The Bluesier Side Of Jazz for Piano/Keyboards PDF Download
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Author: Andrew D. Gordon
Publisher: A.D.G. Productions
ISBN: 1934163368
Category : Music
Languages : en
Pages : 50
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Book Description
The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the piano students he teaches at The Cornel School Of Contemporary Music at Shepherd University in Los Angeles. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.
Author: Andrew D. Gordon
Publisher: A.D.G. Productions
ISBN: 1934163368
Category : Music
Languages : en
Pages : 50
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Book Description
The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the piano students he teaches at The Cornel School Of Contemporary Music at Shepherd University in Los Angeles. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.
Author: Andrew D. Gordon
Publisher: A.D.G. Productions
ISBN:
Category : Music
Languages : en
Pages : 96
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Book Description
Due to the high demand of two of Andrew D. Gordon's blues piano/keyboard books, 100 Ultimate Blues Riffs and the 12 Bar Blues Bible, he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues Organ Riffs is the result. There is an increased interest in playing the organ these days as many keyboard players are adding organ modules, organs, software etc., to their array of instruments. This book consists of 96 riffs, in many different keys, and covers a wide range of blues organ styles including Blues, Funk, Gospel, Jazz & Rock. The music notation consists of the right and left hand parts as well as a bass line. Although primarily written and recorded with the organ in mind, pianists and keyboard players will also find the material in this book very useful. All the 96 examples have been recorded twice, the first time with the organ right and left hand parts, guitar rhythm, bass and drums. The second time, has the rhythm guitar part, bass and drums so that the keyboard player can practice along with the rhythm tracks.
Author: Andrew D. Gordon
Publisher: A.D.G. Productions
ISBN: 1958017108
Category : Music
Languages : en
Pages : 72
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Book Description
Blues Piano Practice Session Volume 1 In All 12 Keys Catalog Number: ADG232 Author: Andrew D. Gordon Publisher: ADG Productions I have created various Blues riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play the Blues so that you can try to become equally adept at playing in as many keys as possible. I have heard from teachers who have used my “100 Ultimate Blues Riffs” book who will only allow a student to move on to the next riff once they have mastered playing the riff they are working on in all 12 keys, certainly a great but challenging musical exercise. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a 12 bar blues progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a 12 bar blues progression in a designated key. 4. Rhythm tracks recorded in a 12 bar blues progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Blues often use the keys of C, F, G, Bb, Eb, Guitar music often uses the keys of E, A, D, by learning as many keys as possible will enable you to adapt to the musical situation you are playing in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head.
Author: Martha Mier
Publisher: Alfred Music
ISBN: 9780739008508
Category : Piano music (Blues)
Languages : en
Pages : 0
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Book Description
Jazz, Rags & Blues, Book 2 contains original solos for early intermediate to intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music. The online audio includes dynamic recordings of each song in the book.
Author: Andrew D. Gordon
Publisher: A.D.G. Productions
ISBN: 1934163481
Category : Music
Languages : en
Pages : 49
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Book Description
The Blues Scale by Andrew D. Gordon is he feels, one of his most important books because of the nature of the blues scale and how it is used to improvise in many styles of contemporary music. The book consists of 20 grooves: Pop 2 Grooves Rock 3 Grooves Blues 2 Grooves Jazz 1 Groove Funk 3 Grooves R&B 1 Groove Latin 1 Groove Gospel 2 Grooves New Age 1 Groove Reggae 1 Groove Calypso 1 Groove Acid-Jazz 1 Groove Country 1 Groove Both the Blues scale and relative minor Blues scale are explained in detail and how they are used either separately or together in the patterns for each style, (the relative minor Blues scale is generally not used in minor keys.) Each of the 20 grooves in this book contains over 150 patterns in total, using notes solely from the blues scale. Each of the 20 grooves utilizes a chord progression that is commonly used for that style of music. The patterns generally start off fairly simply and become more complex as the groove progresses. The audio files contain recordings of all the blues patterns that are notated in the book recorded along with a rhythm section of piano, organ, guitar, bass and drums and on certain grooves percussion. Also included are extended 2-3 minute play-a-long mp3 files of all 20 grooves enabling you to practice playing the blues patterns or creating your own for an extended period of time. MIDI files are also available. The image to the right shows both the C and A (relative minor of C) Blues scales.Throughout the book there are patterns of these two scales both individually and together creating a huge library of improvisational melodic lines to choose from. The above R&B groove consists of 8 patterns, the first 3 patterns use the G Blues scale, the next 3 patterns use the relative minor of G which is the E Blues scale and the last two patterns consists of a combination of both the G and E Blues scale which is demonstrated throughout the book in the various styles. The image below shows both the C and A (relative minor of C) Blues scales.Throughout the book there are patterns of these two scales both individually and together creating a huge library of improvisational melodic lines to choose from.
