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Author: Heli Meltsner
Publisher: Bauhan Pub
ISBN: 9780872332737
Category : Architecture, Domestic
Languages : en
Pages : 160
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Book Description
At the opening of the twentieth century, Massachusetts architects struggled to create an authentic new look that would reflect their clients' increasingly informal way of life. Inspired by the Arts and Crafts Movement in England, the result was a charming style that proved especially appropriate for the rapidly expanding suburbs and vacation houses in the state--charming but overlooked, principally because the style is somewhat difficult to describe. The Arts and Crafts Houses of Massachusetts brings these homes, hidden in plain sight, the attention they deserve. Meticulously researched and with abundant color photos, the book is the only work focusing on the state's Arts and Crafts domestic architecture and the only one to include an illustrated field guide. It is also the first book to explore the use of this cutting-edge style in designing buildings for estate servants, transit workers, and renters--groups that historically lacked access to professionally designed homes.
Author: Heli Meltsner
Publisher: Bauhan Pub
ISBN: 9780872332737
Category : Architecture, Domestic
Languages : en
Pages : 160
Get Book Here
Book Description
At the opening of the twentieth century, Massachusetts architects struggled to create an authentic new look that would reflect their clients' increasingly informal way of life. Inspired by the Arts and Crafts Movement in England, the result was a charming style that proved especially appropriate for the rapidly expanding suburbs and vacation houses in the state--charming but overlooked, principally because the style is somewhat difficult to describe. The Arts and Crafts Houses of Massachusetts brings these homes, hidden in plain sight, the attention they deserve. Meticulously researched and with abundant color photos, the book is the only work focusing on the state's Arts and Crafts domestic architecture and the only one to include an illustrated field guide. It is also the first book to explore the use of this cutting-edge style in designing buildings for estate servants, transit workers, and renters--groups that historically lacked access to professionally designed homes.
Author: Maureen Meister
Publisher: University Press of New England
ISBN: 1611686628
Category : Architecture
Languages : en
Pages : 321
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Book Description
This book offers the first full-scale examination of the architecture associated with the Arts and Crafts movement that spread throughout New England at the turn of the twentieth century. Although interest in the Arts and Crafts movement has grown since the 1970s, the literature on New England has focused on craft production. Meister traces the history of the movement from its origins in mid-nineteenth-century England to its arrival in the United States and describes how Boston architects including H. H. Richardson embraced its tenets in the 1870s and 1880s. She then turns to the next generation of designers, examining buildings by twelve of the region's most prominent architects, eleven men and a woman, who assumed leadership roles in the Society of Arts and Crafts, founded in Boston in 1897. Among them are Ralph Adams Cram, Lois Lilley Howe, Charles Maginnis, and H. Langford Warren. They promoted designs based on historical precedent and the region's heritage while encouraging well-executed ornament. Meister also discusses revered cultural personalities who influenced the architects, notably Ralph Waldo Emerson and art historian Charles Eliot Norton, as well as contemporaries who shared their concerns, such as Louis Brandeis. Conservative though the architects were in the styles they favored, they also were forward-looking, blending Arts and Crafts values with Progressive Era idealism. Open to new materials and building types, they made lasting contributions, with many of their designs now landmarks honored in cities and towns across New England.
Author: Marilee Boyd Meyer
Publisher: Harry N. Abrams
ISBN: 9780810963412
Category : Art
Languages : en
Pages : 247
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Book Description
Fine craftsmanship and handiwork, originality in design, aesthetic purity, and honest use of materials in both decorative and utilitarian objects were the ideals embraced by Boston's Society of Arts and Crafts. This book celebrates the organization's centenary with splendid examples of metalwork, jewelry textiles, furniture, ceramics, photography, and more. 273 illustrations, 52 in color. D.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 952
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Book Description
Author: Pamela Todd
Publisher:
ISBN: 9780500290231
Category : Arts and crafts movement
Languages : en
Pages : 0
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Book Description
Decor.
