Author: Frederik Byrn Køhlert
Publisher: Museum Tusculanum Press
ISBN: 8763507765
Category : History
Languages : en
Pages : 191
Book Description
The Chicago Literary Experience is a concise literary history of the city of Chicago. Taking as its thematic starting point the city's famous World's Columbian Exposition of 1893, the book provides an account of the city's rapid and in many ways unprecedented development from trading post to metropolis, and examines the many literary responses to this new urban environment. By contextualizing literature written about the city in these formative years, the book shows not only how the city influenced its writers, but also how these writers struggled to transform their urban environment into literary forms. Covering such aspect as the emergence of the novel of the businessman as cultural hero, the humorous newspaper columns of the late nineteenth century, and the Depression-era revitalization of Chicago literature from its ethnic neighborhoods, the book moves beyond the obvious "classics" and rediscovers a vibrant literary tradition that restores almost-forgotten writers such as Eugene Field and Floyd Dell to their place in American literary history. Given the historical approach and the breadth of material covered, the book will be valuable to anyone wanting to understand how American literature in this defining period moved from the farm to the city-and what happened to it once it had arrived. Authors discussed include Jane Addams, George Ade, Nelson Algren, Sherwood Anderson, Saul Bellow, Gwendolyn Brooks, Willa Cather, Floyd Dell, Theodore Dreiser, James T. Farrell, Eugene Field, Henry B. Fuller, Hamlin Garland, Robert Herrick, Jack London, Frank Norris, Carl Sandburg, Upton Sinclair and Richard Wright. Frederik Byrn Køhlert is a doctoral student at the University of Montreal. He has an MA in English from the University of Oregon and an MA in English and Scandinavian Literature from the University of Aarhus, Denmark.
The Chicago Literary Experience
Author: Frederik Byrn Køhlert
Publisher: Museum Tusculanum Press
ISBN: 8763507765
Category : History
Languages : en
Pages : 191
Book Description
The Chicago Literary Experience is a concise literary history of the city of Chicago. Taking as its thematic starting point the city's famous World's Columbian Exposition of 1893, the book provides an account of the city's rapid and in many ways unprecedented development from trading post to metropolis, and examines the many literary responses to this new urban environment. By contextualizing literature written about the city in these formative years, the book shows not only how the city influenced its writers, but also how these writers struggled to transform their urban environment into literary forms. Covering such aspect as the emergence of the novel of the businessman as cultural hero, the humorous newspaper columns of the late nineteenth century, and the Depression-era revitalization of Chicago literature from its ethnic neighborhoods, the book moves beyond the obvious "classics" and rediscovers a vibrant literary tradition that restores almost-forgotten writers such as Eugene Field and Floyd Dell to their place in American literary history. Given the historical approach and the breadth of material covered, the book will be valuable to anyone wanting to understand how American literature in this defining period moved from the farm to the city-and what happened to it once it had arrived. Authors discussed include Jane Addams, George Ade, Nelson Algren, Sherwood Anderson, Saul Bellow, Gwendolyn Brooks, Willa Cather, Floyd Dell, Theodore Dreiser, James T. Farrell, Eugene Field, Henry B. Fuller, Hamlin Garland, Robert Herrick, Jack London, Frank Norris, Carl Sandburg, Upton Sinclair and Richard Wright. Frederik Byrn Køhlert is a doctoral student at the University of Montreal. He has an MA in English from the University of Oregon and an MA in English and Scandinavian Literature from the University of Aarhus, Denmark.
