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Author: Robert C. Harvey
Publisher: Univ. Press of Mississippi
ISBN: 9780878057580
Category : Art
Languages : en
Pages : 304
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Book Description
A history of the comic book, in which a noted cartoonist demonstrates the aesthetics and power of the medium
Author: Robert C. Harvey
Publisher: Univ. Press of Mississippi
ISBN: 9780878057580
Category : Art
Languages : en
Pages : 304
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Book Description
A history of the comic book, in which a noted cartoonist demonstrates the aesthetics and power of the medium
Author: Gary Martin
Publisher: Dark Horse Comics
ISBN: 150671191X
Category : Art
Languages : en
Pages : 212
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Book Description
The industry-standard manual for aspiring inkers and working professionals returns in a new expanded edition. Gain insights into the techniques, tools, and approaches of some of the finest ink artists in comics, including Terry Austin, Mark Farmer, Scott Williams, Alex Garner, and many more. This expanded edition features new art and text by author Gary Martin and a bonus chapter on digital inking by artist Leo Vitalis. Also included are eight full-sized blue-lined art boards featuring pencil art by top comics illustrators, present and past, to use for practice or as samples to show editors and publishers. Along with pen, brush, and stylus, no inking tool is more useful than The Art of Comic-Book Inking.
Author: Robert C. Harvey
Publisher: Univ. Press of Mississippi
ISBN: 9780878056743
Category : Architecture
Languages : en
Pages : 268
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Book Description
The comic strip was created by rival newspapers of the Hearst and the Pulitzer organizations as a device for increasing circulation. In the United States it quickly became an institution that soon spread worldwide as a favorite form of popular culture. What made the comic strip so enduring? This fascinating study by one of the few comics critics to develop sound critical principles by which to evaluate the comics as works of art and literature unfolds the history of the funnies and reveals the subtle art of how the comic strip blends words and pictures to make its impact. Together, these create meaning that neither conveys by itself. The Art of The Funnies offers a critical vocabulary for the appreciation of the newspaper comic strip as an art form and shows that full awareness of the artistry comes from considering both the verbal and the visual elements of the medium. The techniques of creating a comic strip - breaking down the narrative, composition of the panel, planning the layout - have remained constant since comic strips were originated. Since 1900 with Winsor McCay's Little Nemo in Slumberland key cartoonists have relied on the union of words and pictures to give the funnies their continuing appeal. This art has persisted in such milestone achievements as Bud Fisher's Mutt and Jeff, George McManus's Bringing Up Father, Sidney Smith's The Gumps, Roy Crane's Wash Tubbs and Captain Easy, Harold Gray's Little Orphan Annie, Chester Gould's Dick Tracy, Zack Mosley's Smilin' Jack, Harold Foster's Tarzan, Alex Raymond's Secret Agent X-9, Jungle Jim, and Flash Gordon, Milton Caniff's Terry and the Pirates, E. C. Segar's Popeye, George Herriman's Krazy Kat, and Walt Kelly's Pogo. In morerecent times with Mort Walker's Beetle Bailey, Charles Schulz's Peanuts. Johnny Hart's B.C., T.K. Ryan's Tumbleweeds, Garry Trudeau's Doonesbury, and Bill Watterson's Calvin and Hobbes, the artform has evolved with new developments, yet the aesthetics of the funnies remain basic. The Art of The Funnies unearths new information and weighs the influence of syndication upon the medium. Though the funnies go in ever new directions, perceiving the interdependency of words and pictures, as this book shows, remains the key to understanding the art.
