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Author: William E. Reaves
Publisher: Texas A&M University Press
ISBN: 1648431178
Category : Art
Languages : en
Pages : 486
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Book Description
E. M. (Buck) Schiwetz (1898–1984) could be called a “favorite son” among Texas artists working in the twentieth century. Schiwetz ranks among the state’s best-known early artists, having left behind an important body of iconic Texas imagery produced over a prodigious career spanning some seven decades. Educated as an architect at A&M College of Texas, he parlayed this training with natural acumen to become a consummate draftsman, prominent illustrator, and celebrated artist. In the mid-twentieth century, Schiwetz distinguished himself as an active participant in the rise of Texas art. As the Texas art scene experienced a period of dynamic growth and development, his artwork evolved across successive movements of Lone Star Impressionism, Regionalism, Modernism, and Expressionism. During his lifetime, the artwork of Buck Schiwetz arguably graced more publications than that of any other Texas artist. Featured in popular journals such as The Humble Way or published in the pioneering art books issued by academic presses at both the University of Texas and Texas A&M University, Schiwetz’s Texas imagery has long been employed to portray and celebrate Lone Star history and culture. The Artistic Legacy of Buck Schiwetz provides a long-overdue examination of this important Texas artist and his legacy: the first authoritative treatment of Schiwetz’s career as both fine artist and accomplished illustrator, and the first scholarly examination of his full body of work. See the art exhibition traveling Texas from 2023-2025: Stark Galleries, Texas A&M University: September 21 to December 18, 2023 Tyler Museum of Art: January 19 to April 14, 2024 The Grace Museum, Abilene: April 27 to September 15, 2024 The Capitol of Texas, Austin: October 25, 2024, to January 31, 2025
Author: William E. Reaves
Publisher: Texas A&M University Press
ISBN: 1648431178
Category : Art
Languages : en
Pages : 486
Get Book
Book Description
E. M. (Buck) Schiwetz (1898–1984) could be called a “favorite son” among Texas artists working in the twentieth century. Schiwetz ranks among the state’s best-known early artists, having left behind an important body of iconic Texas imagery produced over a prodigious career spanning some seven decades. Educated as an architect at A&M College of Texas, he parlayed this training with natural acumen to become a consummate draftsman, prominent illustrator, and celebrated artist. In the mid-twentieth century, Schiwetz distinguished himself as an active participant in the rise of Texas art. As the Texas art scene experienced a period of dynamic growth and development, his artwork evolved across successive movements of Lone Star Impressionism, Regionalism, Modernism, and Expressionism. During his lifetime, the artwork of Buck Schiwetz arguably graced more publications than that of any other Texas artist. Featured in popular journals such as The Humble Way or published in the pioneering art books issued by academic presses at both the University of Texas and Texas A&M University, Schiwetz’s Texas imagery has long been employed to portray and celebrate Lone Star history and culture. The Artistic Legacy of Buck Schiwetz provides a long-overdue examination of this important Texas artist and his legacy: the first authoritative treatment of Schiwetz’s career as both fine artist and accomplished illustrator, and the first scholarly examination of his full body of work. See the art exhibition traveling Texas from 2023-2025: Stark Galleries, Texas A&M University: September 21 to December 18, 2023 Tyler Museum of Art: January 19 to April 14, 2024 The Grace Museum, Abilene: April 27 to September 15, 2024 The Capitol of Texas, Austin: October 25, 2024, to January 31, 2025
Author: Linda J. Reaves
Publisher: Joe and Betty Moore Texas Art
ISBN: 9781648431166
Category : Art
Languages : en
Pages : 0
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Book Description
E. M. (Buck) Schiwetz (1898-1984) could be called a "favorite son" among Texas artists working in the twentieth century. Schiwetz ranks among the state's best-known early artists, having left behind an important body of iconic Texas imagery produced over a prodigious career spanning some seven decades. Educated as an architect at A&M College of Texas, he parlayed this training with natural acumen to become a consummate draftsman, prominent illustrator, and celebrated artist. In the mid-twentieth century, Schiwetz distinguished himself as an active participant in the rise of Texas art. As the Texas art scene experienced a period of dynamic growth and development, his artwork evolved across successive movements of Lone Star Impressionism, Regionalism, Modernism, and Expressionism. During his lifetime, the artwork of Buck Schiwetz arguably graced more publications than that of any other Texas artist. Featured in popular journals such as The Humble Way or published in the pioneering art books issued by academic presses at both the University of Texas and Texas A&M University, Schiwetz's Texas imagery has long been employed to portray and celebrate Lone Star history and culture. The Artistic Legacy of Buck Schiwetz provides a long-overdue examination of this important Texas artist and his legacy: the first authoritative treatment of Schiwetz's career as both fine artist and accomplished illustrator, and the first scholarly examination of his full body of work.
