Author: Thomas Wright
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
The Chester Plays: A Collection Of Mysteries Founded Upon Scriptural Subjects, And Formerly Represented By The Trades Of Chester At Whitsuntide ; Edited By Thomas Wright, Esq. M.A., F.S.A., &c. Corresponding Member Of The Institute Of France
Author: Thomas Wright
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 336
Book Description
The Chester Plays: a Collection of Mysteries Founded Upon Scriptural Subjects, and Formerly Represented by the Trades of Chester at Whitsuntide
Author: Thomas Wright
Publisher:
ISBN:
Category : Chester plays
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category : Chester plays
Languages : en
Pages : 254
Book Description
The Chester Plays
Author: Thomas Wright
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 336
Book Description
The Chester Plays: A Collection of Mysteries Founded upon Scriptural Subjects, and Formerly Represented by the Trades of Chester at Whitsuntide
Author: Thomas Wright
Publisher: BoD – Books on Demand
ISBN: 3368733133
Category : Fiction
Languages : en
Pages : 330
Book Description
Reprint of the original, first published in 1843.
Publisher: BoD – Books on Demand
ISBN: 3368733133
Category : Fiction
Languages : en
Pages : 330
Book Description
Reprint of the original, first published in 1843.
The Cambridge History of English Literature
Author: Sir Adolphus William Ward
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 594
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 594
Book Description
The Cambridge History of English Litterature
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 536
Book Description
Censorship and the Representation of the Sacred in Nineteenth-Century England
Author: Jan-Melissa Schramm
Publisher: Oxford University Press
ISBN: 0192560557
Category : Literary Criticism
Languages : en
Pages : 422
Book Description
Throughout the nineteenth century, the performance of sacred drama on the English public stage was prohibited by law and custom left over from the Reformation: successive Examiners of Plays, under the control of the Lord Chamberlain's Office, censored and suppressed both devotional and blasphemous plays alike. Whilst the Biblical sublime found expression in the visual arts, the epic, and the oratorio, nineteenth-century spoken drama remained secular by force of precedent and law. The maintenance of this ban was underpinned by Protestant anxieties about bodily performance, impersonation, and the power of the image that persisted long after the Reformation, and that were in fact bolstered by the return of Catholicism to public prominence after the passage of the Catholic Relief Act in 1829 and the restoration of the Catholic Archbishoprics in 1850. But even as anti-Catholic prejudice at mid-century reached new heights, the turn towards medievalism in the visual arts, antiquarianism in literary history, and the 'popular' in constitutional reform placed England's pre- Reformation past at the centre of debates about the uses of the public stage and the functions of a truly national drama. This book explores the recovery of the texts of the extant mystery-play cycles undertaken by antiquarians in the early nineteenth century and the eventual return of sacred drama to English public theatres at the start of the twentieth century. Consequently, law, literature, politics, and theatre history are brought into conversation with one another in order to illuminate the history of sacred drama and Protestant ant-theatricalism in England in the long nineteenth-century.
Publisher: Oxford University Press
ISBN: 0192560557
Category : Literary Criticism
Languages : en
Pages : 422
Book Description
Throughout the nineteenth century, the performance of sacred drama on the English public stage was prohibited by law and custom left over from the Reformation: successive Examiners of Plays, under the control of the Lord Chamberlain's Office, censored and suppressed both devotional and blasphemous plays alike. Whilst the Biblical sublime found expression in the visual arts, the epic, and the oratorio, nineteenth-century spoken drama remained secular by force of precedent and law. The maintenance of this ban was underpinned by Protestant anxieties about bodily performance, impersonation, and the power of the image that persisted long after the Reformation, and that were in fact bolstered by the return of Catholicism to public prominence after the passage of the Catholic Relief Act in 1829 and the restoration of the Catholic Archbishoprics in 1850. But even as anti-Catholic prejudice at mid-century reached new heights, the turn towards medievalism in the visual arts, antiquarianism in literary history, and the 'popular' in constitutional reform placed England's pre- Reformation past at the centre of debates about the uses of the public stage and the functions of a truly national drama. This book explores the recovery of the texts of the extant mystery-play cycles undertaken by antiquarians in the early nineteenth century and the eventual return of sacred drama to English public theatres at the start of the twentieth century. Consequently, law, literature, politics, and theatre history are brought into conversation with one another in order to illuminate the history of sacred drama and Protestant ant-theatricalism in England in the long nineteenth-century.
English Mysteries and Miracle-plays
Author: Henry Ahn
Publisher:
ISBN:
Category : Mysteries and miracle-plays, English
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category : Mysteries and miracle-plays, English
Languages : en
Pages : 40
Book Description
To Chester and Beyond: Meaning, Text and Context in Early English Drama
Author: David Mills
Publisher: Taylor & Francis
ISBN: 1000950360
Category : History
Languages : en
Pages : 228
Book Description
This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Mills was one of these four key scholars whose work has changed what is known about English medieval drama and theatre. He made major contributions to understanding English medieval theatre in the widest sense but more specifically to the nature and development of medieval plays and their performance at Chester. The scope of his work from manuscript to performance has created new knowledge and insights brought about by his remarkable technical skill as an editor and researcher. His texts of the Chester Cycle of Mystery Plays have become the standard works. In the light of this outstanding research the volume is comprised of four sections: 1. Editors and Editing; 2. Cultural Contexts; 3. Staging and Performance; 4. Criticism and Evaluation. An editorial introduction opens the work.
Publisher: Taylor & Francis
ISBN: 1000950360
Category : History
Languages : en
Pages : 228
Book Description
This volume brings together a selection of the major articles of David Mills (1938-2013), which along with similar volumes by Alexandra F. Johnston, Peter Meredith and Meg Twycross makes up a set of "Shifting Paradigms in Early English Drama Studies". Mills was one of these four key scholars whose work has changed what is known about English medieval drama and theatre. He made major contributions to understanding English medieval theatre in the widest sense but more specifically to the nature and development of medieval plays and their performance at Chester. The scope of his work from manuscript to performance has created new knowledge and insights brought about by his remarkable technical skill as an editor and researcher. His texts of the Chester Cycle of Mystery Plays have become the standard works. In the light of this outstanding research the volume is comprised of four sections: 1. Editors and Editing; 2. Cultural Contexts; 3. Staging and Performance; 4. Criticism and Evaluation. An editorial introduction opens the work.
Bibliotheca Lindesiana ...
Author: James Ludovic Lindsay Earl of Crawford
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1378
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1378
Book Description