The Art of Portrait Painting in Oil Colours, with Observations on Setting and Painting the Figure PDF Download
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Author: Henry Murray
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 92
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Book Description
Author: Henry Murray
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 92
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Book Description
Author: Henry Murray (F.S.A.)
Publisher:
ISBN:
Category : Portrait painting
Languages : en
Pages : 80
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Book Description
Author: Henry Murray (F.S.A.)
Publisher:
ISBN:
Category : Portrait painting
Languages : en
Pages : 72
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Book Description
Author: Henry Murray (F.S.A.)
Publisher:
ISBN:
Category : Portrait painting
Languages : en
Pages : 72
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Henry Murray
Publisher: Nabu Press
ISBN: 9781295758906
Category :
Languages : en
Pages : 76
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Author:
Publisher:
ISBN: 9780461700596
Category : History
Languages : en
Pages : 86
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Book Description
Author: Henry Murray
Publisher: Scholar's Choice
ISBN: 9781293961056
Category :
Languages : en
Pages : 76
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Henry Murray
Publisher: Theclassics.Us
ISBN: 9781230209845
Category :
Languages : en
Pages : 22
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1851 edition. Excerpt: ... 20 PREPARATION FOR SECOND PAINTING. THE PREPARATION OF THE WORK FOR THE SECOND PAINTING. If the first painting have been executed with any degree of freedom, and so left to dry, without having been slightly touched here and there with a soft brush to remove any superficial inequalities which might effect the second painting, it will be necessary to examine the picture with a sharp knife, or scraper; but this operation cannot be performed until the work be perfectly dry. This may be determined by breathing on the surface, which, if dry, will immediately assume a dull and misty appearance; but if still wet, it will remain unsullied. The surface having been reduced, if necessary, a wetted sponge should be lightly passed over it; this will be dry in a few minutes, when a small quantity of poppy oil should be lightly brushed over the work, from which the superfluous moisture may be removed by the gentle application of an old silk handkerchief. The object of thus moistening the surface with poppy oil is to make the subsequent painting unite with the first, and so embody the first, second, and following paintings, that no discordant difference of execution may appear in the picture. Having passed the silk handkerchief over the surface, it will be necessary to observe that no dust or any of the thin threads of the silk adhere to the work. In finishing portraits, experienced painters omit oiling for the sake of obtaining texture; but the application of the sponge can never be omitted, because, without it, the glazes will not lie. All oil-colours sink to a certain extent, and in the progress of a picture, sometimes so much so, as to render oiling necessary in order to see the real strength and details of the work; this is termed "oiling out," I...
Author: Henry Murray
Publisher: Kessinger Publishing
ISBN: 9781437031454
Category : Art
Languages : en
Pages : 74
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Book Description
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
