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Author: Kimberly Brown Pellum PhD
Publisher: Arcadia Publishing
ISBN: 1439668914
Category : History
Languages : en
Pages : 153
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Book Description
In 1984, Vanessa Williams broke the race barrier to become Miss America, but she was not the first Black woman to wear a pageant crown. Black beauty pageants created a distinctive and celebrated cultural tradition during some of the most dismal times in the country's racial history. With the rise of the civil rights and Black Pride movements, pageantry also represented a component of social activism. Professor Kimberly Pellum explores this glamourous and profound history with contributions by dozens of former contestants who share their personal experiences.
Author: Kimberly Brown Pellum PhD
Publisher: Arcadia Publishing
ISBN: 1439668914
Category : History
Languages : en
Pages : 153
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Book Description
In 1984, Vanessa Williams broke the race barrier to become Miss America, but she was not the first Black woman to wear a pageant crown. Black beauty pageants created a distinctive and celebrated cultural tradition during some of the most dismal times in the country's racial history. With the rise of the civil rights and Black Pride movements, pageantry also represented a component of social activism. Professor Kimberly Pellum explores this glamourous and profound history with contributions by dozens of former contestants who share their personal experiences.
Author: Hasan Press
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
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Book Description
Perfect for birthdays, Christmas, Easter, Mother's Day, Father's Day, special occasions, and more, this coloring book showcases black women in all their diversity, providing an illuminating testament to their unique beauty and power. Book details: Contains a Gorgeous Selection of Professional-Quality Illustrations Celebrates Afro-American Women With Stunning Designs Promotes Creativity, Relaxation, and Mindfulness Single-Sided Paper To Prevent Bleed-Through Features a Beautiful Glossy Soft Cover and a Large 8.5" X 11" Page Size And Much More Welcome to Hasan Press. Check our others book.
Author: Maxine Leeds Craig
Publisher: Oxford University Press
ISBN: 9780198032557
Category : History
Languages : en
Pages : 212
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Book Description
"Black is Beautiful!" The words were the exuberant rallying cry of a generation of black women who threw away their straightening combs and adopted a proud new style they called the Afro. The Afro, as worn most famously by Angela Davis, became a veritable icon of the Sixties. Although the new beauty standards seemed to arise overnight, they actually had deep roots within black communities. Tracing her story to 1891, when a black newspaper launched a contest to find the most beautiful woman of the race, Maxine Leeds Craig documents how black women have negotiated the intersection of race, class, politics, and personal appearance in their lives. Craig takes the reader from beauty parlors in the 1940s to late night political meetings in the 1960s to demonstrate the powerful influence of social movements on the experience of daily life. With sources ranging from oral histories of Civil Rights and Black Power Movement activists and men and women who stood on the sidelines to black popular magazines and the black movement press, Ain't I a Beauty Queen? will fascinate those interested in beauty culture, gender, class, and the dynamics of race and social movements.
Author: Ollie L. Jefferson
Publisher: Rowman & Littlefield
ISBN: 1793628874
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
This critical study interrogates the intersection of race and gender media representations on screen and behind the scenes. The thought-provoking investigation on the Oprah Winfrey Network’s Queen Sugar series shows the ways in which the television drama is a significant contribution to mainstream media that creates in-depth conversations concerning African American women’s social roles, social class, and social change. Ollie L. Jefferson provides a unique analysis of the television production by using the exemplary representations conceptual framework to contextualize and theorize research contributing to systemic change. Jefferson highlights the best practices used by African American female executive producers, Oprah Winfrey and Ava DuVernay, by examining Queen Sugar as a case study. The investigation shows how the decision-makers produced multidimensional female characters to illustrate the complex humanity of Black lives. This book broadens understanding of the media industry’s need for culturally sensitive and conscious inclusion of women and people of color behind the scenes—as media owners, creators, writers, directors, and producers—to put an end to the persistent and pervasive misrepresentations of African American women on screen. Scholars of television studies, film studies, media studies, race studies, and women’s studies will find this book particularly useful.
Author: Rhonda Jeffries
Publisher: IAP
ISBN: 1641137274
Category : Social Science
Languages : en
Pages : 292
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Book Description
Black women’s experiences functioning as mothers, teachers and leaders are confounding and complex. Queen Mothers from Ghanaian tradition are revered as the leaders of their matrilineal families and the teachers of the high chiefs (Müller, 2013; Stoeltje, 1997). Conversely, the influence of the British Queen Mother on Black women in the Americas translates as a powerless title of (dis)courtesy. Characterized as a deviant figure by colonialists, the Black Queen Mother’s role as disruptive agent was created by White domination of Black life (Masenya, 2014) and this branding persists among contemporary perceptions of Black women who function as the mother, teacher, or leader figure in various spaces. Nevertheless, Black women as cultural anomalies were suitable to mother others for centuries in their roles as chattel and domestic servants in the United States. Dill (2014), Lawson (2000), Lewis (1977) and Rodriguez (2016) provide explorations of the devaluation of Black women in roles of power with these effects wide-ranging from economic and family security, professional and business development, healthcare maintenance, political representation, spiritual enlightenment and educational achievement. This text interrogates contexts where Black women function as Queen Mothers and contests the trivialization of their manifold contributions. The contributed chapters explore: The myriad experiences of Black women mothering, teaching and leading their children, families and communities; how spirituality has influenced the leadership styles of Black women as mothers and teachers; and how Black women are uniquely positioned to mother, teach, and lead in personal and professional spaces.
