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Author: George Puttenham
Publisher: Cornell University Press
ISBN: 9780801437588
Category : History
Languages : en
Pages : 520
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Book Description
The first modernized and fully annotated edition of Puttenham's 1589 text.
Author: George Puttenham
Publisher: Cornell University Press
ISBN: 9780801437588
Category : History
Languages : en
Pages : 520
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Book Description
The first modernized and fully annotated edition of Puttenham's 1589 text.
Author: George Puttenham
Publisher: Cornell University Press
ISBN: 1501707418
Category : Literary Criticism
Languages : en
Pages : 513
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Book Description
George Puttenham's Art of English Poesy is a foundational work of English Renaissance criticism and literary theory. Rich in detail about the nature, purpose, and functions of poetry as well as the poet's character and goals, it is also a valuable historical document, offering generous insight into Elizabethan court culture, implicitly on display in the attitudes and values of the writer. His illustrative anecdotes enable us to watch European courtiers negotiating their social and political relationships with one another as well as with rulers and social inferiors. This new critical edition of The Art of English Poesy contains the first modernized and fully annotated edition of Puttenham's 1589 text; a substantial introductory essay by Frank Whigham and Wayne A. Rebhorn; a comprehensive bibliography; several glossaries and appendixes; and an index. The editors' masterly essay introduces Puttenham to modern readers and situates The Art of English Poesy in the context of the rhetorical theory, poetics, and courtly conduct of its time. The introduction also includes a concise biography of Puttenham based on a variety of new and unfamiliar data: he married an older and much richer woman whom he badly mistreated; indulged habitually in a life of sexual predation; was repeatedly sued, arrested, and imprisoned; survived several supposed attempts on his life; and died, nearly indigent, in 1591. For scholars and students of the English Renaissance, the Cornell edition of The Art of English Poesy should prove the definitive edition of Puttenham's major work.
Author: William Webbe
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 108
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Book Description
Author: Sheldon Brammall
Publisher: Edinburgh University Press
ISBN: 1474404529
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
The first book-length study of the English Renaissance translations of Virgil's AeneidThis study brings to light a history of English Renaissance Aeneids that has been lost from view. Previous monographs have explored the complete translations by Gavin Douglas (1513) and John Dryden (1697), but there has been little research focussing on the Aeneid translations which appeared in between. This book covers the period from the beginning of Elizabeths reign to the start of the English Civil War, during which time there were thirteen authors who composed substantial translations of Virgils epic. These translators include prominent literary figures such as Richard Stanyhurst, Christopher Marlowe, and Sir John Harington as well as scholars, schoolmasters, and members of parliament. Rather than simply viewing these Aeneids as scattered efforts preceding Dryden and the golden age of Augustan translation, this book argues that these works represent a recognizable and important period of English classical translation. Drawing on manuscripts and printed sources, the book sketches a continuous portrait of the English Aeneids as they developed through the ages of Elizabeth, James, and Charles I.Key features * Reconsiders the role that Virgils epic played in the English Renaissance* Identifies a period in translation history* Offers original readings of influential texts* Brings together the realms of literature and politicsSheldon Brammall is Leverhulme Trust Early Career Fellow, Faculty of English Language and Literature, University of Oxford
Author: Katharine A. Craik
Publisher: Cambridge University Press
ISBN: 1107028000
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Shakespearean Sensations explores the ways Shakespeare and his contemporaries imagined literature affecting audiences' bodies, minds and emotions.
Author: Noam Reisner
Publisher: Cambridge University Press
ISBN: 100946244X
Category : Drama
Languages : en
Pages : 293
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Book Description
An investigation of how Renaissance English revenge drama carried out important ethical work through audience participation and metatheatre.
Author: Janina Niefer
Publisher: LIT Verlag Münster
ISBN: 3643908180
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
This study is concerned with Early Modern English psalm translations. It focusses on the connection between inspiration and formal perfection as it appears in George Wither's "A Preparation to the Psalter", Philip Sidney's "The Defence of Poesy", "The Sidney Psalter" and "The Bay Psalm Book". Taking into account theological, philosophical, and literary contexts of the time, it reveals the struggle to find a suitable language in praise of God as a main concern of Early Modern religious writers, and presents concepts which are highly relevant for the religious poetry of the time. Dissertation. (Series: Religion and Literature / Religion und Literatur, Vol. 5) [Subject: Religious Studies]
Author: Catherine Bates
Publisher: Oxford University Press
ISBN: 0192678876
Category : Literary Criticism
Languages : en
Pages : 775
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Book Description
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.
Author: Kyle Pivetti
Publisher: Rowman & Littlefield
ISBN: 1611495598
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
This book opens with a crisis of recollection. In the early modern period, real political traumas like civil war and regicide exacerbated what were already perceived ruptures in myths of English descent. William Camden and other scholars had revealed that the facts of history could not justify the Arthurian myths, nor could history itself guarantee any moment of collective origin for the English people. Yet poets and playwrights concerned with the status of the emerging nation state did not respond with new material evidence. Instead, they turned to the literary structures that—through a range of what the author calls mnemonic effects—could generate the experience of a collective past. As Sir Philip Sidney recognized, verse depends upon the repetitions of rhyme and meter; consequently poetry “far exceedeth prose in the knitting up of memory.” These poetic and linguistic forms expose national memory as a construction at potential odds with history, for memory operates like language—through a series of signifiers that acquire new meaning as one rearranges and rereads them. Moving from the tragedy Gorboduc (1561) to Dryden’s Absalom and Achitophel (1681), Pivetti shows how such “knitting up of memory” created the shared pasts that generate nationhood. His work implies that memory emerges not from what actually occurred, but from the forms that compose it. Or to adapt the words of Paul Ricoeur: “we have nothing better than memory to signify that something has taken place.” The same is true even when that “something” is nationhood.
Author: Laurence Publicover
Publisher: Oxford University Press
ISBN: 0198907109
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
This book demonstrates how a group of tragedies by Shakespeare and his contemporaries stage the fear and exhilaration generated by encounters with the unknown and the extraordinary. Arguing that the maritime art of fathoming--that is, dropping a lead and line into water to measure its depth--operates as a master-image for these plays, it illustrates how they create sublime horror through intuitions of mysterious more-than-human agencies and of worlds beyond the visible. Though tightly focused on a specific body of imagery, the book strikes up dialogue with a number of critical fields, including theories and histories of tragedy; ecocriticism and the environmental humanities; oceanic studies; and work on early modern ideas about the body, madness, and language. Countering a tendency within tragic theory to value the textual over the dramatic, it also demonstrates how the tragic effects to which it points are created through specific theatrical strategies, including the use of offstage space, intertheatricality, and the violation of dramatic conventions. Situating its arguments within recent criticism on these plays and on tragedy more generally, and pushing back against scholarship that regards the genre in Shakespeare's time as concerned more with pity than with fear, the book offers fresh and detailed readings of some of the most frequently studied plays in the English canon, including Hamlet, King Lear, Macbeth, The Duchess of Malfi, and The Changeling.
