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Author: Sidney Alexander
Publisher: Literary Licensing, LLC
ISBN: 9781258192563
Category :
Languages : en
Pages : 376
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Book Description
Author: Sidney Alexander
Publisher: Literary Licensing, LLC
ISBN: 9781258192563
Category :
Languages : en
Pages : 376
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Book Description
Author: Troy Rondinone
Publisher: JHU Press
ISBN: 1421432684
Category : History
Languages : en
Pages : 345
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Book Description
How the insane asylum came to exert such a powerful hold on the American imagination. Madhouse, funny farm, psychiatric hospital, loony bin, nuthouse, mental institution: no matter what you call it, the asylum has a powerful hold on the American imagination. Stark and foreboding, they symbolize mistreatment, fear, and imprisonment, standing as castles of despair and tyranny across the countryside. In the "asylum" of American fiction and film, treatments are torture, attendants are thugs, and psychiatrists are despots. In Nightmare Factories, Troy Rondinone offers the first history of mental hospitals in American popular culture. Beginning with Edgar Allan Poe's 1845 short story "The System of Dr. Tarr and Prof. Fether," Rondinone surveys how American novelists, poets, memoirists, reporters, and filmmakers have portrayed the asylum and how those representations reflect larger social trends in the United States. Asylums, he argues, darkly reflect cultural anxieties and the shortcomings of democracy, as well as the ongoing mistreatment of people suffering from mental illness. Nightmare Factories traces the story of the asylum as the masses have witnessed it. Rondinone shows how works ranging from Moby-Dick and Dracula to One Flew Over the Cuckoo's Nest, Halloween, and American Horror Story have all conversed with the asylum. Drawing from fictional and real accounts, movies, personal interviews, and tours of mental hospitals both active and defunct, Rondinone uncovers a story at once familiar and bizarre, where reality meets fantasy in the foggy landscape of celluloid and pulp.
Author: Leslie Y. Rabkin
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 648
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Book Description
In this unique filmography, Leslie Rabkin delves deeply into film's "unconscious," producing a valuable reference text concerned with the history of film and its representation of therapy and mental illness. The Celluloid Couch is arranged by decade, with the exception of the earliest period, The Silent Era (from the very beginnings of film to 1920). Each period contains a thoughtful introduction that highlights important films and discusses the intersection of film with history and psychology. Rabkin's overview lays bare patterns in film's representation of mental illness and therapy, and inquires how contemporary stereotypes of psychiatric patients and institutions have been formed from film. Textual examples in the introduction are drawn from magazines and newspapers, as well as numerous readings of particularly important films refracted through the lens of a psychologist. The alphabetical entries are compact and inclusive, containing main titles as well as foreign listings, and detailed information such as cast, length, director, producer, and a brief synopsis of the film's plot and discussion of the forms of therapy depicted and utilized in the film. An efficient resource for the student of film, psychology, or mass culture, The Celluloid Couch makes the huge number of popular films that portray mental illness and therapy accessible.
Author: Benjamin Schultz-Figueroa
Publisher: Univ of California Press
ISBN: 0520974603
Category : Social Science
Languages : en
Pages : 270
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In The Celluloid Specimen, Benjamín Schultz‑Figueroa examines rarely seen behaviorist films of animal experiments from the 1930s and 1940s. These laboratory recordings—including Robert Yerkes's work with North American primate colonies, Yale University's rat‑based simulations of human society, and B. F. Skinner's promotions for pigeon‑guided missiles—have long been considered passive records of scientific research. In Schultz‑Figueroa's incisive analysis, however, they are revealed to be rich historical, political, and aesthetic texts that played a crucial role in American scientific and cultural history—and remain foundational to contemporary conceptions of species, race, identity, and society.
Author: Troy Rondinone
Publisher: Johns Hopkins University Press
ISBN: 1421432676
Category : History
Languages : en
Pages : 345
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Book Description
Drawing from fictional and real accounts, movies, personal interviews, and tours of mental hospitals both active and defunct, Rondinone uncovers a story at once familiar and bizarre, where reality meets fantasy in the foggy landscape of celluloid and pulp.
