being worship to being considered a lazy birdbrained (pardon the pun) imbecile, the Raven has most definitely left us with a fascinating collection of tales.
Publisher: CreateSpace
ISBN: 9781499180619
Category : History
Languages : en
Pages : 146
Book Description
“The Tlingit and the Haida don't have myths; they are stories about our history” The Raven is as much a paradoxical creature as he is important in the myths of many native cultures. The central character of these stories, the Raven is considered the benevolent creator, filling the world with beauty and harmony, the master mind behind all that is good and looked upon with warm admiration. On the other hand, he is often viewed as a malevolent conniving, scheming trickster with self-gratification as his only goal. Including stories of the Raven eating the unsuspecting victim out of house and home or bidding someone to do his work, he is still the ultimate larger-than-life heroic figure within the myths. Whether it is creating animals or chasing down a woman to marry, one thing for sure, the Raven has left us with a rich and colorful history recorded in the myths and legends of the indigenous people. While the Raven appears throughout the world in mythology, our focus here will be centered on the Tlingit, Tsimshian, Haida, the Yupiit and Inupiat also known as the Eskimo, and the Athapascan Peoples of Alaska. What follows are 30 stories that seem to contradict each other adding to the confusion as to what or who this Raven really is. The cornerstone of this book is the Tlingit Creation Story which shows why the Raven is regarded as a grandfather to the people and is thought of with respect in asking for good health, good hunting, and for good fortune. It was the Raven that created man, the forest and the animals that inhabited them, the rivers and the fish that live in the water. In this context, the Raven is revered. However there are other stories that portray the Raven as a lazy scavenger, living off the hard work of others, or seeking sexual pleasure, the Raven is a shining example of how multi-faceted a myth can be. From being worship to being considered a lazy birdbrained (pardon the pun) imbecile, the Raven has most definitely left us with a fascinating collection of tales.
The Gift
Author: Marcel Mauss
Publisher: Routledge
ISBN: 1136896848
Category : Social Science
Languages : en
Pages : 224
Book Description
First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Routledge
ISBN: 1136896848
Category : Social Science
Languages : en
Pages : 224
Book Description
First published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.
Weaving Arts Of The North American Indian
Author: Frederick Dockstader
Publisher: HarperCollins
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
A comprehensive survey of American Indian weaving examines all aspects of the textile artistry and techniques of the native peoples of North America, including information on looms and dyeing, weaving technology and design aesthetics, collecting and preserving Indian weavings, and more.
Publisher: HarperCollins
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
A comprehensive survey of American Indian weaving examines all aspects of the textile artistry and techniques of the native peoples of North America, including information on looms and dyeing, weaving technology and design aesthetics, collecting and preserving Indian weavings, and more.
The Book of Indian Crafts & Indian Lore
Author: Julian Harris Salomon
Publisher: HarperCollins Publishers
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 472
Book Description
Tells how various articles connected with Indian life were made and used. Some subjects included are Indian music, games, dances, and food. Grades 6-8.
Publisher: HarperCollins Publishers
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 472
Book Description
Tells how various articles connected with Indian life were made and used. Some subjects included are Indian music, games, dances, and food. Grades 6-8.
Northwest Coast Indian Art
Author: Bill Holm
Publisher: University of Washington Press
ISBN: 0295999500
Category : Art
Languages : en
Pages : 145
Book Description
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Publisher: University of Washington Press
ISBN: 0295999500
Category : Art
Languages : en
Pages : 145
Book Description
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027