The Ballet of the Second Empire, 1847-1858 PDF Download
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Author: Ivor Guest
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 176
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Book Description
Author: Ivor Guest
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 176
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Book Description
Author: Doug Fullington
Publisher: Oxford University Press
ISBN: 0190944501
Category : Music
Languages : en
Pages : 889
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Book Description
This book offers something entirely new: detailed scene-by-scene descriptions of the action and dancing of Giselle, Paquita, Le Corsaire, La Bayadère, and Raymonda, bringing the reader far closer to what the audience saw when the curtain went up on these five classic story ballets than has heretofore been possible. Drawing on archival documents, the authors show that these ballets were like today's pop entertainment: funnier, more violent, more spectacular, and with female characters far stronger than one might expect. This rigorously researched book fills huge gaps in dance history and is bound to be of interest to practitioners, scholars, and devotees of ballet and the arts.
Author: Robert Greskovic
Publisher: Hal Leonard Corporation
ISBN: 9780879103255
Category : Performing Arts
Languages : en
Pages : 660
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Book Description
Presents a look at the world of dance; an analysis of ballet movement, music, and history; a close-up look at popular ballets; and a host of performance tips.
Author: Mark Everist
Publisher: Routledge
ISBN: 1351661019
Category : Music
Languages : en
Pages : 511
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Book Description
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production, with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique, opérette, comédie-vaudeville and mélodrame, for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera, and its focus moves towards the music of its closest neighbours, the Italian-speaking states, and of its most problematic partners, the German-speaking states, especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange, genre and institution, this collection brings together twelve of the author’s previously published articles and essays, fully updated for this volume and translated into English for the first time.
Author: Debra Craine
Publisher: Oxford University Press, USA
ISBN: 0199563446
Category : Music
Languages : en
Pages : 512
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Book Description
This comprehensive and up-to-date dictionary provides all the information necessary for dance fans to navigate the diverse dance scene of the 21st century. It includes entries ranging from classical ballet to the cutting edge of modern dance.
Author: Carol Lee
Publisher: Psychology Press
ISBN: 9780415942577
Category : History
Languages : en
Pages : 388
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Book Description
A history of the development of ballet from the origins of dance through the 20th century.
Author: Ivor Guest
Publisher: London : Society for Theatre Research
ISBN:
Category : Ballet
Languages : en
Pages : 130
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1248
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Book Description
A weekly review of politics, literature, theology, and art.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 940
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Book Description
Vols. 1898- include a directory of publishers.
Author: Lucia Ruprecht
Publisher: Routledge
ISBN: 1351946455
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Lucia Ruprecht's study is the first monograph in English to analyse the relationship between nineteenth-century German literature and theatrical dance. Combining cultural history with close readings of major texts by Heinrich von Kleist, E.T.A. Hoffmann and Heinrich Heine, the author brings to light little-known German resources on dance to address the theoretical implications of examining the interdiscursive and intermedial relations between the three authors' literary works, aesthetic reflections on dance, and dance of the period. In doing so, she not only shows how dancing and writing relate to one another but reveals the characteristics that make each mode of expression distinct unto itself. Readings engage with literary modes of understanding physical movement that are neglected under the regime of eighteenth-century aesthetic theory, and of classical ballet, setting the human, frail and expressive body against the smoothly idealised neoclassicist ideal. Particularly important is the way juxtaposing texts and performance practice allows for the emergence of meta-discourses about trauma and repetition and their impact on aesthetics and formulations of the self and the human body. Related to this is the author's concept of performative exercises or dances of the self which constitute a decisive force within the formation of subjectivity that is enacted in the literary texts. Joining performance studies with psychoanalytical theory, this book opens up new pathways for understanding Western theatrical dance's theoretical, historical and literary continuum.
