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Author: Claude Monet
Publisher:
ISBN: 9780934967501
Category :
Languages : en
Pages :
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Book Description
Author: Claude Monet
Publisher:
ISBN: 9780934967501
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Frances Sydnor Tehie
Publisher:
ISBN: 9781438254166
Category :
Languages : en
Pages : 68
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Book Description
THE BRIDGE AT ARGENTEUIL is a collection of sonnets focusing on the theme of creativity and its importance in our lives. The title poem explains the poet's reactions to seeing a copy of the Monet painting, "The Bridge at Argenteuil" hanging in her bedroom each morning as she is waking up. The final poem in this volume is the poet's reflections on another Monet painting, "The Cliff Walk at Pourville" (1882).Frances Sydnor Tehie's belief that creativity shoudl be part of everyone' s life can be seen in the poem "Leave Something Shining." This poem refers to the concept of making a lasting contribution for which one will never be forgotten. These poems are indeed a lasting testimonial to this poet's lyrical abilities and devotion to creativity in the fields of art and music. In addition to writing poetry, Frances Sydnor Tehie was also a private piano teacher who deeply loved teaching students to appreciate music from a young age.
Author: John Sweetman
Publisher: Routledge
ISBN: 0429801955
Category : Art
Languages : en
Pages : 385
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Book Description
First published in 1999, this book explores how, from the stone bridges of neoclassicism which soar out of wild woods to span pastoral valleys to the post-1750 engineer’s bridge with its links to the more industrial landscape, the bridge was a popular feature in painting throughout the period 1700-1920. Why did so many artists choose to portray bridges? In this lavishly illustrated and intriguing book, John Sweetman seeks to answer this question. He traces the history of the bridge in painting and printmaking through a vast range of work, some as familiar as William Etty’s The Bridge of Sighs and Claude Monet’s The Railway Bridge at Argenteuil and others less well known such as Wassily Kandinsky’s Composition IV and C.R.W. Nevinson’s Looking Through the Brooklyn Bridge. Distinctive characteristics emerge revealing the complex role of the bridge as both symbol and metaphor, and as a place of vantage, meeting and separation.
Author: Christoph Heinrich
Publisher: Taschen
ISBN: 9783822859728
Category : Art
Languages : en
Pages : 108
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Book Description
Monet was the most typical and the most individual Impressionist painter. But while the painter was faithful and persevering in the pursuit of his motifs, his personal life followed a more restless course. Parisian by birth, he discovered painting as a youth in the provinces, where one of his homes, Argenteuil, has come to represent the artistic flowering and official establishment of Impressionism as a movement.
Author: Paul Hayes Tucker
Publisher: National Gallery Washington
ISBN: 9780300083491
Category : Art
Languages : en
Pages : 179
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Book Description
In the 1870s, Argenteuil, located on the outskirts of Paris, was still unmarred by urban industrialization. This book explores the responses to Argenteuil of six influential painters in more than 50 of their works. Catalogue for an upcoming exhibition at the National Gallery in Washington, D.C. 105 illustrations, 70 in color.
Author: Rhode Island School of Design. Museum of Art
Publisher: University of Pennsylvania Press
ISBN: 0911517553
Category : Art
Languages : en
Pages : 296
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Book Description
This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
Author: Roberto Carvalho de Magalhães
Publisher: Enchanted Lion Books
ISBN: 9781592700097
Category : Juvenile Nonfiction
Languages : en
Pages : 48
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Book Description
Discusses the style and technique of the French Impressionist painter Claude Monet.
Author: Anthea Callen
Publisher: Yale University Press
ISBN: 0300084021
Category : Art
Languages : en
Pages : 270
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Book Description
"Drawing on scientific studies of pigments and materials, artists' treatises, colourmen's archives, and contemporary and modern accounts, Anthea Callen demonstrates how raw materials and paintings are profoundly interdependent. She analyses the material constituents of oil painting and the complex processes of 'making' entailed in all aspects of artistic production, discussing in particular oil painting methods for landscapists and the impact of plein air light on figure painting, studio practice and display. Insisting that the meanings of paintings are constituted by and within the cultural matrices that produced them, Callen argues that the real 'modernity' of the Impressionist enterprise lies in the painters' material practices."--BOOK JACKET.
Author: Claude Monet
Publisher:
ISBN: 9781517383251
Category :
Languages : en
Pages : 142
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Book Description
Claude Monet "Bridge at Argenteuil on a Gray Day"Decorative Notebook + Journal (8.5" x 11") Makes a delightful gift for your love ones. Or, for yourself, as part of your desk or coffee table decor. Softcover professional paperback binding.
Author: John House
Publisher: Yale University Press
ISBN: 9780300102406
Category : History
Languages : en
Pages : 272
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Book Description
A new perspective on Impressionist art that offers revealing, fresh interpretations of familiar paintings In this handsome book, a leading authority on Impressionist painting offers a new view of this admired and immensely popular art form. John House examines the style and technique, subject matter and imagery, exhibiting and marketing strategies, and social, political, and ideological contexts of Impressionism in light of the perspectives that have been brought to it in the last twenty years. When all of these diverse approaches are taken into account, he argues, Impressionism can be seen as a movement that challenged both artistic and political authority with its uncompromisingly modern subject matter and its determinedly secular worldview. Moving from the late 1860s to the early 1880s, House analyzes the paintings and career strategies of the leading Impressionist artists, pointing out the ways in which they countered the dominant conventions of the contemporary art world and evolved their distinctive and immediately recognizable manner of painting. Focusing closely on the technique, composition, and imagery of the paintings themselves and combining this fresh appraisal with recent historical studies of Impressionism, House explores how pictorial style could generate social and political meanings and opens new ways of looking at this luminous art.