Publisher: Museum Tusculanum Press
ISBN: 8763507765
Category : History
Languages : en
Pages : 191
Book Description
The Chicago Literary Experience is a concise literary history of the city of Chicago. Taking as its thematic starting point the city's famous World's Columbian Exposition of 1893, the book provides an account of the city's rapid and in many ways unprecedented development from trading post to metropolis, and examines the many literary responses to this new urban environment. By contextualizing literature written about the city in these formative years, the book shows not only how the city influenced its writers, but also how these writers struggled to transform their urban environment into literary forms. Covering such aspect as the emergence of the novel of the businessman as cultural hero, the humorous newspaper columns of the late nineteenth century, and the Depression-era revitalization of Chicago literature from its ethnic neighborhoods, the book moves beyond the obvious "classics" and rediscovers a vibrant literary tradition that restores almost-forgotten writers such as Eugene Field and Floyd Dell to their place in American literary history. Given the historical approach and the breadth of material covered, the book will be valuable to anyone wanting to understand how American literature in this defining period moved from the farm to the city-and what happened to it once it had arrived. Authors discussed include Jane Addams, George Ade, Nelson Algren, Sherwood Anderson, Saul Bellow, Gwendolyn Brooks, Willa Cather, Floyd Dell, Theodore Dreiser, James T. Farrell, Eugene Field, Henry B. Fuller, Hamlin Garland, Robert Herrick, Jack London, Frank Norris, Carl Sandburg, Upton Sinclair and Richard Wright. Frederik Byrn Køhlert is a doctoral student at the University of Montreal. He has an MA in English from the University of Oregon and an MA in English and Scandinavian Literature from the University of Aarhus, Denmark.
Chicago
Author: Frederik Byrn Køhlert
Publisher: Cambridge University Press
ISBN: 9781108477512
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
Chicago occupies a central position in both the geography and literary history of the United States. From its founding in 1833 through to its modern incarnation, the city has served as both a thoroughfare for the nation's goods and a crossroads for its cultural energies. The idea of Chicago as a crossroads of modern America is what guides this literary history, which traces how writers have responded to a rapidly changing urban environment and labored to make sense of its place in - and implications for - the larger whole. In writing that engages with the world's first skyscrapers and elevated railroads, extreme economic and racial inequality, a growing middle class, ethnic and multiethnic neighborhoods, the Great Migration of African Americans, and the city's contemporary incarnation as a cosmopolitan urban center, Chicago has been home to a diverse literature that has both captured and guided the themes of modern America.
Publisher: Cambridge University Press
ISBN: 9781108477512
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
Chicago occupies a central position in both the geography and literary history of the United States. From its founding in 1833 through to its modern incarnation, the city has served as both a thoroughfare for the nation's goods and a crossroads for its cultural energies. The idea of Chicago as a crossroads of modern America is what guides this literary history, which traces how writers have responded to a rapidly changing urban environment and labored to make sense of its place in - and implications for - the larger whole. In writing that engages with the world's first skyscrapers and elevated railroads, extreme economic and racial inequality, a growing middle class, ethnic and multiethnic neighborhoods, the Great Migration of African Americans, and the city's contemporary incarnation as a cosmopolitan urban center, Chicago has been home to a diverse literature that has both captured and guided the themes of modern America.
The Hard Crowd
Author: Rachel Kushner
Publisher: Simon and Schuster
ISBN: 1982157690
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
A career-spanning anthology of essays on politics and culture by the best-selling author of The Flamethrowers includes entries discussing a Palestinian refugee camp, an illegal Baja Peninsula motorcycle race, and the 1970s Fiat factory wildcat strikes.
Publisher: Simon and Schuster
ISBN: 1982157690
Category : Biography & Autobiography
Languages : en
Pages : 272
Book Description
A career-spanning anthology of essays on politics and culture by the best-selling author of The Flamethrowers includes entries discussing a Palestinian refugee camp, an illegal Baja Peninsula motorcycle race, and the 1970s Fiat factory wildcat strikes.
Love Known
Author: Richard Strier
Publisher:
ISBN: 9780226777177
Category : Poetry
Languages : en
Pages : 277
Book Description
This book changes the way we read one of the greatest masters of the lyric poem in English. Unlike much recent scholarship on George Herbert, Love Known demonstrates the inseparability of Herbert's theology and poetry. Richard Strier argues persuasively for a strongly Protestant Herbert who shared Luther's sense of the primacy of the doctrine of justification by faith. Cutting across traditional lines, the book is the first sustained study of the theological basis of Herbert's poetry, pointing out connections between Herbert and the Protestant "left" of his own and the following era. In each chapter, Strier closely analyzes a coherent group of Herbert's lyrics to reveal the theological motives of their movements and design. When placed in a theological context, the poems come into focus in a remarkable way: many hitherto puzzling or unnoticed details are clarified, some neglected poems emerge into prominence, and familiar poems like "Love" (III) and "The Collar" take on new cogency. The chapters build on one another , moving from the darker implications of "faith alone," the insistence on the pervasiveness of sin and pride, to the comforting implications of the doctrine, the assertion of the possibility of freedom from anxiety, and the defense of individual experience. Love Known thus offers not only a new historical approach to Herbert, but a new appreciation of the relationship between the psychological realism and human appeal of the lyrics and their theological core.