Author: Maureen Meister
Publisher: UPNE
ISBN: 9781584653516
Category : Architects
Languages : en
Pages : 232
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Book Description
H. Langford Warren (1857-1917) was an important link in the chain of individuals who contributed to the architectural practice, theories of design, and the teaching of architectural history in the United States at the turn of the twentieth century. Best known in the Boston area, Warren first worked under the renowned architect Henry Hobson Richardson before establishing his own practice. Friends and colleagues during this period included Charles Eliot Norton, the noted art historian, and Harvard's Charles Herbert Moore, a leading Ruskinian painter. Hired by Harvard University in 1893, Warren developed its architectural curriculum. In 1897 he helped found Boston's Society of Arts and Crafts. At the time of his death in 1917, Warren was Dean of the School of Architecture at Harvard and President of the Society of Arts and Crafts. At the turn of the century, Warren's philosophical vision offered a conservative and ethnocentric perspective attractive to many Bostonians and to a significant segment of Americans nationwide. According to this view, English culture was the basis of American culture. Through his work at Harvard and in the Arts and Crafts movement, he articulated and promoted an aesthetic guided by an attachment to the past, and he encouraged his students at Harvard to revive and reinterpret English and Anglo-American models. Another characteristic of Warren's aesthetic was "restraint," a quality generally attributed to the region's Puritan settlers. "Restraint" also meant a rejection of both the lavish ornamentation of the Ecole des Beaux-Arts in Paris and the more original styles such as Art Nouveau that were emerging at the turn of the century. Following the ideals of John Ruskin, William Morris, and later leaders of the English Arts and Crafts movement, Warren and his architect-colleagues promoted a close collaboration with the craftsmen who enhanced their buildings. The resulting building designs represent a significant contribution to the development of American Arts and Crafts architecture, complementing the proto-modern work of designers such as Frank Lloyd Wright. In fact, Arts and Crafts architecture in North America was extremely diverse. Meister examines the greater complexity of this architecture by exploring the eclectic historicism of Warren, a key figure in the movement that was centered in Boston.
Author: Abbott Lowell Cummings
Publisher:
ISBN: 9780674316812
Category : Architecture
Languages : en
Pages : 261
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Book Description
Architectural drawings and detailed descriptions of houses complement a social history and study of the architecture and construction of seventeenth-century wooden-frame houses of Massachusetts
Author: Beverly Kay Brandt
Publisher: Univ of Massachusetts Press
ISBN:
Category : Architecture
Languages : en
Pages : 448
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Book Description
This work explores the movement for design reform in turn-of-the-century Boston. When English craftsman, poet, and socialist William Morris advised consumers in the 1880s to 'have nothing in your houses that you do not know to be useful', he prompted a movement for design reform.
Author: Susan J. Montgomery
Publisher: Rowman & Littlefield
ISBN: 1538161869
Category : History
Languages : en
Pages : 199
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Book Description
Wisteria House is a North Andover, Massachusetts landmark, named for the vigorous vine that has flourished on the veranda for more than 150 years. More properly known as the Field-Hodges House, it belonged to only two families. The last owner, Sarah Moore Field, died in 1988, leaving her home completely furnished and packed to the rafters with the accumulated belongings of three generations and hoping that it would become a historic house museum. It did not. A variety of circumstances required a more creative solution. Wisteria House: Life in a New England Home, 1839-2000 is a key element of that solution. It is a permanent record of the lives lived in a particular house in a particular town at a particular time based on the buildings, furnishings, clothing, personal effects, photographs, correspondence, and financial papers of two upper-middle class families. The text and illustrations address gender roles, childhood and education, household economy, health and medicine, work and leisure, and community history. The themes of public history, preservation, and stewardship underpin the narrative. The story of the Field-Hodges Houses lies at the intersection of well-meaning, devoted amateurs trying to save a beloved old house and professionals charged with the dispassionate consideration of the financial viability and public relevance necessary for a successful historic house museum. The book is unique in that it is the final component of a preservation project. After the building and grounds were secured, the significant collections safely in the hands of public institutions, financial obligations met, and the intent of a Last Will and Testament fulfilled, Wisteria House preserves the history itself. As an example of stewardship, the entire project occupies a notable position in the current debate over the future of historic house museums in America.
Author: Emma Welty
Publisher:
ISBN: 9780983880431
Category :
Languages : en
Pages : 60
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Book Description
The three Nichols sisters, Rose, Marian and Margaret, came of age during a critical time in American craft history: the Arts and Crafts movement, active from 1880ー1910. Following the Industrial Revolution and widespread abandonment of cottage industries, champions of the Arts and Crafts movement, William Morris and John Ruskin, were calling for a return to handcrafts for the sake of beauty, quality and social progress. The values maintained and taught by members of the Arts and Crafts movement impacted the educations, careers and politics of the Nichols sisters.The Nichols sisters were instructed in handcrafts from a young age. Letters, memoirs and objects in the museum's collection tell the story of their work, including sewing, pottery and carpentry. The three Nichols sisters were not simply object makers. They also utilized their skills to educate and advocate for people from diverse socioeconomic backgrounds.This exhibition aims to harness the same spirit of making and community engagement in order to re-activate the spaces the Nichols family occupied. Four local artists were selected by a jury to create site specific works for the rooms of the Nichols House Museum. The artists utilized traditional techniques and materials that would have been familiar to the Nichols sisters. The framework of the exhibition contextualizes the voices of the four art makers within the history of the Nichols family in order to expand our interpretation to include contemporary thought.
