The Burwell Lute Tutor PDF Download
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Author: Elizabeth Burwell
Publisher:
ISBN:
Category : Lute
Languages : en
Pages : 152
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Book Description
Author: Elizabeth Burwell
Publisher:
ISBN:
Category : Lute
Languages : en
Pages : 152
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Book Description
Author: Boethius Press Limited
Publisher:
ISBN: 9780863142345
Category :
Languages : en
Pages : 130
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Book Description
Author:
Publisher:
ISBN:
Category : Lute
Languages : en
Pages : 0
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Book Description
Author: Boethius Press Limited
Publisher:
ISBN: 9780863140006
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Lute
Languages : en
Pages : 152
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Book Description
Author: Victor Coelho
Publisher: Cambridge University Press
ISBN: 9780521019439
Category : Music
Languages : en
Pages : 258
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Book Description
The first book-length study in any language dedicated specifically to lute, guitar, and vihuela.
Author: Amanda Eubanks Winkler
Publisher: Cambridge University Press
ISBN: 1108490867
Category : Art
Languages : en
Pages : 261
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Book Description
The first book to systematically analyze the role the performing arts played in English schools after the Reformation.
Author: Jan W.J. Burgers
Publisher: Cambridge Scholars Publishing
ISBN: 1443899178
Category : Music
Languages : en
Pages : 315
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Book Description
The lute played a central role in the rich musical culture of the seventeenth-century ‘Golden Age’ of the Dutch Republic. Like the piano in the nineteenth century, the lute was not just a popular instrument for solo music making, but was also used widely in ensembles and to accompany singers. Though mainly an instrument of the social elite and the aristocracy, it was also played by the numerous and prosperous burgher class. The first part of the book deals with psalm settings for the lute; the way professional lutenists coped with the harsh rules of the free market; Leiden as a veritable international lute centre; and the different types of lutes that can be reconstructed on the basis of the Dutch paintings of the period. The second part of the book is dedicated to Constantijn Huygens (1596–1687), the well-known poet and statesman, and avid player of, and composer for, the lute. The third and final section deals with Dutch sources of lute music, printed as well as those in manuscript. Taken together, this volume provides a broad and many-layered overview of the lute in the seventeenth century. Collectively, the articles will further the reader’s understanding of the lute in its social and cultural context, not only in the Netherlands, but also on the wider European canvas.
Author: Matthew Spring
Publisher: Oxford University Press, USA
ISBN: 9780195188387
Category : Language Arts & Disciplines
Languages : en
Pages : 576
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Book Description
"Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.
Author: Linda Phyllis Austern
Publisher: University of Chicago Press
ISBN: 022670467X
Category : Music
Languages : en
Pages : 393
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Book Description
Both from the Ears and Mind offers a bold new understanding of the intellectual and cultural position of music in Tudor and Stuart England. Linda Phyllis Austern brings to life the kinds of educated writings and debates that surrounded musical performance, and the remarkable ways in which English people understood music to inform other endeavors, from astrology and self-care to divinity and poetics. Music was considered both art and science, and discussions of music and musical terminology provided points of contact between otherwise discrete fields of human learning. This book demonstrates how knowledge of music permitted individuals to both reveal and conceal membership in specific social, intellectual, and ideological communities. Attending to materials that go beyond music’s conventional limits, these chapters probe the role of music in commonplace books, health-maintenance and marriage manuals, rhetorical and theological treatises, and mathematical dictionaries. Ultimately, Austern illustrates how music was an indispensable frame of reference that became central to the fabric of life during a time of tremendous intellectual, social, and technological change.