Publisher:
ISBN: 9780226777177
Category : Poetry
Languages : en
Pages : 277
Book Description
This book changes the way we read one of the greatest masters of the lyric poem in English. Unlike much recent scholarship on George Herbert, Love Known demonstrates the inseparability of Herbert's theology and poetry. Richard Strier argues persuasively for a strongly Protestant Herbert who shared Luther's sense of the primacy of the doctrine of justification by faith. Cutting across traditional lines, the book is the first sustained study of the theological basis of Herbert's poetry, pointing out connections between Herbert and the Protestant "left" of his own and the following era. In each chapter, Strier closely analyzes a coherent group of Herbert's lyrics to reveal the theological motives of their movements and design. When placed in a theological context, the poems come into focus in a remarkable way: many hitherto puzzling or unnoticed details are clarified, some neglected poems emerge into prominence, and familiar poems like "Love" (III) and "The Collar" take on new cogency. The chapters build on one another , moving from the darker implications of "faith alone," the insistence on the pervasiveness of sin and pride, to the comforting implications of the doctrine, the assertion of the possibility of freedom from anxiety, and the defense of individual experience. Love Known thus offers not only a new historical approach to Herbert, but a new appreciation of the relationship between the psychological realism and human appeal of the lyrics and their theological core.
Paper Minds
Author: Jonathan Kramnick
Publisher: University of Chicago Press
ISBN: 022657315X
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
How do poems and novels create a sense of mind? What does literary criticism say in conversation with other disciplines that addresses problems of consciousness? In Paper Minds, Jonathan Kramnick takes up these vital questions, exploring the relations between mind and environment, the literary forms that uncover such associations, and the various fields of study that work to illuminate them. Opening with a discussion of how literary scholarship’s particular methods can both complement and remain in tension with corresponding methods particular to the sciences, Paper Minds then turns to a series of sharply defined case studies. Ranging from eighteenth-century poetry and haptic theories of vision, to fiction and contemporary problems of consciousness, to landscapes in which all matter is sentient, to cognitive science and the rise of the novel, Kramnick’s essays are united by a central thematic authority. This unified approach of these essays shows us what distinctive knowledge that literary texts and literary criticism can contribute to discussions of perceptual consciousness, created and natural environments, and skilled engagements with the world.
Publisher: University of Chicago Press
ISBN: 022657315X
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
How do poems and novels create a sense of mind? What does literary criticism say in conversation with other disciplines that addresses problems of consciousness? In Paper Minds, Jonathan Kramnick takes up these vital questions, exploring the relations between mind and environment, the literary forms that uncover such associations, and the various fields of study that work to illuminate them. Opening with a discussion of how literary scholarship’s particular methods can both complement and remain in tension with corresponding methods particular to the sciences, Paper Minds then turns to a series of sharply defined case studies. Ranging from eighteenth-century poetry and haptic theories of vision, to fiction and contemporary problems of consciousness, to landscapes in which all matter is sentient, to cognitive science and the rise of the novel, Kramnick’s essays are united by a central thematic authority. This unified approach of these essays shows us what distinctive knowledge that literary texts and literary criticism can contribute to discussions of perceptual consciousness, created and natural environments, and skilled engagements with the world.
The Coast of Chicago
Author: Stuart Dybek
Publisher: Macmillan + ORM
ISBN: 1466806370
Category : Fiction
Languages : en
Pages : 187
Book Description
The stolid landscape of Chicago suddenly turns dreamlike and otherworldly in Stuart Dybek's classic story collection. A child's collection of bottle caps becomes the tombstones of a graveyard. A lowly rightfielder's inexplicable death turns him into a martyr to baseball. Strains of Chopin floating down the tenement airshaft are transformed into a mysterious anthem of loss. Combining homely detail and heartbreakingly familiar voices with grand leaps of imagination, The Coast of Chicago is a masterpiece from one of America's most highly regarded writers.
