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Author: Lindsay Kelley
Publisher: Bloomsbury Publishing
ISBN: 1786730006
Category : Art
Languages : en
Pages : 258
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Book Description
What do new technologies taste like? A growing number of contemporary artists are working with food, live materials and scientific processes, in order to explore and challenge the ways in which manipulation of biological materials informs our cooking and eating. 'Bioart', or biological art, uses biotech methods to manipulate living systems, from tissues to ecologies. While most critiques of bioart emphasise the influences of new media, digital media, and genetics, this book takes a bold, alternative approach. Bioart Kitchen explores a wide spectrum of seemingly unconnected subjects, which, when brought together, offer a more inclusive, expansive history of bioart, namely: home economics; the feminist art of the 1970s; tissue culture methodologies; domestic computing; and contemporary artistic engagements with biotechnology.
Author: Lindsay Kelley
Publisher: Bloomsbury Publishing
ISBN: 1786730006
Category : Art
Languages : en
Pages : 258
Get Book Here
Book Description
What do new technologies taste like? A growing number of contemporary artists are working with food, live materials and scientific processes, in order to explore and challenge the ways in which manipulation of biological materials informs our cooking and eating. 'Bioart', or biological art, uses biotech methods to manipulate living systems, from tissues to ecologies. While most critiques of bioart emphasise the influences of new media, digital media, and genetics, this book takes a bold, alternative approach. Bioart Kitchen explores a wide spectrum of seemingly unconnected subjects, which, when brought together, offer a more inclusive, expansive history of bioart, namely: home economics; the feminist art of the 1970s; tissue culture methodologies; domestic computing; and contemporary artistic engagements with biotechnology.
Author: Lindsay E. Kelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 678
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Book Description
Author: Lindsay Kelley
Publisher: Bloomsbury Publishing
ISBN: 1786720000
Category : Art
Languages : en
Pages : 261
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Book Description
What do new technologies taste like? A growing number of contemporary artists are working with food, live materials and scientific processes, in order to explore and challenge the ways in which manipulation of biological materials informs our cooking and eating. 'Bioart', or biological art, uses biotech methods to manipulate living systems, from tissues to ecologies. While most critiques of bioart emphasise the influences of new media, digital media, and genetics, this book takes a bold, alternative approach. Bioart Kitchen explores a wide spectrum of seemingly unconnected subjects, which, when brought together, offer a more inclusive, expansive history of bioart, namely: home economics; the feminist art of the 1970s; tissue culture methodologies; domestic computing; and contemporary artistic engagements with biotechnology.
Author: Susannah Worth
Publisher: John Hunt Publishing
ISBN: 1782798595
Category : Art
Languages : en
Pages : 104
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Book Description
Digesting Recipes: The Art of Culinary Notation scrutinises the form of the recipe, using it as a means to explore a multitude of subjects in post-war Western art and culture, including industrial mass-production, consumerism, hidden labour, and art engaged with the everyday. Each chapter is presented as a dish in a nine-course meal, drawing on examples from published cookbooks and the work of artists such as Alison Knowles, Yoko Ono, Annette Messager, Martha Rosler, Barbara T. Smith, Bobby Baker and Mika Rottenberg. A recipe is an instruction, the imperative tone of the expert, but this constraint can offer its own kind of potential. A recipe need not be a domestic trap but might instead offer escape – something to fantasise about or aspire to. It can hold a promise of transformation both actual and metaphorical. It can be a proposal for action, or envision a possible future.
Author: Lizzie Muller
Publisher: Routledge
ISBN: 0429620837
Category : Art
Languages : en
Pages : 267
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Book Description
Curating Lively Objects explores the role of things as catalysts in imagining futures beyond disciplines for museums and exhibitions. Authors describe how their curatorial collaborations with diverse objects, from rocks to robots, generate new ways of organising and sharing knowledge. Bringing together leading artists and curators from Australia and Canada, this volume addresses object liveliness from a range of entwined perspectives, including new materialism, decolonial thinking, Indigenous epistemologies, environmentalism, feminist critique and digital aesthetics. Foregrounding practice-based curatorial scholarship, the book focuses on rigorous reflexive accounts of how curating is done. It contributes to global topics in curatorial research, including time and memory beyond and before disciplinarity; the relationship between human and non-human across different ontologies; and the interaction between Indigenous knowledge and disciplinary expertise in interpreting museum collections. Curating Lively Objects will be of interest to scholars and students in the fields of curatorial studies, museum studies, cultural heritage, art history, Indigenous studies, material culture and anthropology. It also provides a vital resource for professionals working in museums and galleries around the world who are seeking to respond creatively, ethically and inclusively to the challenge of changing disciplinary boundaries.
