Author: William R. Rearick
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
The Art of Paolo Veronese, 1528-1588
Author: William R. Rearick
Publisher:
ISBN:
Category : Art
Languages : cy
Pages : 240
Book Description
Publisher:
ISBN:
Category : Art
Languages : cy
Pages : 240
Book Description
The Art of Paolo Veronese, 1528-1588
Author: William R. Rearick
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 232
Book Description
The Art of Paolo Veronese
Author: W.R. Rearick
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Book Description
The Art of Paolo Veronese, 1528-1588
Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
Book Description
Grace and Grandeur
Author: John Garton
Publisher:
ISBN: 9781905375233
Category : Painting, Italian
Languages : en
Pages : 0
Book Description
Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice's civic splendor. His masterpieces in the Doge's Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice's most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice's best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo's images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese's innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice's golden age of painting ends appropriately with a glance at the moderns who profited most from the study of Veronese's portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese's portraits follows the chapters.
Publisher:
ISBN: 9781905375233
Category : Painting, Italian
Languages : en
Pages : 0
Book Description
Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice's civic splendor. His masterpieces in the Doge's Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice's most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice's best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo's images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese's innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice's golden age of painting ends appropriately with a glance at the moderns who profited most from the study of Veronese's portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese's portraits follows the chapters.
Veronese : Magnificence in Renaissance Venice
Author: Xavier F. Salomon
Publisher: National Gallery London
ISBN: 9781857095531
Category : Painting
Languages : en
Pages : 0
Book Description
Catalog of the exhibition "Veronese: magnificence in Renaissance Venice" held March 19-June 15, 2014 at the National Gallery, London.
Publisher: National Gallery London
ISBN: 9781857095531
Category : Painting
Languages : en
Pages : 0
Book Description
Catalog of the exhibition "Veronese: magnificence in Renaissance Venice" held March 19-June 15, 2014 at the National Gallery, London.
Paolo Veronese
Author: Richard Cocke
Publisher: Routledge
ISBN: 1351805738
Category : Art
Languages : en
Pages : 286
Book Description
This title was first published in 2001: Paolo Veronese: Piety and Display in an Age of Religious Reform examines the large body of religious paintings with which Veronese (1528 -1588) played a crucial role in shaping Venetian piety. With 117 illustrations (26 in colour) Richard Cocke sets Veronese’s work into context, arguing his mastery of narrative has long been neglected, largely as a result of Sir Joshua Reynolds's criticism in his Discourses. The new expressiveness of Veronese’s work in his final decade is linked with the decrees of the Council of Trent, which resulted in an enhanced display of paintings in Venetian palaces during the 1570s, matched by the renewed decorative schemes in the city’s churches.
Publisher: Routledge
ISBN: 1351805738
Category : Art
Languages : en
Pages : 286
Book Description
This title was first published in 2001: Paolo Veronese: Piety and Display in an Age of Religious Reform examines the large body of religious paintings with which Veronese (1528 -1588) played a crucial role in shaping Venetian piety. With 117 illustrations (26 in colour) Richard Cocke sets Veronese’s work into context, arguing his mastery of narrative has long been neglected, largely as a result of Sir Joshua Reynolds's criticism in his Discourses. The new expressiveness of Veronese’s work in his final decade is linked with the decrees of the Council of Trent, which resulted in an enhanced display of paintings in Venetian palaces during the 1570s, matched by the renewed decorative schemes in the city’s churches.
The Masterpieces of Veronese (1528-1588)
Author: Paolo Caliari Veronese
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Veronese's Allegories
Author: Xavier F. Salomon
Publisher:
ISBN:
Category : Allegories
Languages : en
Pages : 60
Book Description
Publisher:
ISBN:
Category : Allegories
Languages : en
Pages : 60
Book Description
The Masterpieces of Veronese (1528-1588).
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 69
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 69
Book Description