Publisher: Macmillan + ORM
ISBN: 1466806370
Category : Fiction
Languages : en
Pages : 187
Book Description
The stolid landscape of Chicago suddenly turns dreamlike and otherworldly in Stuart Dybek's classic story collection. A child's collection of bottle caps becomes the tombstones of a graveyard. A lowly rightfielder's inexplicable death turns him into a martyr to baseball. Strains of Chopin floating down the tenement airshaft are transformed into a mysterious anthem of loss. Combining homely detail and heartbreakingly familiar voices with grand leaps of imagination, The Coast of Chicago is a masterpiece from one of America's most highly regarded writers.
Character
Author: Amanda Anderson
Publisher: University of Chicago Press
ISBN: 022665866X
Category : Literary Criticism
Languages : en
Pages : 177
Book Description
Over the last few decades, character-based criticism has been seen as either naive or obsolete. But now questions of character are attracting renewed interest. Making the case for a broad-based revision of our understanding of character, Character rethinks these questions from the ground up. Is it really necessary to remind literary critics that characters are made up of words? Must we forbid identification with characters? Does character-discussion force critics to embrace humanism and outmoded theories of the subject? Across three chapters, leading scholars Amanda Anderson, Rita Felski, and Toril Moi reimagine and renew literary studies by engaging in a conversation about character. Moi returns to the fundamental theoretical assumptions that convinced literary scholars to stop doing character-criticism, and shows that they cannot hold. Felski turns to the question of identification and draws out its diverse strands, as well as its persistence in academic criticism. Anderson shows that character-criticism illuminates both the moral life of characters, and our understanding of literary form. In offering new perspectives on the question of fictional character, this thought-provoking book makes an important intervention in literary studies.
Publisher: University of Chicago Press
ISBN: 022665866X
Category : Literary Criticism
Languages : en
Pages : 177
Book Description
Over the last few decades, character-based criticism has been seen as either naive or obsolete. But now questions of character are attracting renewed interest. Making the case for a broad-based revision of our understanding of character, Character rethinks these questions from the ground up. Is it really necessary to remind literary critics that characters are made up of words? Must we forbid identification with characters? Does character-discussion force critics to embrace humanism and outmoded theories of the subject? Across three chapters, leading scholars Amanda Anderson, Rita Felski, and Toril Moi reimagine and renew literary studies by engaging in a conversation about character. Moi returns to the fundamental theoretical assumptions that convinced literary scholars to stop doing character-criticism, and shows that they cannot hold. Felski turns to the question of identification and draws out its diverse strands, as well as its persistence in academic criticism. Anderson shows that character-criticism illuminates both the moral life of characters, and our understanding of literary form. In offering new perspectives on the question of fictional character, this thought-provoking book makes an important intervention in literary studies.
A Street in Bronzeville
Author: Gwendolyn Brooks
Publisher: Library of America
ISBN: 1598533819
Category : Poetry
Languages : en
Pages : 68
Book Description
Gwendolyn Brooks was one of the most accomplished and acclaimed poets of the last century, the first black author to win the Pulitzer Prize and the first black woman to serve as poetry consultant to the Library of Congress—the forerunner of the U.S. Poet Laureate. Here, in an exclusive Library of America E-Book Classic edition, is her groundbreaking first book of poems, a searing portrait of Chicago’s South Side. “I wrote about what I saw and heard in the street,” she later said. “There was my material.”
Publisher: Library of America
ISBN: 1598533819
Category : Poetry
Languages : en
Pages : 68
Book Description
Gwendolyn Brooks was one of the most accomplished and acclaimed poets of the last century, the first black author to win the Pulitzer Prize and the first black woman to serve as poetry consultant to the Library of Congress—the forerunner of the U.S. Poet Laureate. Here, in an exclusive Library of America E-Book Classic edition, is her groundbreaking first book of poems, a searing portrait of Chicago’s South Side. “I wrote about what I saw and heard in the street,” she later said. “There was my material.”
