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Author: George Ian Duthie
Publisher: CUP Archive
ISBN:
Category : Hamlet
Languages : en
Pages : 296
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Book Description
Author: George Ian Duthie
Publisher: CUP Archive
ISBN:
Category : Hamlet
Languages : en
Pages : 296
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Book Description
Author: WILLIAM. SHAKESPEARE
Publisher:
ISBN: 9781033882351
Category :
Languages : en
Pages : 0
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Book Description
Author: George Ian Duthie
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 306
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Book Description
Author: William Shakespeare
Publisher: Cambridge University Press
ISBN: 0521821215
Category : Drama
Languages : en
Pages : 3
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Book Description
A full edition of the first quarto of Romeo and Juliet (1597), with helpful commentary.
Author: Gordon McMullan
Publisher:
ISBN: 9780712356312
Category :
Languages : en
Pages : 0
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Book Description
Ten leading experts take a fresh look at Shakespeare, reminding us that the playwright's iconic status has been constructed over the centuries in a process that continues across the world today.
Author: John Dover Wilson
Publisher: Cambridge University Press
ISBN: 9780521091091
Category : Drama
Languages : en
Pages : 384
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Book Description
In this classic 1935 book, John Dover Wilson critiques Shakespeare's Hamlet.
Author: Laurie E. Maguire
Publisher: Cambridge University Press
ISBN: 0521473640
Category : Drama
Languages : en
Pages : 447
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Book Description
An examination of forty-one Shakespearean play texts, the 'bad quartos' or 'memorial reconstructions'.
Author: Zachary Lesser
Publisher: University of Pennsylvania Press
ISBN: 0812290399
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
In 1823, Sir Henry Bunbury discovered a badly bound volume of twelve Shakespeare plays in a closet of his manor house. Nearly all of the plays were first editions, but one stood out as extraordinary: a previously unknown text of Hamlet that predated all other versions. Suddenly, the world had to grapple with a radically new—or rather, old—Hamlet in which the characters, plot, and poetry of Shakespeare's most famous play were profoundly and strangely transformed. Q1, as the text is known, has been declared a rough draft, a shorthand piracy, a memorial reconstruction, and a pre-Shakespearean "ur-Hamlet," among other things. Flickering between two historical moments—its publication in Shakespeare's early seventeenth century and its rediscovery in Bunbury's early nineteenth—Q1 is both the first and last Hamlet. Because this text became widely known only after the familiar version of the play had reached the pinnacle of English literature, its reception has entirely depended on this uncanny temporal oscillation; so too has its ongoing influence on twentieth- and twenty-first-century ideas of the play. Zachary Lesser examines how the improbable discovery of Q1 has forced readers to reconsider accepted truths about Shakespeare as an author and about the nature of Shakespeare's texts. In telling the story of this mysterious quarto and tracing the debates in newspapers, London theaters, and scholarly journals that followed its discovery, Lesser offers brilliant new insights on what we think we mean when we talk about Hamlet.
Author: Ron Rosenbaum
Publisher: Random House
ISBN: 0307807924
Category : Biography & Autobiography
Languages : en
Pages : 626
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Book Description
“[Ron Rosenbaum] is one of the most original journalists and writers of our time.” –David Remnick In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.
Author: Luke McKernan
Publisher: Wallflower Press
ISBN:
Category : Drama
Languages : en
Pages : 310
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Book Description
Everything about the how as well as the why of studying audiovisual Shakespeare is provided here, from silent cinema to the multiplex, and from cat's whiskers to Youtube.
