Author: Tom McDonough
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 294
Book Description
In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used--or stole, plagiarized, and expropriated--elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged M & e ́moires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The Beautiful Language of My Century"describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of d & e ́tournementand its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France d & e ́chir & e ́e"), Godard's early film Le Petit Soldat,and Christo's Project for a Temporary Wall of Steel Drums.He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the f & e teas a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968--when the struggle over language and culture merged with a broader resistance to capitalist modernization.
"The Beautiful Language of My Century"
Author: Tom McDonough
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 294
Book Description
In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used--or stole, plagiarized, and expropriated--elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged M & e ́moires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The Beautiful Language of My Century"describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of d & e ́tournementand its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France d & e ́chir & e ́e"), Godard's early film Le Petit Soldat,and Christo's Project for a Temporary Wall of Steel Drums.He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the f & e teas a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968--when the struggle over language and culture merged with a broader resistance to capitalist modernization.
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 294
Book Description
In postwar France, the aesthetics of appropriation and collage gave cultural form to a struggle over meaning. A new wave of avant-garde experimentation used--or stole, plagiarized, and expropriated--elements from advertising, journalism, literature, art, and other sources of common discourse (the ironically named "beautiful language" of this book's title, itself an appropriation from Guy Debord's collaged M & e ́moires). Redeployed, often in startling or pointed juxtapositions, these elements took on newly oppositional meanings. A famous photograph taken inside the occupied Sorbonne in May 1968, for example, shows a massive academic painting altered by a clever cartoonish speech bubble that transforms the painting into a parody of itself and memorializes an event very different from the one captured by the original artist."The Beautiful Language of My Century"describes the various forms of critical culture that culminated in the events of May 1968, and investigates the ways those forms have come down to us today. McDonough explores the montage practice developed by Guy Debord and his situationist colleagues under the name of d & e ́tournementand its expression in the later fifties as a form of cultural theft. He addresses the influence of colonialism on these practices, examining a 1961 exhibit of torn posters of the Algerian War ("La France d & e ́chir & e ́e"), Godard's early film Le Petit Soldat,and Christo's Project for a Temporary Wall of Steel Drums.He discusses the French left's adoption in the mid-sixties of the "end of art" as a theoretical position and describes the leftist idea of the f & e teas a Rabelaisian and revolutionary upwelling of everything that is low. This influential conception, inspired equally by the American urban revolts of the sixties and the writings of theorists Marcel Mauss and Georges Bataille, coalesced into a new image of revolution, a new model of contestation, in the events of May 1968--when the struggle over language and culture merged with a broader resistance to capitalist modernization.
Language for a New Century
Author: Tina Chang
Publisher: National Geographic Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 788
Book Description
An extensive collection of contemporary Asian and Middle Eastern poetry includes the work of four hundred contributors from a variety of backgrounds, in a thematically organized anthology that is complemented by personal essays.
Publisher: National Geographic Books
ISBN:
Category : Literary Criticism
Languages : en
Pages : 788
Book Description
An extensive collection of contemporary Asian and Middle Eastern poetry includes the work of four hundred contributors from a variety of backgrounds, in a thematically organized anthology that is complemented by personal essays.
This Is My Century
Author: Margaret Walker
Publisher: University of Georgia Press
ISBN: 0820342394
Category : Poetry
Languages : en
Pages : 256
Book Description
In selecting Margaret Walker as the recipient of the Yale Series of Younger Poets in 1942—making her the first African American to receive this national literary award—Stephen Vincent Benét proclaimed hers a vibrant new voice, finding in her collection For My People “a controlled intensity of emotion and a language that, at times, even when it is most modern, has something of a surge of biblical poetry.” Today, more than seventy years later, Walker’s voice still resonates with particular power. Addressing the literature and culture of black America, This Is My Century, first published in 1989, marked a significant contribution to American poetry, bringing together Walker’s selection of one hundred of her own poems. On the eve of the centennial of Walker’s birth, the University of Georgia Press is proud to reissue this classic of American letters. In addition to her award-winning debut collection, the volume includes Prophets for a New Day (1970), a celebration of the civil rights movement; October Journey (1973), a collection of autobiographical and dedicatory poems; and thirty-seven previously uncollected poems.
