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Author:
Publisher:
ISBN: 9781667199252
Category :
Languages : en
Pages : 0
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Book Description
At long last! L. Frank Baum's long-lost ART OF DECORATING is finally available for you to own! This new edition is a photo-facsimile of the first edition, and includes a whimsical introduction by Frank's great-grandson Robert, as well as an informative afterword by Baum historian and bibliographer Bill Thompson. This is a MUST-HAVE for all collectors and fans of L. Frank Baum and Oz!
Author:
Publisher:
ISBN: 9781667199252
Category :
Languages : en
Pages : 0
Get Book
Book Description
At long last! L. Frank Baum's long-lost ART OF DECORATING is finally available for you to own! This new edition is a photo-facsimile of the first edition, and includes a whimsical introduction by Frank's great-grandson Robert, as well as an informative afterword by Baum historian and bibliographer Bill Thompson. This is a MUST-HAVE for all collectors and fans of L. Frank Baum and Oz!
Author: Sarah Burns
Publisher: Yale University Press
ISBN: 9780300064452
Category : Art
Languages : en
Pages : 396
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Book Description
Describes how late Victorian culture encouraged the evolution of art as a career, discussing such "inventions" as art therapy and bohemianism, and exploring artists' complicated and confused gender roles
Author: Lyman Frank Baum
Publisher: W. W. Norton & Company
ISBN: 9780393049923
Category : Fiction
Languages : en
Pages : 568
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Book Description
The first striking thing about this book is its elegant dust jacket made to look like a copper plate. But the eye candy stretches past the front cover, nearly every page with either color illustrations or distinctive frames, fleurons, and figures around the text. Not surprising to those who've taken some literature classes, the annotations following a page of text are often far longer than whatever bit of text they illustrate. But if the reader should find academicism beside the point, annotations are easy to skip because Baum's story is written in larger type. This edition is for both kids and kiddie litters, the latter interested in such tidbits as the Dorothy-type farmgirl character called Dot, Dolly, and Doris in other works by Frank Baum, and the reigning theory that Dorothy lived in Kansas, yes, but more specifically, Topeka. Reprinted from the 1900 edition with many of the original drawings by W.W. Denslow. Oversize: 9.5x10.5". Annotation copyrighted by Book News Inc., Portland, OR
Author:
Publisher:
ISBN:
Category : Show-windows
Languages : en
Pages : 424
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Book Description
Author: David G. Hackett
Publisher: Psychology Press
ISBN: 9780415942737
Category : Religion
Languages : en
Pages : 574
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: John Potvin
Publisher: Bloomsbury Publishing
ISBN: 1350063800
Category : Design
Languages : en
Pages : 337
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Book Description
Design and Agency brings together leading international design scholars and practitioners to address the concept of agency in relation to objects, organisations and people. The authors set out to expand the scope of design history and practice, avoiding the heroic narratives of a typical modernist approach. They consider both how the agents of design construct and express their identities and subjectivities through practice, while also investigating the distinctive contribution of design in the construction of individual identity and subjectivity. Individual chapters explore notions of agency in a range of design disciplines and historical periods, including the agency of women in effecting changes to the design of offices and working practices; the role of Jeffrey Lindsay and Buckminster Fuller in developing the design of a geodesic dome; Le Corbusier's 'Casa Curutchet'; a re-consideration of the gendered historiography of the 'Jugendstil' movement, and Bruce Mau's design exhibitions. Taken together, the essays in Design and Agency provide a much-needed response to the traditional texts which dominate design history. With a broad chronological span from 1900 to the present, and an equally broad understanding of the term 'design', it expands how we view the discipline, and shows how design itself can be an agent for social, cultural and economic change.
Author: Elizabeth Hutchinson
Publisher: Duke University Press
ISBN: 0822392097
Category : Art
Languages : en
Pages : 304
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Book Description
In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation. Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.
Author: Joseph Siry
Publisher: University of Chicago Press
ISBN: 9780226761367
Category : Architecture
Languages : en
Pages : 322
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Book Description
Long recognized as a Chicago landmark, the Carson Pirie Scott Building also represents a milestone in the development of architecture. The last large commercial structure designed by Louis Sullivan, the Carson building reflected the culmination of the famed architect's career as a creator of tall steel buildings. In this study, Joseph Siry traces the origins of the building's design and analyzes its role in commercial, urban, and architectural history.
Author: Kaveh Askari
Publisher: Indiana University Press
ISBN: 0861969103
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
Essays examining the effects of media innovations in cinema at the turn of the twentieth century affected performances on screen, as well as beside it. In the years before the First World War, showmen, entrepreneurs, educators, and scientists used magic lanterns and cinematographs in many contexts and many venues. To employ these silent screen technologies to deliver diverse and complex programs usually demanded audio accompaniment, creating a performance of both sound and image. These shows might include live music, song, lectures, narration, and synchronized sound effects provided by any available party—projectionist, local talent, accompanist or backstage crew—and would often borrow techniques from shadow plays and tableaux vivants. The performances were not immune to the influence of social and cultural forces, such as censorship or reform movements. This collection of essays considers the ways in which different visual practices carried out at the turn of the twentieth century shaped performances on and beside the screen.
Author: John Potvin
Publisher: Routledge
ISBN: 1136086102
Category : Architecture
Languages : en
Pages : 277
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Book Description
The Places and Spaces of Fashion, 1800-2007 brings together art, design, fashion, and a much neglected concern for its spatial realities. The spaces and places of fashion have often been overlooked in the writing of fashion history and visual culture. More often than not, however, these environments mitigate, control, inform, and enhance how fashion is experienced, performed, consumed, seen, exhibited, purchased, appreciated and of course displayed. Space, as this volume attempts to illustrate, is itself a representational strategy on par with and influencing the visibility and visuality of fashion. Innovative and challenging, the essays in this volume explore various physical and conceptual spaces, moving from physical environments to the two-dimensional with paintings, illustrations, and photographs to chart similarities, differences, and complex nuanced relationships between environments, fashion, identities, and visuality. The volume also navigates various sites (both permanent and temporary) of production, circulation, exhibition, consumption, and promotion of fashion that define meaning and knowledge about a culture or individual by providing for a bond between embodied consumers/spectators and fashion objects. The Places and Spaces of Fashion, 1800-2007 is a compelling project with a thematic, theoretical, and historiographic approach that is at once both focused yet far-reaching and original in its implications. The volume engages with questions attending to the ‘modern condition’ by seamlessly weaving interdisciplinary discussions of the visual with material culture to explore the spatial dimension(s) of fashion. Some of the essays explore new and exciting spaces while others offer compelling revisionary analyses of relatively known sources