Author: Francesco Guicciardini
Publisher: Princeton University Press
ISBN: 9780691008004
Category : History
Languages : en
Pages : 492
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Book Description
In 1537 Francesco Guicciardini, adviser and confidant to three popes, governor of several central Italian states, ambassador, administrator, military captain--and persona non grata with the ruling Medici after the siege of Florence--retired to his villa to write a history of his times. His Storia d'Italia became the classic history of Italy--both a brilliant portrayal of the Renaissance and a penetrating vision into the tragedy and comedy of human history in general. Sidney Alexander's readable translation and abridgment of Guicciardini's four-volume work earned the prestigious 1970 P.E.N. Club translation award. His perceptive introduction and notes add much to the understanding of Guicciardini's masterpiece.
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 28
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Author: Horace
Publisher: Princeton University Press
ISBN: 140088411X
Category : Poetry
Languages : en
Pages : 387
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Book Description
Horace has long been revered as the supreme lyric poet of the Augustan Age. In his perceptive introduction to this translation of Horace's Odes and Satires, Sidney Alexander engagingly spells out how the poet expresses values and traditions that remain unchanged in the deepest strata of Italian character two thousand years later. Horace shares with Italians of today a distinctive delight in the senses, a fundamental irony, a passion for seizing the moment, and a view of religion as aesthetic experience rather than mystical exaltation--in many ways, as Alexander puts it, Horace is the quintessential Italian. The voice we hear in this graceful and carefully annotated translation is thus one that emerges with clarity and dignity from the heart of an unchanging Latin culture. Alexander is an accomplished poet, novelist, biographer, and translator who has lived in Italy for more than thirty years. Translating a poet of such variety and vitality as Horace calls on all his literary abilities. Horace (Quintus Horatius Flaccus, 65-8 bce), was born the son of a freed slave in southern rural Italy and rose to become one of the most celebrated poets in Rome and a confidante of the most powerful figures of the age, including Augustus Caesar. His poetry ranges over politics, the arts, religion, nature, philosophy, and love, reflecting both his intimacy with the high affairs of the Roman Empire and his love of a simple life in the Italian countryside. Alexander translates the diverse poems of the youthful Satires and the more mature Odes with freshness, accuracy, and charm, avoiding affectations of archaism or modernism. He responds to the challenge of rendering the complexities of Latin verse in English with literary sensitivity and a fine ear for the subtleties of poetic rhythm in both languages. This is a major translation of one of the greatest of classical poets by an acknowledged master of his craft.
Author:
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 632
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Book Description
Author: Eric Walrond
Publisher: University Press of Florida
ISBN: 0813063280
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
"Set in the Caribbean, Panama, the U.S., and England, [Walrond’s] fiction captures the experiences of working-class peoples, often migrants, as they confront the depredations of colonialism, racial prejudice, and economic exploitation. . . . A significant and fascinating collection."--African American Review "Brings together a number of interesting pieces of fiction and non-fiction by this Guyana-born, Barbados- and Panama-bred author."--New West Indian Guide "Forms part of a gradual rehabilitation of Walrond’s work that has been taking place in recent years."--Caribbean Review of Books "Place[s] Walrond squarely on the map. . . . In Search of Asylum could not have arrived at a more propitious time."--sx salon "A substantial step forward for black diaspora and black transnational literary studies."--Gary Edward Holcomb, author of Claude McKay, Code Name Sasha "Fills a significant void in our understanding of the life and literary career of Eric Walrond. By collecting, for the first time, the writings Walrond produced following his departure from the U.S. in 1928, Parascandola and Wade have done scholars a rich service."--Heather Hathaway, author of Caribbean Waves Eric Walrond is one of the great underexamined figures of the Harlem Renaissance and the Caribbean diaspora. Very little of his later work has been subsequently published or made readily available to American scholars. His writings, set in the Caribbean, the United States, and Europe, discuss imperialism, racism, the role of the black writer, black identity, and immigration--all topics of vital concern today. Born in British Guiana (now Guyana), Walrond moved to New York City in 1918 where he worked briefly for Marcus Garvey and became a protégé of Charles S. Johnson. During that time, he wrote short fiction as well as nonfiction and gained a measure of fame for his 1926 collection, Tropic Death. In Search of Asylum compiles Walrond’s European journalism and later fiction, as well as the pieces he wrote during the 1950s at Roundway Hospital in Wiltshire, England, where he was a voluntary patient. Louis Parascandola and Carl Wade have assembled a collection that at last fills in the biographical gaps in Walrond’s life, providing insights into the contours of his later work and the cultural climates in which he functioned between 1928 and his death in 1966.
