The Avant-garde Networks of Amauta: Argentina, Mexico, and Peru in the 1920s PDF Download
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Author: Beverly Adams
Publisher:
ISBN: 9780981573861
Category :
Languages : en
Pages : 351
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Book Description
Author: Beverly Adams
Publisher:
ISBN: 9780981573861
Category :
Languages : en
Pages : 351
Get Book Here
Book Description
Author: Beverly Adams
Publisher:
ISBN: 9788480265904
Category :
Languages : en
Pages : 352
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Book Description
Author: Juan E. De Castro
Publisher: BRILL
ISBN: 9004441867
Category : Political Science
Languages : en
Pages : 256
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Book Description
Influenced by anarchism and especially by the anarcho-syndicalist Georges Sorel, the political praxis of Peruvian activist and scholar José Carlos Mariátegui (1894–1930) deviated from the policies mandated by the Comintern. Mariátegui saw that new subjectivities would be required to bring about a revolution that would not recreate bourgeois or fascist structures. A new society, he argued, required a new culture. Thus, Mariátegui not only founded the Peruvian Socialist Party, but also created Amauta, a magazine that brought together the writings of the political and cultural avant-gardes. In the spirit of this approach, Bread and Beauty not only studies the political signifi cance of cultural habits and products; it also looks at the cultural underpinnings of the political proposals found in Mariátegui’s writings and actions.
Author: Lori Cole
Publisher: Penn State Press
ISBN: 0271081708
Category : Art
Languages : en
Pages : 451
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Book Description
Surveying the Avant-Garde examines the art and literature of the Americas in the early twentieth century through the lens of the questionnaire, a genre as central as the manifesto to the history of the avant-garde. Questions such as “How do you imagine Latin America?” and “What should American art be?” issued by avant-garde magazines like Imán, a Latin American periodical based in Paris, and Cuba’s Revista de Avance demonstrate how editors, writers, and readers all grappled with the concept of “America,” particularly in relationship to Europe, and how the questionnaire became a structuring device for reflecting on their national and aesthetic identities in print. Through an analysis of these questionnaires and their responses, Lori Cole reveals how ideas like “American art,” as well as “modernism” and “avant-garde,” were debated at the very moment of their development and consolidation. Unlike a manifesto, whose signatories align with a single polemical text, the questionnaire produces a patchwork of responses, providing a composite and sometimes fractured portrait of a community. Such responses yield a self-reflexive history of the era as told by its protagonists, which include figures such as Gertrude Stein, Alfred Stieglitz, Jean Toomer, F. T. Marinetti, Diego Rivera, and Jorge Luis Borges. The book traces a genealogy of the genre from the Renaissance paragone, or “comparison of the arts,” through the rise of enquêtes in the late nineteenth century, up to the contemporary questionnaire, which proliferates in art magazines today. By analyzing a selection of surveys issued across the Atlantic, Cole indicates how they helped shape artists’ and writers’ understanding of themselves and their place in the world. Based on extensive archival research, this book reorients our understanding of modernism as both hemispheric and transatlantic by narrating how the artists and writers of the period engaged in aesthetic debates that informed and propelled print communities in Europe, the United States, and Latin America. Scholars of modernism and the avant-garde will welcome Cole’s original and compellingly crafted work.
Author: Marta Traba
Publisher: Inter-American Development Bank
ISBN: 0940602733
Category : Art
Languages : en
Pages : 197
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Book Description
Marta Traba, one of Latin America's most controversial art critics, examines the works of over 1,000 artists from the first 80 years of the 20th century. This book is an indispensable reference for anyone interested in studying the evolution of Latin American art.
Author: Harper Montgomery
Publisher: University of Texas Press
ISBN: 1477312544
Category : Art
Languages : en
Pages : 342
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Book Description
Presenting a paradigm-shifting view of early Latin American modernism, this book looks at how a transnational intellectual community of writers and critics forged an anticolonial aesthetic based in abstract artistic forms.
Author: Omar Rivera
Publisher: Bloomsbury Publishing
ISBN: 1350173770
Category : Philosophy
Languages : en
Pages : 249
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Book Description
Informed by Gloria Anzaldúa's and José Carlos Mariátegui's work, as well as by Andean cosmology, Omar Rivera turns to Inka stonework and architecture as an example of a “Cosmological Aesthetics.” He articulates ways of sensing, feeling and remembering that are attuned to an aesthetic of water, earth and light. On this basis, Rivera brings forth a corporeal orientation that can be inhabited by the oppressed, one that withdraws from predominant modern/Western conceptions of the human. By providing an aesthetic analysis of cosmological sensing, Rivera sets the stage for exploring physical dimensions of anti-colonial resistance, and furthers the Latinx and Latin American tradition of anti-colonial and liberatory philosophy. Seeing aesthetic involvements with the cosmos as a source for embodied modes of resistance, Rivera turns to the work of María Lugones and Enrique Dussel in order to make explicit the aesthetic dimensions of their work. Andean Aesthetics and Anticolonial Resistance creates a new dialogue between art historians, artists, and philosophers working on Latin American thought, phenomenology, and hermeneutics. It weaves together a Latin American philosophy that connects pre-Columbian cosmologies with contemporary thinkers. Rivera's original approach introduces us to the living, evolving and aesthetic alternatives to coloniality of power and of knowledge, overhauling current understandings of decolonial theory and opening the tradition in transformative ways.
Author: Claudio Palomares-Salas
Publisher: BRILL
ISBN: 9004406778
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on Spatiality, Palomares-Salas convincingly argues that an unsolvable tension between place and space is at the core of the Hispanic avant-garde cultural production. A refreshing, transatlantic perspective on Ultraism and Stridentism, the book moves the Hispanic vanguards forward into broader, international discussions on space and modernism, and offers innovative readings of well-known, as well as rarely studied works.
Author: Nils Jacobsen
Publisher: Univ of California Press
ISBN: 0520082915
Category : Business & Economics
Languages : en
Pages : 507
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Book Description
"One of the finest works on Latin America to come along in a decade. . . . Jacobsen's methods . . . have relevance for many other areas of rural Latin America. . . [and] will set the standard for some time to come."—Erick D. Langer, Carnegie-Mellon University
Author: Gorica Majstorovic
Publisher: Rowman & Littlefield
ISBN: 1498576184
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
Global South Modernities: Modernist Literature and the Avant-Garde in Latin America examines the seminal influence that Latin American writers had on the style, subject matter, and ideology of literature in the Global South from 1900 to the late 1930s. Gorica Majstorovic challenges the historical and racial logic of interwar Latin American literary studies by introducing the solidarity relations between the global decolonial movements and placing anti-imperialism, Blackness, and indigeneity at the center of decolonial analysis. Following Mignolo, de Sousa Santos, and Cheah, the texts under analysis subvert the processes of European colonial worlding and show modernity itself as pluralized. Drawing on these works, Majstorovic bridges the gap between aesthetics and politics while shifting the focus onto the Latin American transnational modernist networks and situating the analysis within the theoretical frameworks of the Global South. While examining the idea of globality through its different conceptualizations (cosmopolitanism, immigration, and travel), Majstorovic analyzes avant-garde magazines of the 1920s, Mexican petrofiction, urban proletarian, and decolonial travel narratives of the 1930s, calling into question modernism’s usual framing as an Anglo-American interwar phenomenon. Majstorovic constructs a new genealogy of Latin American literature by examining the asymmetrical relations within its multiple modernities and offers a new understanding of Latin American interwar literature through the lens of the Global South.
