The AudioPro Home Recording Course PDF Download
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Author: Bill Gibson
Publisher: Hal Leonard Corporation
ISBN: 9780872887152
Category : Music
Languages : en
Pages : 302
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Book Description
Gibson's classic techniques taught in the first two volumes gave you the foundation to hone your recording skills. The third volume focuses on the latest technologies: digital hard disk recording, MIDI sequencing, mastering with computers, CD-R technology and much more! Learn about audio hardware for computers, software comparisons and recommendations, including important tricks and tips that will improve your workflow! You'll discover secrets of the current state of the art in audio recording and multimedia while learning how to prepare for the music industry of the future.
Author: Bill Gibson
Publisher: Hal Leonard Corporation
ISBN: 9780872887152
Category : Music
Languages : en
Pages : 302
Get Book Here
Book Description
Gibson's classic techniques taught in the first two volumes gave you the foundation to hone your recording skills. The third volume focuses on the latest technologies: digital hard disk recording, MIDI sequencing, mastering with computers, CD-R technology and much more! Learn about audio hardware for computers, software comparisons and recommendations, including important tricks and tips that will improve your workflow! You'll discover secrets of the current state of the art in audio recording and multimedia while learning how to prepare for the music industry of the future.
Author: Bill Gibson
Publisher: Artistpro.Com Llc
ISBN: 9780918371201
Category : Music
Languages : en
Pages : 264
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Book Description
This essential complement to the first book in this series and required reading for anyone who is conscientious about recording the right way. This second volume also uses illustrations and audio examples to present all you need to know about impedance and balancing; recording bass guitar, vocals, pianos, and synths; panning and stereo imaging; and the recording session itself, down to the final mixdown. Let Bill Gibson give you the information you need to master your recording techniques and produce incredible recordings.
Author: William A. Gibson
Publisher:
ISBN: 9780872887152
Category : Sound
Languages : en
Pages : 268
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Book Description
Author:
Publisher: Artistpro.com
ISBN: 9780918371102
Category : Music
Languages : en
Pages : 245
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Book Description
Author Bill Gibson has created The AudioPro Home Recording Course to familiarize musicians with the fundamentals of studio recording using explanations and examples that are easy to understand and enlightening for the beginning and intermediate student. The book is accompanied by two CDs full of information and audio examples, and the text is complemented by hundreds of illustrations to make learning as painless as possible. Chapters include: The Mixer; Signal Processing; Guitar/Sounds; Microphones; Acoustic Drums; Percussion; Synchronization/Drum Machines.
Author: Mike Collins
Publisher: Taylor & Francis
ISBN: 0240519213
Category : Computers
Languages : en
Pages : 538
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Book Description
Provides advice on which audio software and hardware to purchase, which is most suitable for your latest project or how best to move between platforms mid-project. The guide offers authoritative information and comparison between the systems currently available to help inform your own decisions.
Author: Thomas E. Rudolph
Publisher: GIA Publications
ISBN: 9781579993139
Category : Music
Languages : en
Pages : 480
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Book Description
This text covers topics from MIDI and electronic keyboards to the Internet and the copyright law to most recent developments in hardware, software, and pedagogy. The accompanying CD-ROM provides end-of-chapter questions, activities and projects, lesson plans, web activities, demo programs and much more.
Author: Scott R. Wilkinson
Publisher: Hal Leonard Corporation
ISBN: 9780918371218
Category : Music
Languages : en
Pages : 236
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Book Description
From the pages of Electronic Musician magazine come these words of wisdom from Scott Wilkinson. He bridges the information gap between beginner and high-end user as he demystifies the decibel, explains SCSI secrets, and makes sense of MIDI. Other topics include the principles of digital audio, effects processors, microphones and more. You'll also get two glossaries: one general and the other packed with Internet terms.
Author: Peter Lawrence Alexander
Publisher: Hal Leonard Corporation
ISBN: 9780634026157
Category : Music
Languages : en
Pages : 340
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Book Description
(Book). Whether you've got a four-track cassette deck, digital recorder, or a computer you've turned into a recording studio, How to Do a Demo-Quality Recording in Your Bedroom jump starts your skills quickly. It's written in a simple do-this, do-that approach. Topics covered include: expectations for home recording * connectors and cables * signal flow * overview of Cubase, Emagic Logic and Samplitude 6.0 * connecting the computer's audio card to the mixing board * recording procedures * how to set levels * how to apply effects in the mix * and much more. Includes a 38-page gallery of microphone positions for grand piano, amp miking, acoustic guitars, drums, vocalists and choir based on Shure microphone techniques.
Author: Mike Collins
Publisher: CRC Press
ISBN: 1136120300
Category : Computers
Languages : en
Pages : 400
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Book Description
A comprehensive and colour-illustrated guide to the most popular music production package around.
Author: Adam Rosińsk
Publisher: Wydawnictwo UJ
ISBN: 832337385X
Category : Technology & Engineering
Languages : en
Pages : 253
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Book Description
Sound engineering is one of the fastest-growing branches of music production. The need for a broad-based discussion on the issues constituting the art of sound engineering persists and loses none of its relevance, revealing that sound engineering should not be investigated only in the mathematical and physical context (musical acoustics) or the engineering aspect (signal processing and modification). Publications targeted primarily at musicians are few and far between, which is why the mutual understanding for different priorities which effectively concern the same issues faced by the engineer, the acoustician and the musician, seems to be a complex problem and the main concept explored in this publication. This book is intended for musicians or sound directors, but also acousticians and sound engineers wishing to learn how the musicians think. The monograph is also addressed to musicians who intend to record their material in the studio in the near future, but do not possess knowledge on studio construction, studio workflow or the art of recording. It seems important to familiarize the musicians with the reality that awaits them on the other side of the glass, thus fostering their responsibility for the work jointly produced by them – entering the studio – and the sound director.
