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Author: Raj Chandarlapaty
Publisher: Peter Lang
ISBN: 9781433106033
Category : Biography & Autobiography
Languages : en
Pages : 194
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Book Description
The Beat Generation and Counterculture examines three authors associated with the «Beat Generation» - Paul Bowles, William S. Burroughs, and Jack Kerouac - and the relevance of their attempt to travel, learn, and write about exotic non-Western cultures and repressed minority cultures in the United States, projecting the influence of history, premodern religious practices, and postcolonial social and intellectual problems into the written development of countercultural ethos and praxis. The Beat Generation and Counterculture underscores T. S. Eliot's emphasis on «earning tradition - that is, in order for the corrupt, decultured, and unimaginative West that had been ruined by World War II to survive, it would have to internalize and project the value of distant cultures that had been misunderstood and racialized for centuries. This book also addresses the frequent criticism that these authors were «orientalist», white writers who freely translated non-Western culture without giving any credit to its creators.
Author: Raj Chandarlapaty
Publisher: Peter Lang
ISBN: 9781433106033
Category : Biography & Autobiography
Languages : en
Pages : 194
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Book Description
The Beat Generation and Counterculture examines three authors associated with the «Beat Generation» - Paul Bowles, William S. Burroughs, and Jack Kerouac - and the relevance of their attempt to travel, learn, and write about exotic non-Western cultures and repressed minority cultures in the United States, projecting the influence of history, premodern religious practices, and postcolonial social and intellectual problems into the written development of countercultural ethos and praxis. The Beat Generation and Counterculture underscores T. S. Eliot's emphasis on «earning tradition - that is, in order for the corrupt, decultured, and unimaginative West that had been ruined by World War II to survive, it would have to internalize and project the value of distant cultures that had been misunderstood and racialized for centuries. This book also addresses the frequent criticism that these authors were «orientalist», white writers who freely translated non-Western culture without giving any credit to its creators.
Author: Jack Kerouac
Publisher:
ISBN: 9781846882616
Category : Drama
Languages : en
Pages : 150
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Book Description
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Author: Cornelis A. van Minnen
Publisher: Vu University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Author: Manuel Luis Martinez
Publisher: Univ of Wisconsin Press
ISBN: 0299192830
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
Rebelling against bourgeois vacuity and taking their countercultural critique on the road, the Beat writers and artists have long symbolized a spirit of freedom and radical democracy. Manuel Martinez offers an eye-opening challenge to this characterization of the Beats, juxtaposing them against Chicano nationalists like Raul Salinas, Jose Montoya, Luis Valdez, and Oscar Acosta and Mexican migrant writers in the United States, like Tomas Rivera and Ernesto Galarza. In an innovative rereading of American radical politics and culture of the 1950s and 1960s, Martinez uncovers reactionary, neoromantic, and sometimes racist strains in the Beats’ vision of freedom, and he brings to the fore the complex stances of Latinos on participant democracy and progressive culture. He analyzes the ways that Beats, Chicanos, and migrant writers conceived of and articulated social and political perspectives. He contends that both the Beats’ extreme individualism and the Chicano nationalists’ narrow vision of citizenship are betrayals of the democratic ideal, but that the migrant writers presented a distinctly radical and inclusive vision of democracy that was truly countercultural.
Author: Allen Ginsberg
Publisher: Harper Collins
ISBN: 0061137456
Category : Poetry
Languages : en
Pages : 210
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Book Description
First published in 1956, Allen Ginsberg's Howl is a prophetic masterpiece—an epic raging against dehumanizing society that overcame censorship trials and obscenity charges to become one of the most widely read poems of the century. This annotated version of Ginsberg's classic is the poet's own re-creation of the revolutionary work's composition process—as well as a treasure trove of anecdotes, an intimate look at the poet's writing techniques, and a veritable social history of the 1950s.
Author: Alan Bisbort
Publisher: Bloomsbury Publishing USA
ISBN: 031336575X
Category : Social Science
Languages : en
Pages : 212
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Book Description
This is a revealing look at the events and personalities that defined the Beat Generation, drawing on over three decades of research. Beatniks: A Guide to an American Subculture gets readers past the caricature of the "beatnik" as a goateed, beret-wearing, bongo-playing poseur, drawing on extensive research to show just how profound an impact the beats had on American culture, politics, and literature. Beatniks conveys the complexity, influences, events, and places that shaped the Beat Generation from the late 1940s to the cusp of the 1960s. The book also features a series of essays on specific aspects of the subculture, as well as interviews with Beat Generation luminaries like Allen Ginsberg, Ann Charters, Roy Harper and Michael McClure. Throughout, readers will meet an extraordinary gallery of people both famous—Jack Kerouac, William Burroughs, Neal Cassady—and lesser known but no less fascinating, including Kenneth Patchen, Lord Buckley, Mort Sahl, Jack Micheline, Lew Welch, Joan Vollmer Adams, and Lenore Kandel. Also included is a detailed glossary with the origins and meanings of the beat lingo.
