Author: Germain Bazin
Publisher:
ISBN:
Category : Art, Baroque
Languages : en
Pages : 386
Book Description
The Baroque: Principles, Styles, Modes, Themes
Author: Germain Bazin
Publisher:
ISBN:
Category : Art, Baroque
Languages : en
Pages : 386
Book Description
Publisher:
ISBN:
Category : Art, Baroque
Languages : en
Pages : 386
Book Description
The Baroque
Author: Germain Bazin
Publisher: R.S. Means Company
ISBN: 9780393090550
Category : Art, Baroque
Languages : en
Pages : 368
Book Description
Publisher: R.S. Means Company
ISBN: 9780393090550
Category : Art, Baroque
Languages : en
Pages : 368
Book Description
The Oxford Handbook of the Baroque
Author: John D. Lyons
Publisher: Oxford University Press
ISBN: 019067847X
Category : Literary Criticism
Languages : en
Pages : 907
Book Description
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
Publisher: Oxford University Press
ISBN: 019067847X
Category : Literary Criticism
Languages : en
Pages : 907
Book Description
Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
The Baroque
Author: Peter N. Skrine
Publisher: Taylor & Francis
ISBN: 1000906868
Category : Literary Criticism
Languages : en
Pages : 150
Book Description
First Published in 1978, The Baroque focuses on eight areas where it expressed itself most successfully. The cultural movement called baroque dominated most of the Western Europe from the late sixteenth century to the 1720s. During that long time, it went through various phases, affecting some arts, some countries more than others. There are many overlapping definitions of baroque like from a mode of European painting to a style of architecture or rather a cultural phenomenon which manifested itself most noticeably in the fine and applied arts. In this book each chapter presents a separate exploration of different interlinked facets of this vast and maze-like subject. This book is an interesting read for scholars of European literature.
Publisher: Taylor & Francis
ISBN: 1000906868
Category : Literary Criticism
Languages : en
Pages : 150
Book Description
First Published in 1978, The Baroque focuses on eight areas where it expressed itself most successfully. The cultural movement called baroque dominated most of the Western Europe from the late sixteenth century to the 1720s. During that long time, it went through various phases, affecting some arts, some countries more than others. There are many overlapping definitions of baroque like from a mode of European painting to a style of architecture or rather a cultural phenomenon which manifested itself most noticeably in the fine and applied arts. In this book each chapter presents a separate exploration of different interlinked facets of this vast and maze-like subject. This book is an interesting read for scholars of European literature.
Baroque Self-Invention and Historical Truth
Author: Christopher Braider
Publisher: Routledge
ISBN: 1351955969
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
In his monumental study, Christopher Braider explores the dialectical contest between history and truth that defines the period of cultural transition called the 'baroque'. For example, Annibale Carracci's portrayal of the Stoic legend of Hercules at the Crossroads departs from earlier, more static representations that depict an emblematic demigod who has already rejected the fallen path of worldly Pleasure for the upward road of heroic Virtue. Braider argues that, in breaking with tradition in order to portray a tragic soliloquist whose dominant trait is agonized indecision, Carracci joins other baroque artists, poets and philosophers in rehearsing the historical dilemma of choice itself. Carracci's picture thus becomes a framing device that illuminates phenomena as diverse as the construction of gender in baroque painting and science, the Pauline ontology of art in Caravaggio and Rembrandt, the metaphysics of baroque soliloquy and the dismantling of Cartesian dualism in Cyrano de Bergerac and Pascal.