Author: Maury Aaseng
Publisher: Walter Foster Publishing
ISBN: 1633228304
Category : Art
Languages : en
Pages : 131
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Book Description
Wham! Pow! Bam! Kaboom! Learn everything you need to make your own comic books, superheroes, and story lines with The Art of Comic Book Drawing. Featuring step-by-step tutorials, helpful tips, and dozens of drawing and illustration techniques, aspiring cartoonists, graphic illustrators, and comic book artists will discover all of the basics, from creating characters to mastering features and expressions to bringing it all together with unique and interesting story lines. Veteran comic book artists teach you to draw basic cartoon characters, superheroes, villains, and more using simple, step-by-step drawing lessons. Once you get the hang of illustrating your favorite characters, you’ll learn to draw action scenes, set up panels, add speech bubbles, and even learn the basics of cartoon and comic book word treatments. With approachable exercises and projects to guide you, The Art of Comic Book Drawing allows beginning artists to create their own comic books, step by step. This helpful guide also includes practice pages to put your newfound skills to immediate use.
Author: Mark Kneece
Publisher: Watson-Guptill
ISBN: 1607747510
Category : Art
Languages : en
Pages : 194
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Book Description
A practical guide for beginner and advanced comic book writers that outlines the steps needed to successfully craft a story for sequential art. With this latest book in the SCAD Creative Essentials series from the esteemed Savannah College of Art and Design, comics writer and instructor Mark Kneece gives aspiring comic book writers the essential tools they need to write scripts for sequential art with confidence and success. He provides a practical set of guidelines favored by many comic book publishers and uses a unique trial and error approach to show would-be scribes the potential pitfalls they might encounter when seeking a career in comics writing. Supported by examples of scripting from SCAD's students, faculty, and alumni,The Art of Comic Book Writing strips away the mysteries of this popular artform and provides real-world advice and easy-to-follow examples for those looking to write for the comics medium.
Author: J. Michael Barrier
Publisher: M Lilien
ISBN: 9780960765201
Category : Art
Languages : en
Pages : 227
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Book Description
"Thank you for the copy of Carl Barks and the Art of the Comic Book by Michael Barrier, which we are thrilled to see finally in published form. It was worth the years of waiting, and we hope will supply the answers to the myriad of questions which Carl must answer thousands of times over. Now he can just say buy the Barrier book published by M.M. Lilien..." --Gare Barks (Mrs. Carl Barks)) "Carl Barks and the Art of the Comic Book is the very long-awaited biography/bibliography/critique of the Good Artist's work by Michael Barrier. It is published in a handsome, sturdy, well-designed hardcover edition by M. Lilien of New York, with a lovely dust jacket featuring a self-caricature of Barks on the front and a color photo of the Duck Man on the back side. Inside you will find a detailed account of Barks' life and career, with each story discussed and highlighted. There are many photos of Barks as a young man, sketches and cartoons he did for the Calgary Eye Opener and as inter-office gags at the Disney Studios ... If you are a fan of Carl Barks, you simply, absolutely, positively and unquestionably must have this book and right now. If you are a comic-book student, you must have this book to see how thoroughly and well comics can and should be studied ...." --Don and Maggie Thompson The Buyer's Guide For Comic Fandom. " ... Barrier covers not only the life of Barks but his particular thematic preoccupations (the "rescue theme") in what parent/child roles are reversed is documented with considerable wisdom, for instance). The photos of Barks, his house, and other people he worked with are precious glimpses on an important period in comic book history, and the many drawings by Barks and others constitute a real treasure trove for both fans and scholars..." --Catherine Yronwode. The Buyer's Guide For Comic Fandom This beautifully illustrated book captures the essence of Carl Barks, the man who brought Donald Duck into the hearts of a generation of Americans. Only Michael Barrier, who is uniquely familiar with both Bark's life and works, could assemble this definitive introduction to Barks' creations. Barrier traces Barks' life as a young cartoonist who eventually joined the Walt Disney Studios during the depression. Upon joining the Western Publishing Company in 1942, Barks produced vivid tales which captured comic book readers' imaginations for the following two decades. Barks brought to life such unforgettable characters as Uncle Scrooge, the Beagle Boys, and the other zany inhabitants of Duckburg. Although Barks' art was readily accessible to children, his stories contained satire aimed at the foibles of a nation immersed in the Cold War and new-found material success. In addition to chronicling Barks' life, this book provides a definitive bibliography of Barks' works. The bibliography is enhanced by quotations from Barks on specific works as well as comments from Kim Weston. Cost $90.00 plus shipping and handling.
