The Best of Bitterkomix PDF Download
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Author: Conrad Botes
Publisher:
ISBN:
Category : South Africa
Languages : en
Pages : 96
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Book Description
Author: Conrad Botes
Publisher:
ISBN:
Category : South Africa
Languages : en
Pages : 96
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : South Africa
Languages : en
Pages : 92
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Book Description
Author: Anton Kannemeyer
Publisher: Jacana Media
ISBN: 1770093036
Category : Bitterkomix
Languages : en
Pages : 232
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Book Description
When Anton Kannemeyer and Conrad Botes founded their underground satirical comic magazine Bitterkomix in 1992, they put themselves at the forefront of the international expressionist comix movement. Their assault on mainstream Afrikaner culture has continued to be challenging, outrageous and controversial. This book is an essential chronicle, catalogue and visual cornucopia of the work of the Bitterkomix artists -- from Pub. info.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Alternative comic books, strips, etc
Languages : en
Pages : 0
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Book Description
Author:
Publisher:
ISBN:
Category : Alternative comic books, strips, etc
Languages : en
Pages : 40
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Book Description
Author: Joe Dog
Publisher: Juta and Company Ltd
ISBN: 9781770130234
Category : Comics & Graphic Novels
Languages : en
Pages : 64
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Book Description
One of the most surprising features of the South African cultural landscape since the early 1990s has been the appearance of a series of satirical underground comics created by Conrad Botes and Anton Kannemeyer, two lecturers in graphic design at the University of Stellenbosch.
Author: Anton Kannemeyer
Publisher: Jacana Media
ISBN: 1770095276
Category : Art
Languages : en
Pages : 98
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Book Description
Social commentary and political satire are presented through critically acclaimed graphics and confrontational illustrations in this brilliant and outrageous collection. Marked by an all-encompassing irony, a destruction of cultural taboos, and a love of cutting edge graphic art, the collection is a testament to the contentious history of Bitterkomix and its attacks on the Afrikaner culture and language that have developed into biting criticisms on South African society itself.
Author: Nadia Atia
Publisher: Taylor & Francis
ISBN: 1317299019
Category : Literary Criticism
Languages : en
Pages : 375
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Book Description
Drawing together the insights of postcolonial scholarship and cultural studies, Popular Postcolonialisms questions the place of ‘the popular’ in the postcolonial paradigm. Multidisciplinary in focus, this collection explores the extent to which popular forms are infused with colonial logics, and whether they can be employed by those advocating for change. It considers a range of fiction, film, and non-hegemonic cultural forms, engaging with topics such as environmental change, language activism, and cultural imperialism alongside analysis of figures like Tarzan and Frankenstein. Building on the work of cultural theorists, it asks whether the popular is actually where elite conceptions of the world may best be challenged. It also addresses middlebrow cultural production, which has tended to be seen as antithetical to radical traditions, asking whether this might, in fact, form an unlikely realm from which to question, critique, or challenge colonial tropes. Examining the ways in which the imprint of colonial history is in evidence (interrogated, mythologized or sublimated) within popular cultural production, this book raises a series of speculative questions exploring the interrelation of the popular and the postcolonial.
Author: Anne-Line Hannesen
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN:
Category : Afrikaners
Languages : en
Pages : 160
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Book Description
By means of a South African comic - Bitterkomix - this study deals with two current debates in Cultural Anthropology: Visual Culture and Indigenous Ethnography. Bitterkomix is a comic anthology which criticises and subverts the Afrikaans culture from within. The main contributors - Afrikaner themselves - do so mostly in the fields of sexuality, racism, religious and cultural bigotry and the use of Afrikaans as the ideological and psychological connection of the Boers. In Visual Culture the producer and the recipient are in close correlation, therefore the editors are looked at as such - recipients and producers of comics and thereby culture. Their ethnographic comics about childhood, sexuality, conscription and identity through language are treated as a self-reflecting project, and so this book is able to contribute in an extraordinary way as an indigenous ethnography of the Boers.
