The Byzantine Monastery of Kera

The Byzantine Monastery of Kera PDF Author: Nikos Psilakis
Publisher:
ISBN: 9789607448057
Category :
Languages : en
Pages : 79

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The Byzantine Monastery of Kera

The Byzantine Monastery of Kera PDF Author: Nikos Psilakis
Publisher:
ISBN: 9789607448057
Category :
Languages : en
Pages : 79

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Book Description


Monasteries and Byzantine Churches of Crete

Monasteries and Byzantine Churches of Crete PDF Author: Nikos Psilakēs
Publisher:
ISBN:
Category : Crete (Greece)
Languages : en
Pages : 214

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Hell in the Byzantine World

Hell in the Byzantine World PDF Author: Angeliki Lymberopoulou
Publisher: Cambridge University Press
ISBN: 1108850863
Category : History
Languages : en
Pages : 1095

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Book Description
The imagery of Hell, the Christian account of the permanent destinations of the human soul after death, has fascinated people over the centuries since the emergence of the Christian faith. These landmark volumes provide the first large-scale investigation of this imagery found across the Byzantine and post-Byzantine world. Particular emphasis is placed on images from churches across Venetian Crete, which are comprehensively collected and published for the first time. Crete was at the centre of artistic production in the late Byzantine world and beyond and its imagery was highly influential on traditions in other regions. The Cretan examples accompany rich comparative material from the wider Mediterranean – Cappadocia, Macedonia, the Peloponnese and Cyprus. The large amount of data presented in this publication highlight Hell's emergence in monumental painting not as a concrete array of images, but as a diversified mirroring of social perceptions of sin.

The Church of Our Lady at Kritsa

The Church of Our Lady at Kritsa PDF Author: Katerina Mylopotamitaki
Publisher:
ISBN: 9789608853461
Category : Art, Byzantine
Languages : el
Pages : 93

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Book Description


Byzantium

Byzantium PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588391132
Category : Art, Byzantine
Languages : en
Pages : 682

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Book Description
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries of the "Empire of the Romans" and its enduring heritage. Conceived as the third of a trio of exhibitions dedicated to a fuller understanding of the art of the Byzantine Empire, whose influence spanned more than a millennium, "Byzantium: Faith and Power (1261–1557)" follows the 1997 landmark presentation of "The Glory of Byzantium," which focused on the art and culture of the Middle Byzantine era—the Second Golden Age of the Byzantine Empire (843–1261). In the late 1970s, "The Age of Spirituality" explored the early centuries of Byzantium's history. The present concluding segment explores the exceptional artistic accomplishments of an era too often considered in terms of political decline. Magnificent works—from splendid frescoes, textiles, gilded metalwork, and mosaics to elaborately decorated manuscripts and liturgical objects—testify to the artistic and intellectual vigor of the Late and Post-Byzantine era. In addition, forty magnificent icons from the Holy Monastery of Saint Catherine, Sinai, Egypt, join others from leading international institutions in a splendid gathering of these powerful religious images. While the political strength of the empire weakened, the creativity and learning of Byzantium spread father than ever before. The exceptional works of secular and religious art produced by Late Byzantine artists were emulated and transformed by other Eastern Christian centers of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. The Islamic world adapted motifs drawn from Byzantium's imperial past, as Christian minorities in the Muslin East continued Byzantine customs. From Italy to the Lowlands, Byzantium's artistic and intellectual practices deeply influenced the development of the Renaissance, while, in turn, Byzantium's own traditions reflected the empire's connections with the Latin West. Fine examples of these interrelationships are illustrated by important panel paintings, ceramics, and illuminated manuscripts, among other objects. In 1557 the "Empire of the Romans," as its citizens knew it, which had fallen to the Ottoman Turks in 1453, was renamed Byzantium by the German scholar Hieronymus Wolf. The cultural and historical interaction and mutual influence of these major cultures—the Latin West and the Christian and Islamic East—during this fascinating period are investigated in this publication by a renowned group of international scholars in seventeen major essays and catalogue discussions of more than 350 exhibited objects.

Lonely Planet Crete

Lonely Planet Crete PDF Author: Lonely Planet
Publisher: Lonely Planet
ISBN: 1837581754
Category :
Languages : en
Pages : 436

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Book Description


National Geographic Traveler: Athens and the Islands

National Geographic Traveler: Athens and the Islands PDF Author: Joanna Kakissis
Publisher: National Geographic Books
ISBN: 1426208235
Category : Travel
Languages : en
Pages : 276

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Book Description
A guide to traveling in Athens and the Greek islands that provides in-depth descriptions and background information on the culture and history of the region, as well as famous sights, hotels, restaurants, shops, and tours.

Top 10 Crete

Top 10 Crete PDF Author: Robin Gauldie
Publisher: Penguin
ISBN: 0756683599
Category : Travel
Languages : en
Pages : 147

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Book Description
Whether you are traveling first class or on a limited budget, DK Eyewitness Top 10: Crete will lead you straight to the very best this historic island has to offer. From ancient Minoan ruins to the towering Venetian wall and fortress of Heraklion, all the must-sees are covered in a trouble-free list format. There are accommodation reviews for every budget, from luxury beach resorts to youth hostels across the island. Dozens of Top 10 lists cover traveler highlights from the Top 10 best beaches and Top 10 traditional tavernas to the most charming villages and fascinating monasteries and churches, as well as the Top 10 best hotels in Crete. And to save you time and money, there’s even a list of the Top 10 Things to Avoid. Your guide to the 10 best of everything in Crete.

An Obscure Portrait

An Obscure Portrait PDF Author: Mati Meyer
Publisher: Pindar Press
ISBN: 1915837227
Category : Art
Languages : en
Pages : 571

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Book Description
Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.

Byzantine Art and Renaissance Europe

Byzantine Art and Renaissance Europe PDF Author: Angeliki Lymberopoulou
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409420385
Category : Art
Languages : en
Pages : 240

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Book Description
Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. The book offers new perspectives and insights and re-positions late- and post- Byzantine art in a broader European cultural context.