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Author: Neil Olson
Publisher: Hanover Square Press
ISBN: 1488079439
Category : Fiction
Languages : en
Pages : 250
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Book Description
This “riveting psychological thriller” tells the story of an infamous painting rumored to be cursed—and the family torn apart by its disappearance (Associated Press). There are four cousins in the Morse family: perfect Kenny, the preppy West Coast lawyer; James, the shy but brilliant medical student; his seductive, hard-drinking sister Audrey; and Teresa, youngest and most fragile, haunted by the fear that she has inherited the madness that possessed her father. Their grandfather summons them to his mansion at Owl’s Point. None of them have visited the family estate since they were children, when a prized painting disappeared: a self-portrait by Goya, rumored to cause madness or death upon viewing. Afterward, the family split apart amid the accusations and suspicions that followed its theft. Any hope for a pleasant reunion is lost when Teresa find their grandfather dead, his horrified gaze pinned upon the spot where the painting once hung. As the family gathers and suspicions mount, Teresa tries to uncover the reasons behind her grandfather’s death and the painting’s loss. But to do so she must face ugly family secrets—and confront those who would keep them hidden.
Author: Neil Olson
Publisher: Hanover Square Press
ISBN: 1488079439
Category : Fiction
Languages : en
Pages : 250
Get Book Here
Book Description
This “riveting psychological thriller” tells the story of an infamous painting rumored to be cursed—and the family torn apart by its disappearance (Associated Press). There are four cousins in the Morse family: perfect Kenny, the preppy West Coast lawyer; James, the shy but brilliant medical student; his seductive, hard-drinking sister Audrey; and Teresa, youngest and most fragile, haunted by the fear that she has inherited the madness that possessed her father. Their grandfather summons them to his mansion at Owl’s Point. None of them have visited the family estate since they were children, when a prized painting disappeared: a self-portrait by Goya, rumored to cause madness or death upon viewing. Afterward, the family split apart amid the accusations and suspicions that followed its theft. Any hope for a pleasant reunion is lost when Teresa find their grandfather dead, his horrified gaze pinned upon the spot where the painting once hung. As the family gathers and suspicions mount, Teresa tries to uncover the reasons behind her grandfather’s death and the painting’s loss. But to do so she must face ugly family secrets—and confront those who would keep them hidden.
Author: Carl Deuker
Publisher: HarperCollins
ISBN: 0547771193
Category : Young Adult Fiction
Languages : en
Pages : 234
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Book Description
In his senior year of high school, late bloomer Ryan Ward has just begun to feel the magic of baseball - the magic of catching a wicked slider, of throwing a runner out, of training hard and playing hard and pushing his limits. Giving up baseball would be like getting off the most exciting ride of his life. But when one of his teammates clearly pushes the limits too far, Ryan is faced with a heartbreaking dilemma: he must choose between his love for the game and his sense of integrity - two things that, in his mind, baseball should bring together.
Author: Millard Meiss
Publisher: Princeton University Press
ISBN: 9780691003122
Category : Art
Languages : en
Pages : 300
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Book Description
The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Author: Lelia Packer
Publisher: National Gallery London
ISBN: 9781857096149
Category : Art
Languages : en
Pages : 240
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Book Description
Painting "without color" has long held a fascination for artists. In this striking and original book, the authors explore how and why artists from the 15th century to the present have chosen to paint in black, white, and shades of gray. Sometimes artists used trompe l'oeil monochromatic effects to represent other media, such as sculpture, prints, or photography; others have consciously limited their palette as a means of re-focusing the viewer's attention, while contemporary artists such as Gerhard Richter and Bridget Riley have often found inspiration in pushing black and white to its limits, and in new directions. The authors trace the history of this art form, from the symbolism of sacred images in medieval church ritual - epitomized in Netherlandish painting from the 15th century onwards by Hans Memling and Jan van Eyck - to the modern era and the work of artists such as Josef Albers and Ellsworth Kelly.
