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Author: Erik Butler
Publisher: Routledge
ISBN: 1317040503
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
The now-forgotten genre of the bellum grammaticale flourished in the sixteenth- and seventeenth centuries as a means of satirizing outmoded cultural institutions and promoting new methods of instruction. In light of works written in Renaissance Italy, ancien régime France, and baroque Germany (Andrea Guarna's Bellum Grammaticale [1511], Antoine Furetière's Nouvelle allégorique [1658], and Justus Georg Schottelius' Horrendum Bellum Grammaticale [1673]), this study explores early modern representations of language as war. While often playful in form and intent, the texts examined address serious issues of enduring relevance: the relationship between tradition and innovation, the power of language to divide and unite peoples, and canon-formation. Moreover, the author contends, the "language wars" illuminate the shift from a Latin-based understanding of learning to the acceptance of vernacular erudition and the emergence of national literature.
Author: Erik Butler
Publisher: Routledge
ISBN: 1317040503
Category : Literary Criticism
Languages : en
Pages : 181
Get Book Here
Book Description
The now-forgotten genre of the bellum grammaticale flourished in the sixteenth- and seventeenth centuries as a means of satirizing outmoded cultural institutions and promoting new methods of instruction. In light of works written in Renaissance Italy, ancien régime France, and baroque Germany (Andrea Guarna's Bellum Grammaticale [1511], Antoine Furetière's Nouvelle allégorique [1658], and Justus Georg Schottelius' Horrendum Bellum Grammaticale [1673]), this study explores early modern representations of language as war. While often playful in form and intent, the texts examined address serious issues of enduring relevance: the relationship between tradition and innovation, the power of language to divide and unite peoples, and canon-formation. Moreover, the author contends, the "language wars" illuminate the shift from a Latin-based understanding of learning to the acceptance of vernacular erudition and the emergence of national literature.
Author: Kimberly Jannarone
Publisher: University of Michigan Press
ISBN: 0472121391
Category : Performing Arts
Languages : en
Pages : 335
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Book Description
Vanguard Performance Beyond Left and Right challenges assumptions regarding “radical” and “experimental” performance that have long dominated thinking about the avant-garde. The book brings to light vanguard performances rarely discussed: those that support totalitarian regimes, promote conservative values, or have been effectively snapped up by right-wing regimes the performances intended to oppose. In so doing, the volume explores a central paradox: how innovative performances that challenge oppressive power structures can also be deployed in deliberate, passionate support of oppressive power. Essays by leading international scholars pose engaging questions about the historical avant-garde, vanguard acts, and the complex role of artistic innovation and live performance in global politics. Focusing on performances that work against progressive and democratic ideas (including scripted drama, staged suicide, choral dance, terrorism, rallies, and espionage), the book demonstrates how many compelling performance ideals—unification, exaltation, immersion—are, in themselves, neither moral nor immoral; they are only emotional and aesthetic urges that can be powerfully channeled into a variety of social and political outlets.
Author: Lambert Isebaert
Publisher: Leuven University Press
ISBN: 9058678849
Category : Foreign Language Study
Languages : en
Pages : 449
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Book Description
Volume 60 Humanistica Lovaniensia: Journal of Neo-Latin Studies, published annually, is the leading journal in the field of Renaissance and modern Latin. As well as presenting articles on Neo-Latin topics, the journal is a major source for critical editions of Neo-Latin texts with translations and commentaries. Its systematic bibliography of Neo-Latin studies (Instrumentum bibliographicum Neolatinum), accompanied by critical notes, is the standard annual bibliography of publications in the field. The journal is fully indexed (names, mss., Neo-Latin neologisms).
Author: Jeff Kendrick
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513516
Category : History
Languages : en
Pages : 218
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Book Description
Polemic and Literature Surrounding the French Wars of Religion demonstrates that literature and polemic interacted constantly in sixteenth-century France, constructing ideological frameworks that defined the various groups to which individuals belonged and through which they defined their identities. Contributions explore both literary texts (prose, poetry, and theater) and more intentionally polemical texts that fall outside of the traditional literary genres. Engaging the continuous casting and recasting of opposing worldviews, this collection of essays examines literature's use of polemic and polemic's use of literature as seminal intellectual developments stemming from the religious and social turmoil that characterized this period in France.
Author: Glossator
Publisher: Glossator
ISBN: 1449508375
Category : Authors and readers
Languages : en
Pages : 223
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Book Description
Volume 2 of the journal Glossator: Practice and Theory of the Commentary.
Author: Dr Caroline Huey
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409479145
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
In this study, author Caroline Huey analyzes the copious literary output of medieval poet and barber-surgeon Hans Folz in all its variety–whether Meisterlied, Reimpaarspruch or carnival play. Heretofore, published research to do with Folz's multifaceted and compelling oeuvre has been fragmentary, because scholars have restricted themselves by genre in examining themes in Folz's work. By integrating the different themes across Folz's output, and by integrating consideration (previously neglected by earlier critics) of Folz's role as barber-surgeon, Huey offers new insights as to the interaction of these themes and to the character of the poet's work overall. She shows that ultimately Folz is concerned with the circulation of knowledge and power, correct and incorrect behavior, and, above all, with finding order. In each chapter, Huey examines a particular theme from Folz's life and/or work. She looks at how adeptly he commandeers the new technology of printing to further his own ends; how his ubiquitous physicality connects his medical body to his Christian body; his attitude toward women; and the anti-Jewish thread in his work.
