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Author: Ollie Jensen Theisen
Publisher: University of North Texas Press
ISBN: 1574412892
Category : Art
Languages : en
Pages : 148
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Book Description
"A beautiful tribute to a man and his art"---Review of Texas Books --
Author: Ollie Jensen Theisen
Publisher: University of North Texas Press
ISBN: 1574412892
Category : Art
Languages : en
Pages : 148
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Book Description
"A beautiful tribute to a man and his art"---Review of Texas Books --
Author: John Thomas Biggers
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 22
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Book Description
Author: John Thomas Biggers
Publisher: Texas A&M University Press
ISBN:
Category : Art
Languages : en
Pages : 130
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Book Description
Author: John Thomas Biggers
Publisher:
ISBN:
Category : African American art
Languages : en
Pages : 72
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Book Description
Author: John Thomas Biggers
Publisher:
ISBN:
Category :
Languages : en
Pages : 119
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Book Description
Author: Andrea Andersson
Publisher: Yale University Press
ISBN: 0300248644
Category : Art
Languages : en
Pages : 193
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Book Description
“What I want to do is code-switch. To have there be layers of history and politics, but also this heady, arty stuff—inside jokes, black humor—that you might have to take a while to research if you want to really get it.”—Sanford Biggers Sanford Biggers (b. 1970) is a Harlem-based artist working in various media including painting, sculpture, video, and performance. He describes his practice as “code-switching”—mixing disparate elements to create layers of meaning—to account for his wide-ranging interests. This catalogue focuses on a series of repurposed quilts (many made in the 19th century) that embodies this interest in mixture. Informed by the significance of quilts to the Underground Railroad, Biggers transforms the quilts into new works using materials such as paint, tar, glitter, and charcoal to add his own layers of codes, whether they be historical, political, or purely artistic. Insightful essays survey Biggers’s career, his art in relation to music, and the history upon which the series draws. Also featured is a short yet powerful graphic essay by an award-winning illustrator that introduces the layered meanings inherent in the art and craft of quilting.
Author: James Prigoff
Publisher: Pomegranate
ISBN: 0764913395
Category : African American art
Languages : en
Pages : 282
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Book Description
THIRTEEN COLONIES & THE LOST COLONY(tm) Take a step back and discover the thirteen colonies of Colonial America. From European exploration through the American Revolution, witness the unique history and character of each colony. Trace the role of each colony in the American Revolution and that colony's impact on the formation of our Constitution. Georgia - Using primary source documents that include the Charter of Georgia, a map of the colony circa 1725, period portraits, and newspaper articles, this fascinating book traces the history of the colony from its founding to its being the fourth state to ratify the U.S. Constitution in 1788."Good organization, well-written text which reads like a story, numerous quotes and historic incidents, attractive format and well-designed pages, drawings, maps...all make this title a recommended source for studies in the colonial period of American history." - ASSOCIATION OF REG. XI SCHOOL LIBRARIANS, TEXAS
Author: Katie Robinson Edwards
Publisher: University of Texas Press
ISBN: 0292756593
Category : Art
Languages : en
Pages : 393
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Book Description
Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.
Author: Grant Hill
Publisher: Duke University Press
ISBN: 9780822333180
Category : Art
Languages : en
Pages : 196
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Book Description
Grant Hill and experts celebrate and examine the creative expression of African American art and artists.
Author: Okediji
Publisher: University of Washington Press
ISBN: 9780295802503
Category : Art
Languages : en
Pages : 216
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Book Description
The Shattered Gourd uses the lens of visual art to examine connections between the United States and the Yoruba region of western Nigeria. In Yoruba legend, the sacred Calabash of Being contained the Water of Life; when the gourd was shattered, its fragments were scattered over the ground, death invaded the world, and imperfection crept into human affairs. In more modern times, the shattered gourd has symbolized the warfare and enslavement that culminated in the black diasporas. The "re-membering" of the gourd is represented by the survival of people of African origin all over the Americas, and, in this volume, by their rediscovery of African art forms on the diaspora soil of the United States. Twentieth-century African American artists employing Yoruba images in their work have gone from protest art to the exploration and celebration of the self and the community. But because the social, economic, and political context of African art forms differs markedly from that of American culture, critical contradictions between form and meaning often appear in African American works that use African forms. In this book -- the first to treat Yoruba forms while transcending the conventional emphasis on them as folk art, focusing instead on the high art tradition -- Moyo Okediji uses nearly four dozen works to illustrate a broad thematic treatment combined with a detailed approach to individual African and African American artists. Incorporating works by such artists as Meta Warrick Fuller, Hale Woodruff, Aaron Douglas, Elizabeth Catlett, Ademola Olugebefola, Paul Keene, Jeff Donaldson, Howardena Pindell, Muneer Bahauddeen, Michelle Turner, Michael Harris, Winnie Owens-Hart, and John Biggers, the author invites the reader to envision what he describes as "the immense possibilities of the future, as the twenty-first century embraces the twentieth in a primal dance of the diasporas," a future that heralds the advent of the global as a distinct movement in art, beyond postmodernism.