Loving Literature
Author: Deidre Shauna Lynch
Publisher: University of Chicago Press
ISBN: 022618384X
Category : Literary Criticism
Languages : en
Pages : 335
Book Description
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
Publisher: University of Chicago Press
ISBN: 022618384X
Category : Literary Criticism
Languages : en
Pages : 335
Book Description
One of the most common—and wounding—misconceptions about literary scholars today is that they simply don’t love books. While those actually working in literary studies can easily refute this claim, such a response risks obscuring a more fundamental question: why should they? That question led Deidre Shauna Lynch into the historical and cultural investigation of Loving Literature. How did it come to be that professional literary scholars are expected not just to study, but to love literature, and to inculcate that love in generations of students? What Lynch discovers is that books, and the attachments we form to them, have played a vital role in the formation of private life—that the love of literature, in other words, is deeply embedded in the history of literature. Yet at the same time, our love is neither self-evident nor ahistorical: our views of books as objects of affection have clear roots in eighteenth- and nineteenth-century publishing, reading habits, and domestic history. While never denying the very real feelings that warm our relationship to books, Loving Literature nonetheless serves as a riposte to those who use the phrase “the love of literature” as if its meaning were transparent. Lynch writes, “It is as if those on the side of love of literature had forgotten what literary texts themselves say about love’s edginess and complexities.” With this masterly volume, Lynch restores those edges and allows us to revel in those complexities.
Precision and Soul
Author: Robert Musil
Publisher: University of Chicago Press
ISBN: 0226554090
Category : Literary Collections
Languages : en
Pages : 331
Book Description
"We do not have too much intellect and too little soul, but too little precision in matters of the soul."—Robert Musil Best known as author of the novel The Man without Qualities, Robert Musil wrote these essays in Vienna and Berlin between 1911 and 1937. Offering a perspective on modern society and intellectual life, they are concerned with the crisis of modern culture as it manifests itself in science and mathematics, capitalism and nationalism, the changing roles of women and writers, and more. Writing to find his way in a world where moral systems everywhere were seemingly in decay, Musil strives to reconcile the ongoing conflict between functional relativism and the passionate search for ethical values. Robert Musil was born in 1880 and died in 1942. His first novel, Young Törless, is available in English. A new two-volume translation by Burton Pike and Sophie Wilkins of The Man without Qualities is forthcoming from Alfred A. Knopf. "Now we have these thirty-one invaluable and entertaining pieces, from an article on 'The Obscene and Pathological in Art' to the equally provocative talk 'On Stupidity,' which, with a new translation of The Man without Qualities forthcoming . . . amount to a literary event for the reader of English comparable to Constance Garnett's massive translation of Chekhov's stories."—Joseph Coates, Chicago Tribune "Musil is one of the few great moderns, one of the handful who ventured to confront the issues that shape and define our time. . . . He has a range and a striking capacity every bit as great as that of Mann, Joyce, or Beckett."—Boston Review "These essays are crucial in understanding a writer and critic whose lifelong task was an attempt to resolve the dichotomy between the precision of scientific form and the soul—the matter of life and art."—Choice
Publisher: University of Chicago Press
ISBN: 0226554090
Category : Literary Collections
Languages : en
Pages : 331
Book Description
"We do not have too much intellect and too little soul, but too little precision in matters of the soul."—Robert Musil Best known as author of the novel The Man without Qualities, Robert Musil wrote these essays in Vienna and Berlin between 1911 and 1937. Offering a perspective on modern society and intellectual life, they are concerned with the crisis of modern culture as it manifests itself in science and mathematics, capitalism and nationalism, the changing roles of women and writers, and more. Writing to find his way in a world where moral systems everywhere were seemingly in decay, Musil strives to reconcile the ongoing conflict between functional relativism and the passionate search for ethical values. Robert Musil was born in 1880 and died in 1942. His first novel, Young Törless, is available in English. A new two-volume translation by Burton Pike and Sophie Wilkins of The Man without Qualities is forthcoming from Alfred A. Knopf. "Now we have these thirty-one invaluable and entertaining pieces, from an article on 'The Obscene and Pathological in Art' to the equally provocative talk 'On Stupidity,' which, with a new translation of The Man without Qualities forthcoming . . . amount to a literary event for the reader of English comparable to Constance Garnett's massive translation of Chekhov's stories."—Joseph Coates, Chicago Tribune "Musil is one of the few great moderns, one of the handful who ventured to confront the issues that shape and define our time. . . . He has a range and a striking capacity every bit as great as that of Mann, Joyce, or Beckett."—Boston Review "These essays are crucial in understanding a writer and critic whose lifelong task was an attempt to resolve the dichotomy between the precision of scientific form and the soul—the matter of life and art."—Choice