The Arts in Early England: The Ruthwell and Bewcastle crosses, the Gospels of Lindisfarne, and other Christian monuments of Northumbria; with philological chapters by A. Blyth Webster PDF Download
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Author: Gerard Baldwin Brown
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 538
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Book Description
Author: Gerard Baldwin Brown
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 466
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Book Description
The author died while several chapters of v. 6 were obviously unfinished, but no attempt was made to complete the subject-matter. The work was to have been concluded with a 7th volume discussing the illuminated manuscripts of the period.
Author: Gerard Baldwin Brown
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 538
Get Book Here
Book Description
Author: Gerard Baldwin Brown
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 460
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Book Description
The author died while several chapters of v. 6 were obviously unfinished, but no attempt was made to complete the subject-matter. The work was to have been concluded with a 7th volume discussing the illuminated manuscripts of the period.
Author: Gerard Baldwin Brown
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 162
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Book Description
Author: Gerard Baldwin Brown
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 468
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Book Description
Author: Colum Hourihane
Publisher: Index of Christian Art Department of Art and Archeology Princeton
ISBN: 9780983753704
Category : Art, Anglo-Saxon
Languages : en
Pages : 0
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Book Description
An interdisciplinary collection of essays examining Irish and Anglo-Saxon art in the early medieval period.
Author: Richard N. Bailey
Publisher: PIMS
ISBN: 9780888449054
Category : Art
Languages : en
Pages : 212
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Book Description
Author: Juliet Fleming
Publisher: University of Pennsylvania Press
ISBN: 9780812236293
Category : Art
Languages : en
Pages : 236
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Book Description
"Through stunningly imaginative acts of archaeological and archival retrieval, Juliet Fleming has given us the keenest account we have of what distinguishes early modern writing from our own."—Margreta de Grazia, University of Pennsylvania
Author: Judith B. Tankard
Publisher: ABRAMS
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 260
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Book Description
Illustrated with original photographs of Shipman's superb gardens - many by photographer Mattie Edwards Hewitt which have never been previously published - and new photographs by Carol Betsch which were specially commissioned for this volume, the book documents in fascinating detail the life and work of one of America's most important and influential garden designers.
Author: Anne M. Myers
Publisher: JHU Press
ISBN: 1421408007
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
Our built environment inspires writers to reflect on the human experience, discover its history, or make it up. Buildings tell stories. Castles, country homes, churches, and monasteries are “documents” of the people who built them, owned them, lived and died in them, inherited and saved or destroyed them, and recorded their histories. Literature and Architecture in Early Modern England examines the relationship between sixteenth- and seventeenth-century architectural and literary works. By becoming more sensitive to the narrative functions of architecture, Anne M. Myers argues, we begin to understand how a range of writers viewed and made use of the material built environment that surrounded the production of early modern texts in England. Scholars have long found themselves in the position of excusing or explaining England’s failure to achieve the equivalent of the Italian Renaissance in the visual arts. Myers proposes that architecture inspired an unusual amount of historiographic and literary production, including poetry, drama, architectural treatises, and diaries. Works by William Camden, Henry Wotton, Ben Jonson, Andrew Marvell, George Herbert, Anne Clifford, and John Evelyn, when considered as a group, are texts that overturn the engrained critical notion that a Protestant fear of idolatry sentenced the visual arts and architecture in England to a state of suspicion and neglect.
