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Author: Mine Doğantan-DacK
Publisher: MDPI
ISBN: 3038975621
Category : Social Science
Languages : en
Pages : 334
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Book Description
In recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making is a matter of intercorporeality, mutuality, and emphatic attunement; and that creative agency in musical practices is fundamentally a distributed phenomenon. Chamber music provides an ideal context for the testing and actualization of these notions. This Special Issue on chamber music and the chamber musician aims to explore the psychological, social, cultural, historical, and artistic issues in the practice of classical chamber music in the twenty-first century. Contributions are invited on any of these aspects and issues involved in being a contemporary classical chamber musician. Authors are encouraged to contextualise their research by reference to the recent literature on collaborative musicking, and among the topics they may choose to address are the cultural and musical demands chamber musicians face and the implications of these demands for their artistic practice, the ways the twenty-first-century chamber musicians engage with historical practices, the newly emerging musical identities and artistic roles available to them, and expressivity in current chamber music practices.
Author: Mine Doğantan-DacK
Publisher: MDPI
ISBN: 3038975621
Category : Social Science
Languages : en
Pages : 334
Get Book Here
Book Description
In recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making is a matter of intercorporeality, mutuality, and emphatic attunement; and that creative agency in musical practices is fundamentally a distributed phenomenon. Chamber music provides an ideal context for the testing and actualization of these notions. This Special Issue on chamber music and the chamber musician aims to explore the psychological, social, cultural, historical, and artistic issues in the practice of classical chamber music in the twenty-first century. Contributions are invited on any of these aspects and issues involved in being a contemporary classical chamber musician. Authors are encouraged to contextualise their research by reference to the recent literature on collaborative musicking, and among the topics they may choose to address are the cultural and musical demands chamber musicians face and the implications of these demands for their artistic practice, the ways the twenty-first-century chamber musicians engage with historical practices, the newly emerging musical identities and artistic roles available to them, and expressivity in current chamber music practices.
Author: Samantha Bassler
Publisher: Liverpool University Press
ISBN: 1638040869
Category : Music
Languages : en
Pages : 312
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Book Description
2023 marks 400 years since the death of English renaissance composer, William Byrd. Byrd's rich musical oeuvre and storied career has long captured the attention of audiences and scholars alike. This all-new collected edition marks his anniversary with thirteen brand-new essays from leading scholars on Byrd's musical life and legacy.
Author: Susan Hochmiller
Publisher: Rowman & Littlefield
ISBN: 1538105179
Category : Music
Languages : en
Pages : 245
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Book Description
Vocal chamber music encompasses a wide range of music composed for anything from a solo to twelve voices and instruments. Performing chamber music offers the singer a unique opportunity to increase collaboration with instrumentalists and improve technique, musicianship, artistry, and communication. So You Want to Sing Chamber Music offers a comprehensive guide to learning, rehearsing, and performing in this genre. The book explores such critical skills as choosing repertoire that is appropriate for one’s voice type, communicating with wind players and string players, preparing for a successful rehearsal, performance style, staging considerations, and recital programming. Also included are suggestions on using vocal chamber music as a pedagogical tool in the voice studio, alongside recommendations for listening and further reading. Additional chapters by Scott McCoy and Wendy LeBorgne address universal questions of voice science, pedagogy, and vocal health. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Chamber Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources
Author: Edward Klorman
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359
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Book Description
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Author: Raymond David Burkhart
Publisher: Lulu.com
ISBN: 1365135195
Category : Art
Languages : en
Pages : 348
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Book Description
This study of brass chamber music in lyceum and chautauqua fills a lacuna in brass history. It explores the forgotten phenomenon of the many chamber brass ensembles that entertained millions of Americans from coast to coast from 1877 to 1939 and presents histories of sixty-one ensembles that performed music for brass trio, brass quartet, brass quintet, and brass sextet for lyceum and chautauqua audiences. The author also writes about the large repertoire of music for small brass ensembles that he discovered was published in America from 1875 through the 1920s. This First American Chamber Brass School is discussed in one of five overviews of the principal eras in brass chamber music history that form the most comprehensive history of brass chamber music written in fifty years. Paperback.
Author: Marco Katz Montiel
Publisher: Springer
ISBN: 1137433337
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Offering a one-of-a-kind approach to music and literature of the Americas, this book examines the relationships between musical protagonists from Colombia, Cuba, and the United States in novels by writers such as Gabriel García Márquez, Alejo Carpentier, Zora Neale Hurston, and John Okada.
