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Author: Jerome Rothenberg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
18 essays on the subject. With contributions by Mallerme, Stephen Lansing, David Guss, Karl Young, Dennis Tedlock, Becky Cohen, Jed Rasula, Alison Knowles, George Quasha, Tina Oldknow, Dick Higgins, Edmond Jabes, Paul Eluard, Gershom Scholem, and Herbert Blau.
Author: Jerome Rothenberg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
18 essays on the subject. With contributions by Mallerme, Stephen Lansing, David Guss, Karl Young, Dennis Tedlock, Becky Cohen, Jed Rasula, Alison Knowles, George Quasha, Tina Oldknow, Dick Higgins, Edmond Jabes, Paul Eluard, Gershom Scholem, and Herbert Blau.
Author: Stéphane Mallarmé
Publisher:
ISBN: 9781878972422
Category : Poetry
Languages : en
Pages : 240
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Book Description
The French poet Stephane Mallarme (1842-1898) was modernism's great champion of the book as both a conceptual and material entity: probably his most famous pronouncement is 'everything in the world exists in order to end up as a book.' The Book was Mallarme's total artwork, a book to encompass all books. Frequently quoted, sometimes excerpted, but never before translated in its entirety, The Book is a visual poem about its own construction, the scaffolding of a cosmic architecture intended to reveal 'all existing relations between everything.'
Author: Stéphane Mallarmé
Publisher: New Directions Publishing
ISBN: 9780811208239
Category : Literary Collections
Languages : en
Pages : 148
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Book Description
The essential work of Mallarmé, collected in a bilingual French and English edition.
Author: Kenny Werner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 294
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Book Description
In 1994, jazz musician and composer Kenny Werner released his landmark book, Effortless Mastery: Liberating the Master Musician Within, which freed artists around the world to reclaim their love for music and find the power within their art. His seminal book led to his work as the artistic director of the Effortless Mastery Institute at the Berklee College of Music, a leading observatory for training the world's greatest musicians.Now Werner has written the perfect companion-Becoming the Instrument-where he shares profound insights and uplifting anecdotes based on his 40 years of experience to teach musicians, artists, athletes or even business people how to lift their performance to its highest level and showing us how to be spontaneous, fearless, joyful and disciplined in our work and in our life. In Becoming the Instrument, Werner teaches us that mastery is not perfection, or even virtuosity. It is the gift of self-love, forgiving your own mistakes, and not allowing the world to diminish your own divine gifts. And you don't have to be a musician to have the experience.
Author: Victor L. Wooten
Publisher: Penguin
ISBN: 9780425220931
Category : Music
Languages : en
Pages : 292
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Book Description
From Grammy-winning musical icon and legendary bassist Victor L. Wooten comes an inspiring parable of music, life, and the difference between playing all the right notes…and feeling them. The Music Lesson is the story of a struggling young musician who wanted music to be his life, and who wanted his life to be great. Then, from nowhere it seemed, a teacher arrived. Part musical genius, part philosopher, part eccentric wise man, the teacher would guide the young musician on a spiritual journey, and teach him that the gifts we get from music mirror those from life, and every movement, phrase, and chord has its own meaning...All you have to do is find the song inside. “The best book on music (and its connection to the mystic laws of life) that I've ever read. I learned so much on every level.”—Multiple Grammy Award–winning saxophonist Michael Brecker
Author: Stéphane Mallarmé
Publisher:
ISBN: 9780692640968
Category :
Languages : en
Pages : 148
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Book Description
I started to translate Mallarmé's poems because I wasn't content with the English versions I could find. In translation, poets who preceded and followed Mallarmé are accessible to us. Baudelaire is accessible to us, Apollinaire is accessible to us. I couldn't find a way into Mallarmé in the English versions I found, and I suspected it wasn't his fault. Mallarmé was an English teacher, and he did translations of the poems of his beloved Edgar Allan Poe, in prose, of course. But his poems in French were metrical and rhymed. Sometimes the meaning of his poems is guided, let us say, by the rhyme and meter he chose, "ceding the initiative to words" as he wrote in "Variations sur un sujet". There are alternate homophonic readings of some of his lines as well, that could never be rendered into another language as poetry, only as notes. My inability to reproduce the multiple layers of Mallarmé's poems in French into American verse is a disappointment, but an inevitable one. Those layers rely on sound similarities that aren't available in our language.Most translations of Mallarmé into English rhyme and use traditional meters. This seemed to me to be the wrong approach. We have seen how Mallarmé approached translating Poe, after all. Mallarmé translated this way moves even further away from the meaning of the poem as a second rhyme scheme, this time in English, imposes an alien framework over the poem. These translations, no matter how carefully constructed, often sound academic to me.I come from a poetry tradition that learned a great deal from 20th century French poetry, Apollinaire, Reverdy, Desnos and all the rest of them. Some of the great pleasures in music in 20th century American poetry come from responses to French poetry, for instance, John Ashbery's "The Tennis Court Oath", or Charles Olson's Rimbaud takeoff "Variations done for Gerald Van Der Wiele", or Ted Berrigan's translations of French poetry in "Bean Spasms". Hopefully the music I heard there echoes a little in these versions.