Publisher: University of Georgia Press
ISBN: 0820342394
Category : Poetry
Languages : en
Pages : 256
Book Description
In selecting Margaret Walker as the recipient of the Yale Series of Younger Poets in 1942—making her the first African American to receive this national literary award—Stephen Vincent Benét proclaimed hers a vibrant new voice, finding in her collection For My People “a controlled intensity of emotion and a language that, at times, even when it is most modern, has something of a surge of biblical poetry.” Today, more than seventy years later, Walker’s voice still resonates with particular power. Addressing the literature and culture of black America, This Is My Century, first published in 1989, marked a significant contribution to American poetry, bringing together Walker’s selection of one hundred of her own poems. On the eve of the centennial of Walker’s birth, the University of Georgia Press is proud to reissue this classic of American letters. In addition to her award-winning debut collection, the volume includes Prophets for a New Day (1970), a celebration of the civil rights movement; October Journey (1973), a collection of autobiographical and dedicatory poems; and thirty-seven previously uncollected poems.
The 20th Century Children's Book Treasury
Author: Janet Schulman
Publisher: Knopf Books for Young Readers
ISBN: 0679886478
Category : Juvenile Fiction
Languages : en
Pages : 326
Book Description
Unparalleled in scope and quality and designed for reading aloud and sharing, this splendid anthology brings together some of the most memorable and beloved children's books of our time. Here are classics such as Madeline and Curious George; contemporary bestsellers such as Guess How Much I Love You and The Stinky Cheese Man; Caldecott Medal winners such as Make Way for Ducklings and Where the Wild Things Are; and family favorites such as Goodnight Moon, The Sneetches, Winnie-the-Pooh, and Alexander & The Terrible, No Good Very Bad Day, soon to be a motion picture. The selections range from concept books and wordless books to picture books and short read-aloud stories, and represent the complete array of childhood themes and reading needs: ABCs, number and color books, stories about going to bed and going to school; tales about growing up, siblings, parents, and grandparents; animal stories, fantasies; fables; magical stories; stories about everyday life--and more. This beautiful edition includes a recommended list of books published in the time since this anthology's original compilation, including Caldecott Honors Don't Let the Pigeon Drive the Bus! and Olivia, with descriptive annotations intended to guide parents to these new books and new voices of the 21st century. Also included are an introduction from editor Janet Schulman, capsule biographies of the 62 writers and artists represented in the collection, color-coded running heads indicating age levels, and indexes. As a gift, a keepsake, and a companion in a child's first steps toward a lifelong love of reading, The 20th Century Children's Book Treasury belongs in every family's bookcase.
Publisher: Knopf Books for Young Readers
ISBN: 0679886478
Category : Juvenile Fiction
Languages : en
Pages : 326
Book Description
Unparalleled in scope and quality and designed for reading aloud and sharing, this splendid anthology brings together some of the most memorable and beloved children's books of our time. Here are classics such as Madeline and Curious George; contemporary bestsellers such as Guess How Much I Love You and The Stinky Cheese Man; Caldecott Medal winners such as Make Way for Ducklings and Where the Wild Things Are; and family favorites such as Goodnight Moon, The Sneetches, Winnie-the-Pooh, and Alexander & The Terrible, No Good Very Bad Day, soon to be a motion picture. The selections range from concept books and wordless books to picture books and short read-aloud stories, and represent the complete array of childhood themes and reading needs: ABCs, number and color books, stories about going to bed and going to school; tales about growing up, siblings, parents, and grandparents; animal stories, fantasies; fables; magical stories; stories about everyday life--and more. This beautiful edition includes a recommended list of books published in the time since this anthology's original compilation, including Caldecott Honors Don't Let the Pigeon Drive the Bus! and Olivia, with descriptive annotations intended to guide parents to these new books and new voices of the 21st century. Also included are an introduction from editor Janet Schulman, capsule biographies of the 62 writers and artists represented in the collection, color-coded running heads indicating age levels, and indexes. As a gift, a keepsake, and a companion in a child's first steps toward a lifelong love of reading, The 20th Century Children's Book Treasury belongs in every family's bookcase.