Author: Jack Kerouac
Publisher: Penguin
ISBN: 1101437138
Category : Biography & Autobiography
Languages : en
Pages : 612
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Book Description
The first collection of letters between the two leading figures of the Beat movement Writers and cultural icons Jack Kerouac and Allen Ginsberg are the most celebrated names of the Beat Generation, linked together not only by their shared artistic sensibility but also by a deep and abiding friendship, one that colored their lives and greatly influenced their writing. Editors Bill Morgan and David Stanford shed new light on this intimate and influential friendship in this fascinating exchange of letters between Kerouac and Ginsberg, two thirds of which have never been published before. Commencing in 1944 while Ginsberg was a student at Columbia University and continuing until shortly before Kerouac's death in 1969, the two hundred letters included in this book provide astonishing insight into their lives and their writing. While not always in agreement, Ginsberg and Kerouac inspired each other spiritually and creatively, and their letters became a vital workshop for their art. Vivid, engaging, and enthralling, Jack Kerouac and Allen Ginsberg: The Letters provides an unparalleled portrait of the two men who led the cultural and artistic movement that defined their generation.
Author: Christopher Gair
Publisher: Simon and Schuster
ISBN: 1780741308
Category : Literary Criticism
Languages : en
Pages : 168
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Book Description
Without them, the Hippies and the Punks would never have existed. The Beat Generation were a revolutionary group of poets, drifters, musicians, and visionaries whose gritty spontaneous prose explored alienation, repression, and what it meant to be a member of the human race in post-WWII American society. Through the iconic personalities of Ginsberg, Kerouac, Corso, and Burroughs, along with women writers, musicians, and artists, Christopher Gair charts the emergence and true significance of the group, revealing how their fresh approach to literature and a bohemian lifestyle created one of the most exciting and important movements in American literature. Half a century after the publication of the modern classics "Howl" and "On the Road", the movement continues to attract scores of new readers, influencing everything from bebop to the Beastie Boys.
Author: Florian Arleth
Publisher: GRIN Verlag
ISBN: 3656153965
Category : Foreign Language Study
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2010 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,0, University of Heidelberg (Anglistisches Seminar), course: PS II "The Post-War American Counter Culture", language: English, abstract: As soon as rap music had proven to be something more than a short lived youth phenomenon it began to be acknowledged as an American counter-culture - maybe because of the often controversial lyrics, maybe because of the socio-cultural background of the participants. This paper raises the question if American rap music can be seen as standing in the tradition of the Beat Generation, an artistic and ideological movement that is treated as the foundation of the term Counter Culture as it will be used in the further progress. The definition of this term is based on three texts: “The Culture of Spontaneity” by Daniel Belgrad, “The White Negroe” by Norman Mailer and “The Philosophy of the Beat Generation” by Jack Kerouac. These works have in common that they are all concerned with the phenomenon of the American Counter-Culture in general and with the Beat Generation in particular - be it from Kerouac's personal point of view, from a contemporary one like Mailer's, or from the scholarly perspective of Belgrad. They each deal with different aspects of this movement and in this give a broad definition of it, including ideological as well as formal points. These individual notions are then used to construct a basis for a comparison. They are compared to respective aspects in rap music, with no special regard to decades, geographic focal points or stylistic tendencies. The rap culture is rather seen as an entity, the different artists as manifestations of its ideas. This means that the personal views and works of rap musicians are as important as their common denominator and are treated likewise. Yet there needs to be a distinction between those rap artists that create in accordance to the original ideas of Hip Hop and those who compromised on their musical integrity, whether due to the taste of the main stream or to artistic misleadings. The term 'Counter Culture' itself proves to be very helpful here, for it already implies that the followers of this movement oppose the 'Culture' of the mainstream and can therefore not be part of it, like the latter group of rap artists is. Finally, the aim of this paper is to trace the similarities of the two movements, but also to highlight the differences - the reasons why rap Music should not be considered as part of the American Counter-Culture, as a new Beat Generation.
Author: Gene Feldman
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 390
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Book Description