Author: Jamon' Miller
Publisher: Createspace
ISBN: 1475258267
Category : History
Languages : en
Pages : 170
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Book Description
Aaliyah is a beautiful but misunderstood girl growing up in ancient tribal Africa. Her future as both the wife of a local prince and medicine woman of her village seems predetermined until she meets Fedell and falls in love. Their forbidden relationship is torn apart when she is kidnapped by Egyptians and dragged halfway across the continent to be forced into a loveless marriage with the reluctant Prince Mohammed. As she transforms into the Queen of Egypt, Aaliyah is torn between embracing her new life and longing for her home and family. When Fedell reappears as an enemy of the state, she will have to decide her own fate—and his—once and for all. This exciting, historical novel about passion, destiny and sacrifice captures the essence of a bygone era.
Author: Reva Marin
Publisher: Univ. Press of Mississippi
ISBN: 1496829999
Category : Music
Languages : en
Pages : 298
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Book Description
Outside and Inside: Representations of Race and Identity in White Jazz Autobiography is the first full-length study of key autobiographies of white jazz musicians. White musicians from a wide range of musical, social, and economic backgrounds looked to black music and culture as the model on which to form their personal identities and their identities as professional musicians. Their accounts illustrate the triumphs and failures of jazz interracialism. As they describe their relationships with black musicians who are their teachers and peers, white jazz autobiographers display the contradictory attitudes of reverence and entitlement, and deference and insensitivity that remain part of the white response to black culture to the present day. Outside and Inside features insights into the development of jazz styles and culture in the urban meccas of twentieth-century jazz in New Orleans, Chicago, New York, and Los Angeles. Reva Marin considers the autobiographies of sixteen white male jazz instrumentalists, including renowned swing-era bandleaders Benny Goodman, Artie Shaw, and Charlie Barnet; reed instrumentalists Mezz Mezzrow, Bob Wilber, and Bud Freeman; trumpeters Max Kaminsky and Wingy Manone; guitarist Steve Jordan; pianists Art Hodes and Don Asher; saxophonist Art Pepper; guitarist and bandleader Eddie Condon; and New Orleans–style clarinetist Tom Sancton. While critical race theory informs this work, Marin argues that viewing these texts simply through the lens of white privilege does not do justice to the kind of sustained relationships with black music and culture described in the accounts of white jazz autobiographers. She both insists upon the value of insider perspectives and holds the texts to rigorous scrutiny, while embracing an expansive interpretation of white involvement in black culture. Marin opens new paths for study of race relations and racial, ethnic, and gender identity formation in jazz studies.
Author: Blain Roberts
Publisher: UNC Press Books
ISBN: 1469614219
Category : Social Science
Languages : en
Pages : 378
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Book Description
From the South's pageant queens to the importance of beauty parlors to African American communities, it is easy to see the ways beauty is enmeshed in southern culture. But as Blain Roberts shows in this incisive work, the pursuit of beauty in the South was linked to the tumultuous racial divides of the region, where the Jim Crow-era cosmetics industry came of age selling the idea of makeup that emphasized whiteness, and where, in the 1950s and 1960s, black-owned beauty shops served as crucial sites of resistance for civil rights activists. In these times of strained relations in the South, beauty became a signifier of power and affluence while it reinforced racial strife. Roberts examines a range of beauty products, practices, and rituals--cosmetics, hairdressing, clothing, and beauty contests--in settings that range from tobacco farms of the Great Depression to 1950s and 1960s college campuses. In so doing, she uncovers the role of female beauty in the economic and cultural modernization of the South. By showing how battles over beauty came to a head during the civil rights movement, Roberts sheds new light on the tactics southerners used to resist and achieve desegregation.
Author: Aaliyah Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 38
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Book Description
Through playful, charming rhyme and vivid, beautiful illustrations, I Am One of a Kind inspires young brown girls to be proud of who they are! This amazing book is all about building a girl's confidence, imagination, and spirit! It seeks to remind little girls that they are unique, worthy, special, beautiful, and enough. Growing up can be a difficult time for kids, this book will help your children explore their deepest feelings, accept their unique qualities and will foster personal growth and self-accpetance.
Author: Lisa Ze Winters
Publisher: University of Georgia Press
ISBN: 082034897X
Category : Social Science
Languages : en
Pages : 240
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Book Description
Popular and academic representations of the free mulatta concubine repeatedly depict women of mixed black African and white racial descent as defined by their sexual attachment to white men, and thus they offer evidence of the means to and dimensions of their freedom within Atlantic slave societies. In The Mulatta Concubine, Lisa Ze Winters contends that the uniformity of these representations conceals the figure’s centrality to the practices and production of diaspora. Beginning with a meditation on what captive black subjects may have seen and remembered when encountering free women of color living in slave ports, the book traces the echo of the free mulatta concubine across the physical and imaginative landscapes of three Atlantic sites: Gorée Island, New Orleans, and Saint Domingue (Haiti). Ze Winters mines an archive that includes a 1789 political petition by free men of color, a 1737 letter by a free black mother on behalf of her daughter, antebellum newspaper reports, travelers’ narratives, ethnographies, and Haitian Vodou iconography. Attentive to the tenuousness of freedom, Ze Winters argues that the concubine figure’s manifestation as both historical subject and African diasporic goddess indicates her centrality to understanding how free and enslaved black subjects performed gender, theorized race and freedom, and produced their own diasporic identities.
