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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 654
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 654
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Book Description
Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 546
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Book Description
Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 448
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 544
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Book Description
Author: Hongxing Zhang
Publisher: Victoria & Albert Museum
ISBN: 9781851777563
Category : Art
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 580
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 442
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Book Description
Author: Michaela Watrelot
Publisher: Taylor & Francis
ISBN: 1003825400
Category : Art
Languages : en
Pages : 338
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Book Description
Based on an extensive and very meticulous study of different archives and the evaluation of original, previously unpublished, archival material, this book highlights the key aspects and trends of the European and American art markets in the late nineteenth and early twentieth centuries. In particular, the book focuses on how these markets influenced each other from the viewpoint of one of the most prominent museum directors of this period, Wilhelm von Bode (1845–1929). Given the complexity of the topic, the book is structured into two parts. The first part focuses on Bode’s interactions with the German banker and dedicated art collector based in Paris, Rudolphe Kann (1845–1905). The second part follows the sale of the Kann Collection to the dealer Joseph Duveen and follows on the relationship between Bode, Duveen and the American collectors. The book will be of interest to scholars working in art history, museum studies, and the art market.
Author: Georg Lehner
Publisher: BRILL
ISBN: 9004201505
Category : History
Languages : en
Pages : 421
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Book Description
This book shows the ways in which English, French, and German eighteenth- and early nineteenth-century encyclopaedias dealt with things Chinese, offering an analysis of the broad variety of sources and an overview of the main strands of discourse on China.
Author: Wendy Hitchmough
Publisher: Yale University Press
ISBN: 0300244118
Category : Design
Languages : en
Pages : 186
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Book Description
An in-depth study of how the famed Bloomsbury Group expressed their liberal philosophies and collective identity in visual form "[Fascinating and wide-ranging. . . . Will be enjoyed by both Bloomsbury aficionados and newcomers alike."--Lucinda Willan, V&A Magazine The Bloomsbury Group was a loose collective of forward-thinking writers, artists, and intellectuals in London, with Virginia Woolf, John Maynard Keynes, and E. M. Forster among its esteemed members. The group's works and radical beliefs, spanning literature, economics, politics, and non-normative relationships, changed the course of 20th-century culture and society. Although its members resisted definition, their art and dress imparted a coherent, distinctive group identity. Drawing on unpublished photographs and extensive new research, The Bloomsbury Look is the first in-depth analysis of how the Bloomsbury Group generated and broadcast its self-fashioned aesthetic. One chapter is dedicated to photography, which was essential to the group's visual narrative--from casual snapshots, to amateur studio portraits, to family albums. Others examine the Omega Workshops as a design center, and the evidence for its dress collections, spreading the Bloomsbury aesthetic to the general public. Finally, the book considers the group's extensive participation in 20th-century modernism as artists, models, curators, critics, and collectors.