Author: Daniela Lieja Quintanar
Publisher: MIT Press
ISBN: 0262549484
Category : Art
Languages : en
Pages : 263
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Book Description
A long overdue look at the artistic investigations of the late artist Beatriz da Costa, revealing the depth and prescience of her work. Beatriz da Costa: (un)disciplinary tactics is the most comprehensive documentation and analysis to date of late artist Beatriz da Costa’s (1974–2012) groundbreaking work. As a retrospective of a brilliant young artist, it renders a social portrait of her artistic practice by both contextualizing the work in its historical period (late 1990s to early 2010s) and extending the work’s socio-political concerns to the present. The book, edited by Daniela Lieja Quintanar, features a collection of essays by curators, artists, and researchers from a variety of fields, including technoscience, tactical media, cancer research, environmental justice, performance art, and participatory art. It also includes a group of reflections written by former collaborators and close friends. Beginning with da Costa’s early projects in the late 1990s as a student in the arts and robotics at Carnegie Mellon University, the book surveys her collaborative work with collectives Critical Art Ensemble and Preemptive Media, as well as her research-based and large-scale installations made in the early 2000s. The publication is a faithful record of da Costa’s entire oeuvre, including information about artworks she left incomplete due to financial, health, or time limitations. Additionally, the book includes da Costa’s own critical writing on art and politics, as well as self-authored descriptions of her own work and an unflinching interview with cancer researcher Robert Schneider, who was a fundamental figure for da Costa at the end of her young life. The book accompanies a solo exhibition at LACE (Los Angeles Contemporary Exhibitions) as part of the Getty’s PST ART: Art & Science Collide initiative.
Author: Robert E. Mitchell
Publisher: University of Washington Press
ISBN: 0295998776
Category : Art
Languages : en
Pages : 224
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Book Description
Bioart -- art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice -- now receives enormous media attention. Yet despite this attention, bioart is frequently misunderstood. Bioart and the Vitality of Media is the first comprehensive theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory. Mitchell begins by sketching a brief history of bioart in the twentieth and twenty-first centuries, describing the artistic, scientific, and social preconditions that made it conceptually and technologically possible. He illustrates how bioartists employ technologies and practices from the medical and life sciences in an effort to transform relationships among science, medicine, corporate interests, and the public. By illustrating the ways in which bioart links a biological understanding of media -- that is, �media� understood as the elements of an environment that facilitate the growth and development of living entities -- with communicational media, Bioart and the Vitality of Media demonstrates how art and biotechnology together change our conceptions and practices of mediation. Reading bioart through a range of resources, from Immanuel Kant�s discussion of disgust to Gilles Deleuze�s theory of affect to Gilbert Simondon�s concept of �individuation,� provides readers with a new theoretical approach for understanding bioart and its relationships to both new media and scientific institutions.
Author: Lindsay Kelley
Publisher: MIT Press
ISBN: 0262545632
Category : Art
Languages : en
Pages : 250
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Book Description
An exploration of food, ingestion, and digestion in the emerging field of the metabolic arts. Food appears everywhere in the arts. But what happens after viewers carry food away in the intestinal networks activated by social practice art, the same way digestion turns food into a body? Exploring the emerging field of metabolic arts, After Eating claims digestion and metabolism as key cultural, creative, and political processes that demand attention. Taking an artist-centered approach to nutrition, Lindsay Kelley cultivates a neglected middle ground between the everyday and the scientific, using metabolism as a lens through which to read and write about art. Divided into two parts and full of playful chapter titles such as “Food Babies” and “Poop Circus,” After Eating investigates multiple facets of the sociocultural implications of body image and body process in body art from the 1970s to the present. By engaging the notion of “after” as an artistic homage or tribute, metabolism moves beyond the cell to transform into a method for responding to the most difficult cultural, philosophical, and political challenges of the contemporary moment. Metabolic reading rethinks feminist, queer, bioart, installation, and performance projects, providing artists, students, and teachers with new pathways into art theory.
Author: Juan Francisco Salazar
Publisher: Bloomsbury Publishing
ISBN: 1350109584
Category : Social Science
Languages : en
Pages : 256
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Book Description
This book presents a novel and systematic social theory of soil, and is representative of the rising interest in 'the material' in social sciences. Bringing together new modes of 'critical description' with speculative practices and methods of inquiry, it contributes to the exploration of current transformations in socioecologies, as well as in political and artistic practices, in order to address global ecological change. The chapters in this edited volume challenge scholars to attend more carefully to the ways in which they think about soil, both materially and theoretically. Contributors address a range of topics, including new ways of thinking about the politics of caring for soils; the ecological and symbiotic relations between soils; how the productive capacities and contested governance of soils are deployed as matters of political concern; and indigenous ways of knowing and being with soil.
Author: Agnieszka Wolodzko
Publisher: Bloomsbury Publishing
ISBN: 1350333026
Category : Medical
Languages : en
Pages : 217
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Book Description
Bringing the concept of contamination into dialogue with affect theory and bioart, Agnieszka Wolodzko urges us to rethink our relationship with ourselves, each other and other organisms. Thinking through the lens of contamination, this book provides an innovative approach to understanding the leaky, porous and visceral nature of our bodies and their endless interrelationships and, in doing so, uncovers new ways for thinking about embodiment. Affect theory has long been interested in transmission or contagion but, inspired by Spinoza and Deleuze, Affect as Contamination goes further, as contamination is concerned with the materiality of bodies and their affective encounter with other matter. This brings urgency to the notion of affect, not only for bioart that works with risky bodies but also for understanding how to practise our bodies in the age of biotechnological manipulation and governance. Using challenging and transgressive bioart projects as provocative case studies for rethinking affect and bodily practice, Wolodzko follows various 'contaminants' from blood, hormones and viruses to food, glitter and plants. This takes the form of both personal accounts of encounters with the contaminations of bioart and critical analyses of aesthetic, material and technical objects, with each one highlighting in different ways the risky and uncertain nature of contamination. Affect as Contamination is an urgent and original meditation on just what it means to be living, and practising our bodies, in an era where biotechnology contaminates all aspects of our lives.
