The Beginnings of the American Poetical Miscellany, 1714-1800 PDF Download
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Author: Richard Charles Boys
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 139
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Book Description
Author: Richard Charles Boys
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 139
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Book Description
Author: Erik Redling
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110587645
Category : Literary Criticism
Languages : en
Pages : 712
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Book Description
The American short story has always been characterized by exciting aesthetic innovations and an immense range of topics. This handbook offers students and researchers a comprehensive introduction to the multifaceted genre with a special focus on recent developments due to the rise of new media. Part I provides systematic overviews of significant contexts ranging from historical-political backgrounds, short story theories developed by writers, print and digital culture, to current theoretical approaches and canon formation. Part II consists of 35 paired readings of representative short stories by eminent authors, charting major steps in the evolution of the American short story from its beginnings as an art form in the early nineteenth century up to the digital age. The handbook examines historically, methodologically, and theoretically the coming together of the enduring narrative practice of compression and concision in American literature. It offers fresh and original readings relevant to studying the American short story and shows how the genre performs American culture.
Author: Perry Miller
Publisher: Courier Corporation
ISBN: 0486161056
Category : Literary Collections
Languages : en
Pages : 910
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Book Description
Critically acclaimed compilation includes writings by William Bradford, Increase Mather, William Hubbard, Anne Bradstreet, and other influential figures. "The best selection ever made of Puritan literature." — historian Samuel Eliot Morison.
Author: Alan Golding
Publisher: Univ of Wisconsin Press
ISBN: 0299146030
Category : Poetry
Languages : en
Pages : 264
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Book Description
From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent writings by critics and theorists on literary canons have dealt almost exclusively with prose; Alan Golding shows that, like all canons, those of American poetry are characterized by conflict. Choosing a series of varied but representative instances, he analyzes battles and contentions among poets, anthologists, poetry magazine editors, and schools of thought in university English departments. The chapters: • present a history of American poetry anthologies • compare competing models of canon-formation, the aesthetic (poet-centered) and the institutional (critic-centered) • discuss the influence of the New Critics, emphasizing their status as practicing poets, their anti-nationalist reading of American poetry, and the landmark textbook, Understanding Poetry by Cleanth Brooks and Robert Penn Warren • examine the canonizing effects of an experimental “little magazine,” Origin • trace how the Language poets address, in both their theory and their method, the canonizing institutions and canonical assumptions of the age.
Author: A. Franklin Parks
Publisher: Penn State Press
ISBN: 0271052120
Category : History
Languages : en
Pages : 234
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Book Description
William Parks: The Colonial Printer in the Transatlantic World of the Eighteenth Century is a cultural biography that traces the important early American printer and newspaper publisher&’s path from the rural provinces of England to London and then to colonial Maryland and Virginia. While incorporating much new biographical information, the book widens the lens to take in the print culture on both sides of the Atlantic&—as well as the societal pressures on printing and publishing in England and colonial America in the early to mid-eighteenth century, with the printer as a focal point. After a struggling start in England, William Parks became a critical figure for both Annapolis and Williamsburg. He provided the southern United States with its first newspapers as well as civic leadership, book printing and selling, paper, and even postal services. Despite Jefferson&’s later dismissal of his Williamsburg newspaper as simply a governmental organ, Parks often pushed the limits of what was expected of a public printer, occasionally getting into trouble and confronting the kind of control and censorship that would eventually make evident the need for press freedoms in the new republic. It has often been asserted that, had Parks not died unexpectedly and relatively young, his reputation would have rivaled that of Franklin as a printer, entrepreneur, and man of affairs.
Author: Robert Ernest Spiller
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 866
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Book Description
Author: Robert Ernest Spiller
Publisher: MacMillan Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 1536
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Book Description
[1] History.--[2] Bibliography.
Author: Julia Straub
Publisher: Springer
ISBN: 1137581689
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
This monograph explores transatlantic literary culture by tracing the proliferation of ‘new media,’ such as the anthology, the literary history and the magazine, in the period between 1750 and 1850. The fast-paced media landscape out of which these publishing genres developed produced the need of a ‘memory of literature’ and a concomitant rhetoric of remembering strikingly similar to what today is called a cultural memory debate. Thus, rather than depicting the emergence of an American national literature, The Rise of New Media(1750–1850) combines impulses from media history, the history of print, the sociology of literature and canon theory to uncover nascent forms and genres of literary self-reflectivity and early stirrings of a canon debate in the Atlantic World.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 848
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Book Description
Author: Angus Fletcher
Publisher: Johns Hopkins University Press+ORM
ISBN: 1421419351
Category : Political Science
Languages : en
Pages : 352
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Book Description
“Invites its readers to note the leaders and people who are willing and able to laugh, with and at themselves . . . Our political life may depend upon it.” —The Review of Politics For two thousand years, democratic authors treated comedy as a toolkit of rhetorical practices for encouraging problem-solving, pluralism, risk-taking, and other civic behaviors that increased minority participation in government. Over the past two centuries, this pragmatic approach to extending the franchise has been displaced by more idealistic democratic philosophies that focus instead on promoting liberal principles and human rights. But in the wake of the recent “democracy recession” in the Middle East, the Third World, and the West itself, there has been renewed interest in finding practical sources of popular rule. Comic Democracies joins in the search by exploring the value of the old comic tools for growing democracy today. Drawing on new empirical research from the political and cognitive sciences, Angus Fletcher deftly analyzes the narrative elements of two dozen stage plays, novels, romances, histories, and operas written by such authors as Aristophanes, Menander, Plautus, Ariosto, Machiavelli, Cervantes, Shakespeare, Ben Jonson, William Congreve, John Gay, Henry Fielding, and Washington Irving. He unearths five comic techniques used to foster democratic behaviors in antiquity and the Renaissance, then traces the role of these techniques in Tom Paine’s Common Sense, Jefferson’s preamble to the Declaration of Independence, Washington’s farewell address, Mercy Otis Warren’s federalist history of the Revolution, Frederick Douglass’s abolitionist orations, and other documents that played a pivotal role in the development of the American Republic. After recovering these lost chapters of our democratic past, Comic Democracies concludes with a draft for the future, using the old methods of comedy to envision a modern democracy—rooted in the diversity, ingenuity, and power of popular art. “Fletcher’s main theory is convincing and will open up new fields of inquiry. This accessible work is for those interested in political science, cultural history, and comic theory as well as classical literature.” —Choice
