The Art of Vase-Painting in Classical Athens

The Art of Vase-Painting in Classical Athens PDF Author: Martin Robertson
Publisher: Cambridge University Press
ISBN: 9780521338813
Category : Art
Languages : en
Pages : 372

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Book Description
In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.

The Art of Vase-Painting in Classical Athens

The Art of Vase-Painting in Classical Athens PDF Author: Martin Robertson
Publisher: Cambridge University Press
ISBN: 9780521338813
Category : Art
Languages : en
Pages : 372

Get Book Here

Book Description
In his new book, Professor Martin Robertson - author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981) - draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the 'red-figure' technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. The book is intended as a companion volume to Sir John Beazley's The Development of Attic Black-figure (originally published in 1951 by California University Press), and as an examination and defence of Beazley's methods and achievements. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject - whether scholar, student, curator, collector or amateur - will find it essential reading.

The Art of Vase-Painting in Classical Athens

The Art of Vase-Painting in Classical Athens PDF Author: Martin Robertson
Publisher: Cambridge University Press
ISBN: 9780521330107
Category : Art
Languages : en
Pages : 362

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Book Description
In this book, Professor Martin Robertson, author of A History of Greek Art (CUP 1975) and A Shorter History of Greek Art (CUP 1981), draws together the results of a lifetime's study of Greek vase-painting, tracing the history of figure-drawing on Athenian pottery from the invention of the "red-figure" technique in the later archaic period to the abandonment of figured vase-decoration two hundred years later. The book covers red-figure and also work produced over the same period in the same workshops in black-figure and other techniques, especially that of drawing in outline on a white ground. This book is a major contribution to the history of Greek vase-painting and anyone seriously interested in the subject--whether scholar, student, curator, collector or amateur--will find it essential reading.

The Art of Vase-painting in Classical Athens

The Art of Vase-painting in Classical Athens PDF Author: Martin Robertson
Publisher:
ISBN:
Category : Vase-painting, Greek
Languages : en
Pages : 0

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Book Description


Polygnotos and Vase Painting in Classical Athens

Polygnotos and Vase Painting in Classical Athens PDF Author: Susan B. Matheson
Publisher: Univ of Wisconsin Press
ISBN: 9780299138707
Category : Art
Languages : en
Pages : 182

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Book Description
Matheson provides the first comprehensive chronology for Polygnotos's own works, and then analyzes the distinctive, evolving Polygnotan style first isolated by Sir John Beazley, comparing this style to that of contemporary Athenian workshops and demonstrating its seminal influence on the later vase painting of southern Italy.

Greek Vase-Painting and the Origins of Visual Humour

Greek Vase-Painting and the Origins of Visual Humour PDF Author: Alexandre G. Mitchell
Publisher: Cambridge University Press
ISBN: 0521513707
Category : Art
Languages : en
Pages : 399

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Book Description
This richly illustrated book is a comprehensive study of visual humour in ancient Greece, emphasising works created in Athens and Boeotia.

A Guide to Scenes of Daily Life on Athenian Vases

A Guide to Scenes of Daily Life on Athenian Vases PDF Author: John H. Oakley
Publisher: University of Wisconsin Press
ISBN: 0299327248
Category : Art
Languages : en
Pages : 301

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Book Description
Painted vases are the richest and most complex images that remain from ancient Greece. Over the past decades, a great deal has been written on ancient art that portrays myths and rituals. Less has been written on scenes of daily life, and what has been written has been tucked away in hard-to-find books and journals. A Guide to Scenes of Daily Life on Athenian Vases synthesizes this material and expands it: it is the first comprehensive volume to present visual representations of everything from pets and children's games to drunken revelry and funerary rituals. John H. Oakley's clear, accessible writing provides sound information with just the right amount of detail. Specialists of Greek art will welcome this book for its text and illustrations. This guide is an essential and much-needed reference for scholars and an ideal sourcebook for classics and art history.

The Transformation of Athens

The Transformation of Athens PDF Author: Robin Osborne
Publisher: Princeton University Press
ISBN: 1400889936
Category : Art
Languages : en
Pages : 323

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Book Description
How remarkable changes in ancient Greek pottery reveal the transformation of classical Greek culture Why did soldiers stop fighting, athletes stop competing, and lovers stop having graphic sex in classical Greek art? The scenes depicted on Athenian pottery of the mid-fifth century BC are very different from those of the late sixth century. Did Greek potters have a different world to see—or did they come to see the world differently? In this lavishly illustrated and engagingly written book, Robin Osborne argues that these remarkable changes are the best evidence for the shifting nature of classical Greek culture. Osborne examines the thousands of surviving Athenian red-figure pots painted between 520 and 440 BC and describes the changing depictions of soldiers and athletes, drinking parties and religious occasions, sexual relations, and scenes of daily life. He shows that it was not changes in each activity that determined how the world was shown, but changes in values and aesthetics. By demonstrating that changes in artistic style involve choices about what aspects of the world we decide to represent as well as how to represent them, this book rewrites the history of Greek art. By showing that Greeks came to see the world differently over the span of less than a century, it reassesses the history of classical Greece and of Athenian democracy. And by questioning whether art reflects or produces social and political change, it provokes a fresh examination of the role of images in an ever-evolving world.

Athenian Potters and Painters III

Athenian Potters and Painters III PDF Author: John Oakley
Publisher: Oxbow Books
ISBN: 1782976663
Category : History
Languages : en
Pages : 313

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Book Description
Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops – Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms – plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters’ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers – chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.

Vase Painting, Gender, and Social Identity in Archaic Athens

Vase Painting, Gender, and Social Identity in Archaic Athens PDF Author: Mark Stansbury-O'Donnell
Publisher: Cambridge University Press
ISBN: 110766280X
Category : Art
Languages : en
Pages : 331

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Book Description
This study explores the phenomenon of 'spectators' at the sides of Athenian narrative vase paintings.

Style and Politics in Athenian Vase-painting

Style and Politics in Athenian Vase-painting PDF Author: Richard T. Neer
Publisher:
ISBN: 9780521791113
Category : Art
Languages : en
Pages : 306

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Book Description
In this study of Athenian vases of the late Archaic period, Neer tracks the design and imagery of the symposium, with its elaborate riddles and poems and the development of "naturalistic" techniques, such as foreshortening and shading. He also traces the birth of self-portraiture at the end of the sixth century and the treatment of overtly political subject-matter in the early democracy. The author thus reexamines basic ideas about Greek art and history, with particular regard to naturalism, realism, allegory, and the relation of ceramics to social life. Neer further demonstrates how formal ambiguity provided vase painters and their audiences with a means of creating new conceptions of civic identity.