Author: Joseph Witek
Publisher: Univ. Press of Mississippi
ISBN: 9780878054060
Category : Antiques & Collectibles
Languages : en
Pages : 188
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Book Description
This first full-length scholarly study of comic books as a narrative form attempts to explain why comic books, traditionally considered to be juvenile trash literature, have in the 1980s been used by serious artists to tell realistic stories for adults
Author: Arlen Schumer
Publisher: Archway Publishing
ISBN: 1480806358
Category : Comics & Graphic Novels
Languages : en
Pages : 195
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Book Description
Carmine Infantino. Steve Ditko. Jack Kirby. Gil Kane. Joe Kubert. Gene Colan. Jim Steranko. Neal Adams. Some of the greatest comic book artists of their generation, who created some of their greatest work during The Silver Age of Comics (circa1956-1970). They not only drew definitive versions of the medium’s greatest characters including The Flash, Batman, Captain America, Superman, Thor, Green Lantern, Spider-Man, Dr. Strange, Green Arrow and more— but set trends in the art of comic book storytelling. Now this popular and influential body of work, along with each artist’s thoughts, ideas and commentary, is presented in The Silver Age of Comic Book Art, a coffee table comic book art history book written and designed in a daringly different format by comic book historian and illustrator Arlen Schumer, and published in hardcover and digital/e-book editions by Archway Publishing (from Simon & Schuster). Dynamic spreads of the actual printed comic art, graphically enlarged, are integrated with comic-styled text, often by the artists themselves, that replaces the original comic book copy with more personalized prose that places the art firmly in the period it was created: the turbulent 1960s. By creating a comic book history book that reads like a comic book, Schumer succeeds spectacularly in making you see, as if for the first time, the comics you’ve been reading your whole life. “Arlen Schumer documents an important period in comic book history, told with an explosive format and stunning design. It reflects the kinetic rhythm of the era.” — Will Eisner (1917-2005), creator of The Spirit and the graphic novel A Contract with God "Through the years, I’ve had the pleasure of seeing many books that pay tribute to the art of comics, but Arlen Schumer has created an entirely new format in presenting the art and words of the artists. It's the most comprehensive and personal way a fan or colleague can learn what lies beneath the art. Arlen has found the perfect way to inform and entertain. It’s simply awesome —and the best representation of my work ever!” —Gene Colan (1926-2011), legendary comic book artist “A lovingly crafted tribute to the superhero comic of the 1960s, The Silver Age of Comic Book Art recaptures the four-color visionary surge of the era, its jet-age psychedelic rush of imagination and the titanic, luminous figures, both real and imaginary, that glittered in its firmament. For a brief moment in the late 20th century, it seemed as if the spirit of the age wore a vivid leotard, a chest emblem, and traveled in a strobing blur of speed lines. For anyone with any interest in or affection for that moment, this beautiful volume is indispensible.” — Alan Moore, author of Swamp Thing and Watchmen For more on The Silver Age of Comic Book Book Art, join Arlen’s Facebook group of the same name, and visit Arlen’s website: www.arlenschumer.com
Author: Dan Nadel
Publisher: Abrams ComicArts
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
. . . Focuses on the lesser-known comic works by celebrated icons of the industry, like H.G. Peter (the artist behind Wonder Woman), John Stanley (the writer and artist for Little Lulu), Harry Lucey (one of the artists behind Archie), Jesse Marsh (the artist for Tarzan), and Bill Everett (best know for his characters Sub Mariner and Dr. Strange).
Author: Michael Pellowski
Publisher: Lerner Publications
ISBN: 9780822596721
Category : Juvenile Nonfiction
Languages : en
Pages : 84
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Book Description
Explains how to develop characters, plot story lines, use storyboards, and create comic book art.