Author: Richard J. Powell
Publisher: Thames & Hudson
ISBN: 0500776202
Category : Art
Languages : en
Pages : 529
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Book Description
This groundbreaking study explores the visual representations of Black culture across the globe throughout the twentieth century and into the twenty-first. The African diaspora—a direct result of the transatlantic slave trade and Western colonialism—has generated a wide array of artistic achievements, from blues and reggae to the paintings of the pioneering American artist Henry Ossawa Tanner and the music videos of Solange. This study concentrates on how these works, often created during times of major social upheaval and transformation, use Black culture both as a subject and as context. From musings on “the souls of black folk” in late-nineteenth-century art to questions of racial and cultural identities in performance, media, and computer-assisted arts in the twenty-first century, this book examines the philosophical and social forces that have shaped Black presence in modern and contemporary visual culture. Renowned art historian Richard J. Powell presents Black art drawn from across the African diaspora, with examples from the Americas, the Caribbean, and Europe. Black Art features artworks executed in a broad range of media, including film, photography, performance art, conceptual art, advertising, and sculpture. Now updated and expanded, this new edition helps to better understand how the first two decades of the twenty-first century have been a transformative moment in which previous assumptions about race and identity have been irrevocably altered, with art providing a useful lens through which to think about these compelling issues.
Author: Stephanie Rosenthal
Publisher:
ISBN:
Category : Abstract expressionism
Languages : de
Pages : 266
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Book Description
Ende der 1940er-Jahre beschäftigten sich berühmte Künstler der New York School - Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Frank Stella und Barnett Newman - intensiv mit der Farbe Schwarz. Es entstand eine erstaunliche Anzahl von nahezu monochromen schwarzen Bildserien, die heute zu den Glanzstücken international bedeutender Sammlungen wie dem Whitney Museum in New York zählen und in Black Paintings erstmals vereint gezeigt werden. Die Publikation mit einem fundierten Essay von Stephanie Rosenthal beleuchtet Unterschiede und Gemeinsamkeiten der im New York der Nachkriegszeit entstandenen Werke und verfolgt die Frage, welche Bedeutung sie im gesamten Schaffen der Künstler einnehmen. Einen der Ausgangspunkte des Buches bildet dabei die These, dass die schwarzen Gemälde für Durchbrüche und Übergänge im OEuvre der Maler stehen. (Englische Ausgabe ISBN 978-3-7757-1860-8) Ausstellung: Haus der Kunst, München 15.9.2006-14.1.2007
Author: David Bindman
Publisher: Belknap Press
ISBN: 9780674052635
Category : Art
Languages : en
Pages : 0
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Book Description
Presents a collection of art that showcases visual tropes of masters with their adoring slaves and Africans as victims and individuals.
Author: Joshua I. Cohen
Publisher: University of California Press
ISBN: 0520309685
Category : Art
Languages : en
Pages : 301
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Book Description
Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Author: Juan José Junquera
Publisher: Scala Arts Publishers Incorporated
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Goya was the last of the old masters and the first of the moderns. The Black Paintings presage surrealism and other aspects of the 20th century artistic vision. The series forms a star part of the Prado's collections.
Author:
Publisher: Primary Information
ISBN: 9781734489750
Category : Art
Languages : en
Pages :
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Book Description
A prescient document of art-industry and museum critique from Black artists and writers, now in facsimile A collection of essays edited by artist and organizer Tom Lloyd and first published in 1971, Black Art Notes was a critical response to the Contemporary Black Artists in America exhibition at the Whitney Museum, but grew into a "concrete affirmation of Black Art philosophy as interpreted by eight Black artists," as Lloyd notes in the introduction. This facsimile edition features writings by Lloyd, Amiri Baraka, Melvin Dixon, Jeff Donaldson, Ray Elkins, Babatunde Folayemi, and Francis & Val Gray Ward. These artists position the Black Arts Movement outside of white, Western frameworks and articulate the movement as one created by and existing for Black people. Their essays outline the racism of the art world, condemning the attempts of museums and other white cultural institutions to tokenize, whitewash and neutralize Black art, and offer solutions through self-determination and immediate political reform. While the publication was created to respond to a particular moment, the systemic problems that it addresses remain pervasive, making these critiques both timely and urgent.
