The Articulation and Re-articulation of Space in the Photographic Paradigm PDF Download
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Author: Timothy Howard Thomas
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Studio practice: Definitions of photography whilst they include ideas oflight, optics and chemistry or digital sensors also emphasise a link to real objects in real spaces. Henry Fox Talbot published the results of his successful experiment in fixing images from a camera obscura as The Pencil of Nature (1844 -1846), suggesting that nature was drawing itself without human intervention. It is this physical link with the real that is the basis of photographic truth claims. The photograph is used as evidence that these things were in that space. More recently Patrick Maynard leverages this link with real things and describes photography as an Engine of Visualisation, adding how we use photographs to a definition of photography However computer 3D modeling software makes virtual spaces available and allows us to place virtual objects in those spaces. Virtual light can illuminate and a virtual camera can frame the object in the virtual space. Calculating the interaction of light, object and camera allows for a picture derived from the virtual space. It is hard not to think of these pictures as photographs yet doing so has implications for our understanding of photography. This studio-based study investigates the photographic paradigm by making photographs of virtual objects in a virtualenvironment and adds to a broader understanding of photography as practice independent of actual subjects and actual light. Dissertation Component: Study to test the proposition that a temporally discrete object such as a work of art may contain a story. When we look at a pictorial work of art we are presented with a composition that contains a number of spatial relationships. There is thespace bounded by the edges of the work that include the distribution of theart's compositional elements. This framed space is nested within the viewing space that is the space of the viewer as they look at the work of art. There is also picture space that is created in the picture that we use to organise the compositional elements on a depth axis. It is the created picture space that is made in response to our need to make sense of the picture that this dissertation uses to test the proposition that a temporally discrete objectsuch as a work of art may contain a story.
Author: Timothy Howard Thomas
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Studio practice: Definitions of photography whilst they include ideas oflight, optics and chemistry or digital sensors also emphasise a link to real objects in real spaces. Henry Fox Talbot published the results of his successful experiment in fixing images from a camera obscura as The Pencil of Nature (1844 -1846), suggesting that nature was drawing itself without human intervention. It is this physical link with the real that is the basis of photographic truth claims. The photograph is used as evidence that these things were in that space. More recently Patrick Maynard leverages this link with real things and describes photography as an Engine of Visualisation, adding how we use photographs to a definition of photography However computer 3D modeling software makes virtual spaces available and allows us to place virtual objects in those spaces. Virtual light can illuminate and a virtual camera can frame the object in the virtual space. Calculating the interaction of light, object and camera allows for a picture derived from the virtual space. It is hard not to think of these pictures as photographs yet doing so has implications for our understanding of photography. This studio-based study investigates the photographic paradigm by making photographs of virtual objects in a virtualenvironment and adds to a broader understanding of photography as practice independent of actual subjects and actual light. Dissertation Component: Study to test the proposition that a temporally discrete object such as a work of art may contain a story. When we look at a pictorial work of art we are presented with a composition that contains a number of spatial relationships. There is thespace bounded by the edges of the work that include the distribution of theart's compositional elements. This framed space is nested within the viewing space that is the space of the viewer as they look at the work of art. There is also picture space that is created in the picture that we use to organise the compositional elements on a depth axis. It is the created picture space that is made in response to our need to make sense of the picture that this dissertation uses to test the proposition that a temporally discrete objectsuch as a work of art may contain a story.
Author: Marina Gržinić
Publisher: Springer
ISBN: 3319551736
Category : Social Science
Languages : en
Pages : 172
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Book Description
This book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of biopolitics and (de)coloniality. The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life. This book is firmly embedded in the present moment, when due to rapid and major changes on all levels of political and social reality the need for rearticulation in theoretical, artistic and political practices and rethinking of historical narratives becomes almost tangible.
Author: Marina Gržinić
Publisher: Založba ZRC
ISBN: 9616500538
Category : Art
Languages : en
Pages : 158
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Book Description
Knjigo sestavljajo nekatera novejša pregledana ali znova napisana besedila slovenske filozofinje, umetnice in teoretičarke Marine Gržinić. V knjigi so zbrane teoretsko-politične razlage umetnosti, kulture in politike z območja bivše Jugoslavije in bivše Vzhodne Evrope ter kapitalističnega prostora novih medijev in tehnologij z njemu lastno novo ekonomijo, politiko globalizacije, multikulturno ideologijo in novimi oblikami hegemonij. Avtorica v knjigi med drugim razpravlja o umetniških projektih IRWIN-a, Tanje Ostojić, Emila Hrvatina, skupine Laibach, Dragana Živadinova, Ilye Kabakova, Oliverja Resslerja, Walida Ra’ada in drugih.
Author: Elizabeth Edwards
Publisher: Duke University Press
ISBN: 0822351048
Category : Art
Languages : en
Pages : 346
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Book Description
"In the camera as historian, the groundbreaking historical and visual anthropologist Elizabeth Edwards works with an archive of neraly 55,000 photographs taken by 1,000 photographers, mostly unknown until now." -- Inside cover.
Author: Mitra Kanaani
Publisher: Routledge
ISBN: 0429664389
Category : Architecture
Languages : en
Pages : 702
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Book Description
The Routledge Companion to Paradigms of Performativity in Design and Architecture focuses on a non-linear, multilateral, ethical way of design thinking, positioning the design process as a journey. It expands on the multiple facets and paradigms of performative design thinking as an emerging trend in design methodology. This edited collection explores the meaning of performativity by examining its relevance in conjunction with three fundamental principles: firmness, commodity and delight. The scope and broader meaning of performativity, performative architecture and performance-based building design are discussed in terms of how they influence today’s design thinking. With contributions from 44 expert practitioners, educators and researchers, this volume engages theory, history, technology and the human aspects of performative design thinking and its implications for the future of design.
Author: Marina Gržinić
Publisher:
ISBN:
Category : Aesthetics, European
Languages : en
Pages : 228
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Book Description
Author: Charles Jencks
Publisher: Yale University Press
ISBN: 9780300095135
Category : Architecture
Languages : en
Pages : 306
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Book Description
This book explores the broad issue of Postmodernism and tells the story of the movement that has changed the face of architecture over the last forty years. In this completely rewritten edition of his seminal work, Charles Jencks brings the history of architecture up to date and shows how demands for a new and complex architecture, aided by computer design, have led to more convivial, sensuous, and articulate buildings around the world.
Author:
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 532
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Author:
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ISBN:
Category : Civilization, Modern
Languages : en
Pages : 186
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Book Description
Author: Stephen Kite
Publisher: Routledge
ISBN: 135119481X
Category : Art
Languages : en
Pages : 292
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Book Description
"Adrian Stokes (1902-72) - aesthete, critic, painter and poet - is among the most original and creative writers on art of the twentieth century. He was the author of over twenty critical books and numerous papers: for example, the remarkable series of books published in the 1930s; The Quattro Cento (1932), Stones of Rimini (1934), and Colour and Form (1937) that embraced Mediterranean culture and modernity. His criticism extends the evocative English aesthetic tradition of Walter Pater and John Ruskin into the present, endowed by a stern sensibility to the consolations offered by art and architecture, and the insights that psychoanalysis affords. Indeed, for Stokes architecture provides the entree into art, and this book is the first study to comprehensively examine Stokess theory of art from a specifically architectonic perspective. The volume explores the crucial experiences through which this architectonic awareness evolved; traces the influence upon Stokes of places, texts and personalities, and examines how his theory of art developed and matured. The argument is supported by appropriate illustrations to confirm the evidence that Stokess claim for architecture as mother of the arts carries the deepest experiential and psychological import."