Author: Sally Macarthur
Publisher: Routledge
ISBN: 131700910X
Category : Music
Languages : en
Pages : 206
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Book Description
Towards a Twenty-First-Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution' in a liberal feminist sense, but to discover new potentialities, new possibilities for thought and action. Sally Macarthur encourages us, with the assistance of Deleuze, and feminist-Deleuzian work, to begin the important work of imagining what else might be possible, not in order to provide answers but to open up the as yet unknown. The power of thought - or what Deleuze calls the 'virtual' - opens up new possibilities. Macarthur suggests that the future for women's 'new' music is not tied to the predictable and known but to futures beyond the already-known. Previous research concludes that women's music is virtually absent from the concert hall, and yet fails to find a way of changing this situation. Macarthur finds that the flaw in the recommendations flowing from past research is that it envisages the future from the standpoint of the present, and it relies on a set of pre-determined goals. It thus replicates the present reality, so reinforcing rather than changing the status quo. Macarthur challenges this thinking, and argues that this repetitive way of thinking is stuck in the present, unable to move forward. Macarthur situates her argument in the context of current dominant neoliberal thought and practice. She argues that women have generally not thrived in the neoliberal model of the composer, which envisages the composer as an individual, autonomous creator and entrepreneur. Successful female composers must work with this dominant, modernist aesthetic and exploit the image of the neo-romantic, entrepreneurial creator. This book sets out in contrast to develop a new conception of subjectivity that sows the seeds of a twenty-first-century feminist politics of music.
Author: Dr Sally Macarthur
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409494160
Category : Music
Languages : en
Pages : 210
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Book Description
Towards a Twenty-First-Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution' in a liberal feminist sense, but to discover new potentialities, new possibilities for thought and action. Sally Macarthur encourages us, with the assistance of Deleuze, and feminist-Deleuzian work, to begin the important work of imagining what else might be possible, not in order to provide answers but to open up the as yet unknown. The power of thought - or what Deleuze calls the 'virtual' - opens up new possibilities. Macarthur suggests that the future for women's 'new' music is not tied to the predictable and known but to futures beyond the already-known. Previous research concludes that women's music is virtually absent from the concert hall, and yet fails to find a way of changing this situation. Macarthur finds that the flaw in the recommendations flowing from past research is that it envisages the future from the standpoint of the present, and it relies on a set of pre-determined goals. It thus replicates the present reality, so reinforcing rather than changing the status quo. Macarthur challenges this thinking, and argues that this repetitive way of thinking is stuck in the present, unable to move forward. Macarthur situates her argument in the context of current dominant neoliberal thought and practice. She argues that women have generally not thrived in the neoliberal model of the composer, which envisages the composer as an individual, autonomous creator and entrepreneur. Successful female composers must work with this dominant, modernist aesthetic and exploit the image of the neo-romantic, entrepreneurial creator. This book sets out in contrast to develop a new conception of subjectivity that sows the seeds of a twenty-first-century feminist politics of music.
Author: Victor Rangel-Ribeiro
Publisher:
ISBN: 9780816022960
Category : Music
Languages : en
Pages : 271
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Book Description
Few joys equal the pleasure of playing music on the instrument you love, a joy that can be enhanced by joining fellow musicians in a piece of chamber music. Despite the extraordinary growth of interest in chamber music, there has not been a single book or even a combination of books to help a chamber musician or program planner determine what music, if any, exists for a given combination of instruments. This unique book fills that gap. Authors Victor Rangel-Ribeiro and Robert Markel, both musicians themselves, have gathered over 8,000 listings of pieces for three to 20 musicians. Culled from over 100 catalogues of music publishers worldwide plus other sources, Chamber Music covers the last 500 years of music. It includes not only a complete listing of the standard chamber music repertoire but thousands of other, lesser-known pieces written for an array of instrumental combinations - including the voice. More than 5,000 listings are for 20th-century music. Chamber Music is divided into three sections for easy access to information. The first contains music composed up to the time of Haydn and Mozart; the second, music from Beethoven to the present. Each listing contains the composer's name and dates, the title of the piece, the opus or catalogue number, if any, the year composed or published, if known, the key, if any, the duration of the piece, if specified by the composer or publisher, the instrumentation of the piece - including indications for voices and unusual instruments - and finally the name of the publisher. Comments, where appropriate, show when instrumental substitutions can be made, when the composer has not specified particular instruments, what unusual instruments are required, when a conductor might be needed, or any other relevant information of interest to the player. The third section, the "Master Quick-Reference Index," lists a number of instrumental combinations and directs the reader to composers who have written for those particular ensembles. Comprehensive and easy to use, for the amateur or professional musician or anyone with an interest in the subject, Chamber Music is sure to enhance any music lover's reference shelf.
Author: Marie Sumner Lott
Publisher: University of Illinois Press
ISBN: 0252097270
Category : Music
Languages : en
Pages : 329
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Book Description
Music played an important role in the social life of nineteenth-century Europe, and music in the home provided a convenient way to entertain and communicate among friends and colleagues. String chamber music, in particular, fostered social interactions that helped build communities within communities. Marie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvoøák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment. Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present.