Beautiful & Pointless
Author: David Orr
Publisher: Harper Collins
ISBN: 0062079417
Category : Literary Criticism
Languages : en
Pages : 159
Book Description
"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.
Publisher: Harper Collins
ISBN: 0062079417
Category : Literary Criticism
Languages : en
Pages : 159
Book Description
"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.
Quotational Practices
Author: Patrick Greaney
Publisher: U of Minnesota Press
ISBN: 1452941246
Category : Art
Languages : en
Pages : 207
Book Description
Literature and art have always depended on imitation, and in the past few decades quotation and appropriation have become dominant aesthetic practices. But critical methods have not kept pace with this development. Patrick Greaney reopens the debate about quotation and appropriation, shifting away from naïve claims about the death of the author. In interpretations of art and literature from the 1960s to the present, Quotational Practices shows how artists and writers use quotation not to undermine authorship and originality, but to answer questions at the heart of twentieth-century philosophies of history. Greaney argues that quotation is a technique employed by art and philosophy to build ties to the past and to possible futures. By exploring quotation’s links to gender, identity, and history, he offers new approaches to works by some of the most influential modern and contemporary artists, writers, and philosophers, including Walter Benjamin, Guy Debord, Michel Foucault, Marcel Broodthaers, Glenn Ligon, Sharon Hayes, and Vanessa Place. Ultimately, Quotational Practices reveals innovative perspectives on canonical philosophical texts as well as art and literature in a wide range of genres and mediums—from concrete poetry and the artist’s book to performance, painting, and video art.
Publisher: U of Minnesota Press
ISBN: 1452941246
Category : Art
Languages : en
Pages : 207
Book Description
Literature and art have always depended on imitation, and in the past few decades quotation and appropriation have become dominant aesthetic practices. But critical methods have not kept pace with this development. Patrick Greaney reopens the debate about quotation and appropriation, shifting away from naïve claims about the death of the author. In interpretations of art and literature from the 1960s to the present, Quotational Practices shows how artists and writers use quotation not to undermine authorship and originality, but to answer questions at the heart of twentieth-century philosophies of history. Greaney argues that quotation is a technique employed by art and philosophy to build ties to the past and to possible futures. By exploring quotation’s links to gender, identity, and history, he offers new approaches to works by some of the most influential modern and contemporary artists, writers, and philosophers, including Walter Benjamin, Guy Debord, Michel Foucault, Marcel Broodthaers, Glenn Ligon, Sharon Hayes, and Vanessa Place. Ultimately, Quotational Practices reveals innovative perspectives on canonical philosophical texts as well as art and literature in a wide range of genres and mediums—from concrete poetry and the artist’s book to performance, painting, and video art.
The Language of School Design
Author: Prakash Nair
Publisher: Education Design Architects
ISBN: 9780976267003
Category : Architecture
Languages : en
Pages : 122
Book Description
The Language of School design is a seminal work because it defines a new graphic vocabulary that synthesizes learning research with best practice in school planning and design. But it is more than a book about ideas. It is also a practical tool and a must-have resource for all school stakeholders involved in planning, designing and constructing new and renovated schools and evaluating the educational adequacy of existing school facilities.
Publisher: Education Design Architects
ISBN: 9780976267003
Category : Architecture
Languages : en
Pages : 122
Book Description
The Language of School design is a seminal work because it defines a new graphic vocabulary that synthesizes learning research with best practice in school planning and design. But it is more than a book about ideas. It is also a practical tool and a must-have resource for all school stakeholders involved in planning, designing and constructing new and renovated schools and evaluating the educational adequacy of existing school facilities.
Decades
Author: Cameron Silver
Publisher: Bloomsbury Publishing USA
ISBN: 159691663X
Category : Design
Languages : en
Pages : 257
Book Description
Presents a decade-by-decade guide to the most influential looks of the past century, matching red-carpet gowns to famous celebrities while providing original designer sketches, photos of rare couture, and interviews with a range of authorities.