Author: Amaranth Borsuk
Publisher: MIT Press
ISBN: 0262535416
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
The book as object, as content, as idea, as interface. What is the book in a digital age? Is it a physical object containing pages encased in covers? Is it a portable device that gives us access to entire libraries? The codex, the book as bound paper sheets, emerged around 150 CE. It was preceded by clay tablets and papyrus scrolls. Are those books? In this volume in the MIT Press Essential Knowledge series, Amaranth Borsuk considers the history of the book, the future of the book, and the idea of the book. Tracing the interrelationship of form and content in the book's development, she bridges book history, book arts, and electronic literature to expand our definition of an object we thought we knew intimately. Contrary to the many reports of its death (which has been blamed at various times on newspapers, television, and e-readers), the book is alive. Despite nostalgic paeans to the codex and its printed pages, Borsuk reminds us, the term “book” commonly refers to both medium and content. And the medium has proved to be malleable. Rather than pinning our notion of the book to a single form, Borsuk argues, we should remember its long history of transformation. Considering the book as object, content, idea, and interface, she shows that the physical form of the book has always been the site of experimentation and play. Rather than creating a false dichotomy between print and digital media, we should appreciate their continuities.
Author: Roger Lipsey
Publisher: Courier Corporation
ISBN: 9780486432946
Category : Art
Languages : en
Pages : 546
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Book Description
Compelling, well-illustrated study focuses on the works of Kandinsky, Mondrian, Klee, Picasso, Duchamp, Matisse, and others. Citations from letters, diaries, and interviews provide insights into the artists' views. 121 black-and-white illustrations.
Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 0226165027
Category : Art
Languages : en
Pages : 306
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Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.
Author: Francis Fernandez-Carvajal
Publisher: Scepter Publishers
ISBN: 1594171777
Category : Religion
Languages : en
Pages : 260
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Book Description
A guide is a welcome addition on most any journey. So it is with the greatest of all journeys: the journey to God. One of the Church’s most long-standing and fruitful traditions, spiritual direction is an instrument of God’s glory in the world. The act of clearing the way for the Holy Spirit is a delicate yet challenging matter, and one that requires humility, patience, and charity, among other virtues. Through Wind and Waves is a guidebook for those undertaking this important work. It offers wisdom for both the supernatural and the practical elements of spiritual direction. It shows that being a spiritual guide is not simply a matter of prayer and meditation, but one of a firm interior life, genuine friendship, and the daily realities of living one’s life for the Lord. That life will be marked by adventure, since every soul is unique and is led by the Spirit to blaze new paths to holiness. Filled with wisdom from the saints, as well as Jesus’ words in the Gospels, Through Wind and Waves is a valuable resource for those called to lead others into the safe harbor of God’s love. Rev. Francis Fernández-Carvajal holds graduate degrees in both History and Canon Law. Ordained in 1964, he is a priest of the Opus Dei Prelature and the author of many popular spiritual works. His seven-volume series In Conversation with God provides over 500 meditations to be used throughout the liturgical year. It has sold over 2 million copies and has been translated into many languages.