Publisher: Routledge
ISBN: 1351955969
Category : Literary Criticism
Languages : en
Pages : 369
Book Description
In his monumental study, Christopher Braider explores the dialectical contest between history and truth that defines the period of cultural transition called the 'baroque'. For example, Annibale Carracci's portrayal of the Stoic legend of Hercules at the Crossroads departs from earlier, more static representations that depict an emblematic demigod who has already rejected the fallen path of worldly Pleasure for the upward road of heroic Virtue. Braider argues that, in breaking with tradition in order to portray a tragic soliloquist whose dominant trait is agonized indecision, Carracci joins other baroque artists, poets and philosophers in rehearsing the historical dilemma of choice itself. Carracci's picture thus becomes a framing device that illuminates phenomena as diverse as the construction of gender in baroque painting and science, the Pauline ontology of art in Caravaggio and Rembrandt, the metaphysics of baroque soliloquy and the dismantling of Cartesian dualism in Cyrano de Bergerac and Pascal.
The Aesthetic Discourse of the Arts
Author: Anna-Teresa Tymieniecka
Publisher: Springer Science & Business Media
ISBN: 9780792360063
Category : Art
Languages : en
Pages : 308
Book Description
The fine arts first emerged divided by the five senses yet, since their very origin, they have projected aesthetic networks among themselves. Music, song, painting, architecture, sculpture, theatre, dance -- distinct in themselves -- grew together, enhancing each other. In the present outburst of technical ingeniosity, individual arts cross all barriers, as well as proliferate in kind. Hence the traditional criteria of appreciation and enjoyment vanish. The enlarged and ever-growing field calls for new principles of appreciation and new values, essential to our culture. This collection initiates an inquiry into the aesthetic foundations of the fine arts. Their common aesthetic nature, as well as the differentiating specificities which sustain them, might reveal the universal role of aesthetics in human life.
Publisher: Springer Science & Business Media
ISBN: 9780792360063
Category : Art
Languages : en
Pages : 308
Book Description
The fine arts first emerged divided by the five senses yet, since their very origin, they have projected aesthetic networks among themselves. Music, song, painting, architecture, sculpture, theatre, dance -- distinct in themselves -- grew together, enhancing each other. In the present outburst of technical ingeniosity, individual arts cross all barriers, as well as proliferate in kind. Hence the traditional criteria of appreciation and enjoyment vanish. The enlarged and ever-growing field calls for new principles of appreciation and new values, essential to our culture. This collection initiates an inquiry into the aesthetic foundations of the fine arts. Their common aesthetic nature, as well as the differentiating specificities which sustain them, might reveal the universal role of aesthetics in human life.
The Cambridge History of Seventeenth-Century Music
Author: Tim Carter
Publisher: Cambridge University Press
ISBN: 9780521792738
Category : Music
Languages : en
Pages : 636
Book Description
First published in 2005, this title provides extensive knowledge on seventeenth-century music.
Publisher: Cambridge University Press
ISBN: 9780521792738
Category : Music
Languages : en
Pages : 636
Book Description
First published in 2005, this title provides extensive knowledge on seventeenth-century music.
Signs and Designs
Author: Jean H. Duffy
Publisher: Liverpool University Press
ISBN: 9780853237785
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Publisher: Liverpool University Press
ISBN: 9780853237785
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Sublime Historical Experience
Author: F. R. Ankersmit
Publisher: Stanford University Press
ISBN: 9780804749367
Category : History
Languages : en
Pages : 510
Book Description
Why are we interested in history at all? Why do we feel the need to distinguish between past and present? This book investigates how the notion of sublime historical experience complicates and challenges existing conceptions of language, truth, and knowledge.
Publisher: Stanford University Press
ISBN: 9780804749367
Category : History
Languages : en
Pages : 510
Book Description
Why are we interested in history at all? Why do we feel the need to distinguish between past and present? This book investigates how the notion of sublime historical experience complicates and challenges existing conceptions of language, truth, and knowledge.
Ottoman Baroque
Author: Unver Rustem
Publisher: Princeton University Press
ISBN: 069118187X
Category : Architecture
Languages : en
Pages : 336
Book Description
A new approach to late Ottoman visual culture and its relationship with the West.
Publisher: Princeton University Press
ISBN: 069118187X
Category : Architecture
Languages : en
Pages : 336
Book Description
A new approach to late Ottoman visual culture and its relationship with the West.