Publisher: Bloomsbury Publishing USA
ISBN: 159691663X
Category : Design
Languages : en
Pages : 257
Book Description
Presents a decade-by-decade guide to the most influential looks of the past century, matching red-carpet gowns to famous celebrities while providing original designer sketches, photos of rare couture, and interviews with a range of authorities.
Robert Ryman
Author: Suzanne Perling Hudson
Publisher: MIT Press
ISBN: 0262012804
Category : Painters
Languages : en
Pages : 334
Book Description
"In this first book-length study of Robert Ryman, Suzanne Hudson traces the artist's production from his first paintings in the early 1950s, many of which have never been exhibited or reproduced, to his more recent gallery shows. Ryman's largely white-on-white paintings represent his careful working over of painting's conventions at their most radically reduced. Through close readings of the work, Hudson casts Ryman as a painter for whom painting was conducted as a continuous personal investigation. Ryman's method--an act of "learning by doing"--as well as his conception of painting as "used paint" set him apart from second-generation abstract expressionists, minimalists, or conceptualists. Hudson's chapters--"Primer," "Paint," "Support," "Edge," and "Wall," named after the most basic elements of the artist's work--eloquently explore Ryman's ongoing experiment in what makes a painting a painting. Ryman's work, Hudson argues, tests the medium's material and conceptual possibilities. It neither signals the end of painting nor guarantees its continued longevity but keeps the prospect of painting an open question, answerable only through the production of new paintings."--From publisher description.
Publisher: MIT Press
ISBN: 0262012804
Category : Painters
Languages : en
Pages : 334
Book Description
"In this first book-length study of Robert Ryman, Suzanne Hudson traces the artist's production from his first paintings in the early 1950s, many of which have never been exhibited or reproduced, to his more recent gallery shows. Ryman's largely white-on-white paintings represent his careful working over of painting's conventions at their most radically reduced. Through close readings of the work, Hudson casts Ryman as a painter for whom painting was conducted as a continuous personal investigation. Ryman's method--an act of "learning by doing"--as well as his conception of painting as "used paint" set him apart from second-generation abstract expressionists, minimalists, or conceptualists. Hudson's chapters--"Primer," "Paint," "Support," "Edge," and "Wall," named after the most basic elements of the artist's work--eloquently explore Ryman's ongoing experiment in what makes a painting a painting. Ryman's work, Hudson argues, tests the medium's material and conceptual possibilities. It neither signals the end of painting nor guarantees its continued longevity but keeps the prospect of painting an open question, answerable only through the production of new paintings."--From publisher description.
Architectures of Poetry
Author:
Publisher: BRILL
ISBN: 9004484345
Category : Literary Criticism
Languages : en
Pages : 143
Book Description
Architectures of Poetry is the first comprehensive accounting of the currently intense dialogue between the sister arts of poetry and architecture. Refusing to take either term in a metaphoric sense, the eleven essays collected in this volume exemplify an exciting methodological direction for work in the humanities: a literal wager that is willing to take the unintended suggestions of language as reality. At the same time, they also provide close readings of the work of a number of important writers. In addition to a suite of essays devoted to the team of Arakawa and Madeline Gins, chapters focus on figures as diverse as Francesco Borromini, Rainer Maria Rilke, Stéphane Mallarmé, Friedrich Achleitner, John Cage and Lyn Hejinian.
Publisher: BRILL
ISBN: 9004484345
Category : Literary Criticism
Languages : en
Pages : 143
Book Description
Architectures of Poetry is the first comprehensive accounting of the currently intense dialogue between the sister arts of poetry and architecture. Refusing to take either term in a metaphoric sense, the eleven essays collected in this volume exemplify an exciting methodological direction for work in the humanities: a literal wager that is willing to take the unintended suggestions of language as reality. At the same time, they also provide close readings of the work of a number of important writers. In addition to a suite of essays devoted to the team of Arakawa and Madeline Gins, chapters focus on figures as diverse as Francesco Borromini, Rainer Maria Rilke, Stéphane Mallarmé, Friedrich Achleitner, John Cage and Lyn Hejinian.