Author: Andrew D. Gordon
Publisher: A.D.G. Productions
ISBN: 1958017221
Category : Music
Languages : en
Pages : 47
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Book Description
"The Beginner's Guide to Rock and Blues Piano: Essential Techniques and Songs for the Aspiring Pianist" Catalog Number: ADG238 Author: Andrew D. Gordon Publisher: ADG Productions is a comprehensive guide for those who want to dive into the world of rock and blues piano. This book provides an in-depth look at the fundamental techniques and styles necessary to play this genre of music on the piano. With easy-to-follow instructions and step-by-step exercises, this book is perfect for aspiring pianists who want to hone their skills and improve their musical abilities. It features a collection of 20 songs that I have composed based around Rock and Blues along with influences of Latin, New Age, Calypso, Boogie Woogie, Jazz. "The Beginner's Guide to Rock and Blues Piano" is an excellent resource for anyone who wants to take their piano playing to the next level.
Author: Mark Levine
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101440
Category : Music
Languages : en
Pages : 431
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Book Description
The most highly acclaimed jazz piano method ever published! Over 300 pages with complete chapters on Intervals and triads, The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords, Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings, Altering notes in left-hand Stride and Bud Powell voicings, Block chords, Comping ...and much more! Endorsed by Kenny Barron, Down Beat, Jamey Aebersold, etc.
Author: Andrew D. Gordon
Publisher: A.D.G. Productions
ISBN: 1934163619
Category : Music
Languages : en
Pages : 94
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Book Description
“Cool Blues Piano-Keyboard Grooves” is a music instructional book written by internationally acclaimed author/musician Andrew D. Gordon. Andrew has written over 60 music educational books such as: “12 Bar Blues Bible”, “100 Ultimate Blues Riffs”, “60 Of The Funkiest Keyboard Riffs Known To Mankind”, “The Bluesier Side Of Jazz”, “Ultimate Latin Riffs for Piano/Keyboards” available worldwide through music stores and internet sites either as music books or digital downloads. This book contains 44 Blues rhythm grooves recorded 4 times (twice at a slow tempo and twice at the normal tempo) that will enable the beginner/intermediate student to develop their Blues piano/keyboard skills through watching Andrew play the grooves in the video as well as seeing the music notation at the same time. Using this method with his students, Andrew has noticed that they are able to learn quickly as well as having a lot of fun learning. The grooves are in different keys and tempos based on the 12 Bar Blues tradition and cover a wide range of different Blues styles whether playing a Slow Blues, Funky Blues, Swing Blues, Boogie-Woogie, Rock Blues etc.
Author: Andrew D. Gordon
Publisher: A.D.G. Productions
ISBN: 1934163554
Category : Music
Languages : en
Pages : 40
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Book Description
Andrew D. Gordon has created 30; 12bar blues play-a-long backing tracks in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. Each of the 30 play-a-long tracks has been recorded with 12 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos. Each of the 30 Blues tracks have been recorded, first with the solo playing along with the rhythm backing tracks of keyboards, guitar, bass and drums and immediately following, is the play-a-long backing track that cycles through the 12 bar blues progression 12 times, generally between 5-8 minutes in length, giving you plenty of time to practice. Blues is the basis of many forms of music and these tracks have been specifically created to include styles such as: Jazz, Funk, Folk, Country, Latin, Rock, Gospel, Pop, Boogie, giving you a well-rounded selection of musical styles based on the Blues.
Author: Martha Mier
Publisher: Alfred Music
ISBN: 9781457444111
Category : Music
Languages : en
Pages : 28
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Book Description
Jazz, Rags & Blues, Book 1 contains original solos for late elementary to early intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music.