Author: Anthony W. Johnson
Publisher: Routledge
ISBN: 131716329X
Category : Literary Criticism
Languages : en
Pages : 447
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Book Description
Twenty-two leading experts on early modern drama collaborate in this volume to explore three closely interconnected research questions. To what extent did playwrights represent dramatis personae in their entertainments as forming, or failing to form, communal groupings? How far were theatrical productions likely to weld, or separate, different communal groupings within their target audiences? And how might such bondings or oppositions among spectators have tallied with the community-making or -breaking on stage? Chapters in Part One respond to one or more of these questions by reassessing general period trends in censorship, theatre attendance, forms of patronage, playwrights’ professional and linguistic networks, their use of music, and their handling of ethical controversies. In Part Two, responses arise from detailed re-examinations of particular plays by Shakespeare, Chapman, Jonson, Beaumont and Fletcher, Cary, Webster, Middleton, Massinger, Ford, and Shirley. Both Parts cover a full range of early-Stuart theatre settings, from the public and popular to the more private circumstances of hall playhouses, court masques, women’s drama, country-house theatricals, and school plays. And one overall finding is that, although playwrights frequently staged or alluded to communal conflict, they seldom exacerbated such divisiveness within their audience. Rather, they tended toward more tactful modes of address (sometimes even acknowledging their own ideological uncertainties) so that, at least for the duration of a play, their audiences could be a community within which internal rifts were openly brought into dialogue.
Author: Valérie Cordonier
Publisher: BRILL
ISBN: 9004464794
Category : Philosophy
Languages : en
Pages : 264
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Book Description
In this book, Valérie Cordonier and Tommaso De Robertis provide the first study, along with edition and translation, of Chrysostomus Javelli’s epitome of the Liber de bona fortuna (1531), the famous thirteenth-century Latin compilation of the chapters on fortune taken from Aristotle’s Magna Moralia and Eudemian Ethics. An Italian university professor and a prominent figure in the intellectual landscape of sixteenth-century Europe, Javelli (ca. 1470-ca. 1542) commented on nearly the entirety of Aristotle’s corpus. His epitome of the Liber de bona fortuna, the only known Renaissance reading produced on this work, offers an unparalleled insight into the early modern understanding of fortune, standing out as one of the most comprehensive witnesses to discussions on fate, fortune, and free will in the Western world.
Author: Ines Peper
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110649292
Category : History
Languages : en
Pages : 608
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Book Description
Präsentationsvideo (4. Folge der Reihe 'ÖGE18 Update') Anyone wishing to look beyond the paradigm of Western progress needs to understand how it came into being. In the intellectual culture of the 17th and 18th centuries, the competitive comparison of Ancients and Moderns and their respective relations to civilization and barbarism constituted one of the formative discourses. Yet alternative ideas of time and historicity are encountered not only in cultural contexts outside of Europe but also in the largely forgotten professional knowledge of the Old World: Thomism, Peripatetism, moderate forms of criticism, political theory, and legal practice. This book introduces a broad panorama of such intellectual cultures in Central Europe. It situates theological, historical, and philosophical scholarship in its institutional and epistemological environments: the Church, the Holy Roman Empire, and the emerging Habsburg Monarchy. In doing so, it identifies struggles over competing pasts – Christian, ethnic, legal – as the core of those domains' intellectual development.
Author: Mr Philip C Logan
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409482286
Category : Performing Arts
Languages : en
Pages : 408
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Book Description
Humphrey Jennings ranks amongst the greatest film makers of twentieth century Britain. Although a relatively unknown figure to the wider public, his war-time documentaries are regarded by many (including Lord Puttnam, Lindsay Anderson and Mike Leigh) as amongst the finest films of their time. Groundbreaking both in terms of their technique and their interest in, and respect for, the everyday experiences of ordinary people, these films are much more than mere government propaganda. Instead, Jennings work offers an unparalleled window into the British home-front, and the hopes, fears and expectations of a nation fighting for its survival. Yet until now, Jennings has remained a shadowy figure; with his life and work lacking the sustained scholarly investigation and reassessment they deserve. As such film and social historians will welcome this new book which provides an up-to-date and thorough exploration of the relationships between Jennings life, ideas and films. Arguing that Jennings's film output can be viewed as part of a coherent intellectual exercise rather than just one aspect of the artistic interests of a wide ranging intellectual, Philip Logan, paints a much fuller and more convincing picture of the man than has previously been possible. He shows for the first time exactly how Jennings's artistic expression was influenced by the fundamental intellectual, social and cultural changes that shook British society during the first decades of the twentieth century. Combining biography, social history and international artistic thought, the book offers a fascinating insight into Jennings, his work, the wider British documentary film movement and the interaction between art and propaganda. Bringing together assessments of his tragically short life and his films this book is essential reading for anyone with an interest in British cinema or the social history of Britain in the 1930s and 40s.