Author: Edward Muegge Schiwetz
Publisher: TAMU Press
ISBN: 9780890960530
Category : Biography & Autobiography
Languages : en
Pages : 112
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Book Description
Eighty works of art (sixty-four in color), from the Cuero, Texas artist E.M. Buck Schiwetz. These drawings and paintings were selected by the artist himself for this publication.
Author: Edward Muegge Schiwetz
Publisher:
ISBN: 9780292775039
Category : Texas
Languages : en
Pages : 144
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Book Description
48 color plates and 48 black and white plates of E.M. Buck Schiwetz' artwork depict Texas agriculture, towns, and countryside. His work includes watercolors, etchings, oils, lithographs, and mixed-media paintings.
Author: Jakie L. Pruett
Publisher: Eakins PressFoundation
ISBN: 9780890153307
Category : Art
Languages : en
Pages : 110
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Book Description
Author: Sallie Reynolds Matthews
Publisher: Texas A&M University Press
ISBN: 9780890961230
Category : History
Languages : en
Pages : 276
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Book Description
Records one woman's response to pioneer life in Texas at the turn of the century.
Author: Dennis Blagg
Publisher: TAMU Press
ISBN: 9781585442027
Category : Art
Languages : en
Pages : 141
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Book Description
The "photo-realistic" paintings and drawings of Dennis Blagg reveals the rugged character and natural beauty of this geologically significant region of Texas. (Fine Arts)
Author: William E. Reaves
Publisher: Texas A&M University Press
ISBN: 1623496667
Category : Art
Languages : en
Pages : 162
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Book Description
A significant collection of Texas paintings and prints hangs humbly and inconspicuously throughout the offices, conference rooms, and hallways of Texas A&M University Press. These works comprise the Frank H. Wardlaw Collection of Texas Art, named in honor of the Press’s founding director, who was one of the genuine publishing icons of his day. Established in 1983 at the dedication of the new headquarters of Texas A&M University Press on the campus of Texas A&M, the collection began with twenty inaugural contributions that came as gifts from respected Texas artists whose art appeared in the books Wardlaw had shepherded to publication at the Press. Since then, the collection—which continues to be linked to artists published by the Press—has grown to house more than one hundred paintings, photographs, and illustrations. Among the noted artists featured in the collection are E. M. (Buck) Schiwetz, Otis Dozier, Michael Frary, Everett Spruce, Emily Guthrie Smith, Jerry Bywaters, and, among more recent additions, Dorothy Hood and Richard Stout. Through interviews with longtime staff and research into the Press’s book files and correspondence, William and Linda Reaves have uncovered the captivating history of this unlikely collection. In A Book Maker’s Art, they present the freshly assembled story of the Wardlaw collection, from its modest yet unique beginning to its present-day status as one of the university’s excellent collections of Texas art, reflecting the exceptional bond of arts and letters that has come to distinguish Texas A&M University Press.
Author: Pete Gershon
Publisher: Texas A&M University Press
ISBN: 1623496322
Category : Art
Languages : en
Pages : 482
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Book Description
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
Author: María Herrera-Sobek
Publisher: Texas A&M University Press
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
Santa Barraza paints bold representations of Nepantla, the Land Between. Her work depicts the historical, emotional, and spiritual land between Mexico and Texas, between the familiar and the sacred, between present reality and the mythic world of the ancient Aztecs and Mayas. More than thirty of her most powerful and characteristic works are offered in full color and considered in this ground-breaking study of a nationally important Tejana artist. Over the last twenty-five years of her career as a visual artist, Barraza has explored what it is to be a Chicana and a mestiza in this country. Utilizing a variety of media, she has embarked on an artistic journey full of family portraits, watercolor dream scenes, mixed media artist books, and murals that harken back to a pre-Columbian past. By tapping into pre-conquest symbols, personal memories, and traditional sacred art forms such as the retablo and the Codices, she incorporates the value of Mexican artistic traditions and their power to nurture and sustain cultural identity on this side of the border. Barraza's art, which includes public art in the form of murals and children's workshops, has increasingly drawn on the colors and forms of Mesoamerica. Most recently, the Aztec Codices offer her a symbolic form to claim her roots and to invoke much of the cosmology of her ancestors. Within the form, however, she adapts by drawing on contemporary figures such as her own mother, or labor leader Ema Tenayucca, or Barraza's sister with a physical heart (representing a heart transplant she had received) in place of the Virgen de Guadalupe and the Immaculate Heart. Scholars María Herrera-Sobek, Antonia Castañeda, Shifra M. Goldman, Tomás Ybarra-Frausto, and Dori Grace Udeagbor Lemeh contribute distinctive insights to the analysis of the forces that have shaped Barraza as a Chicana artist and the images and aesthetics that characterize the corpus of her work. Their perspectives also contribute to an understanding of the Chicano/a artists (including Barraza) who began their rise to prominence during the Chicano Movement of the 1960s and 1970s. Moreover, the text invites readers to view the Chicano/a as the "New American artist," suggesting that the elements of Barraza's painting are important not only to Chicanos/as, but to all Americans in our increasingly bicultural and even mestizo society.
