The Art Criticism of John Ruskin. Selected, Edited, and with an Introduction by Robert L. Herbert PDF Download
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Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: John Ruskin
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 430
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Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
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Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Jacob Opper
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838610541
Category : Art and science
Languages : en
Pages : 234
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Deals with the philosophical implications of natural science in the various humanistic disciplines during the 17th, 18th, and 19th centuries. Remarkable in combining and relating numerous disparate disciplines in the arts and sciences.
Author: Gabriela Stoicea
Publisher: transcript Verlag
ISBN: 3839447208
Category : Literary Criticism
Languages : en
Pages : 200
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Gabriela Stoicea examines how the incidence and role of physical descriptions in German novels changed between 1771 and 1929 in response to developments in the study of the human face and body. As well as engaging the tools and methods of literary analysis, the study uses a cultural studies approach to offer a constellation of ideas and polemics surrounding the readability of the human body. By including discussions from the medical sciences, epistemology, and aesthetics, the book draws out the multi-faceted permutations of corporeal legibility, as well as its relevance for the development of the novel and for facilitating inter-disciplinary dialogue.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 272
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Author: Lesley Ward
Publisher:
ISBN: 9780379207958
Category : Comics & Graphic Novels
Languages : en
Pages : 28
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Author: Tim Barringer
Publisher: Routledge
ISBN: 1351536265
Category : Art
Languages : en
Pages : 277
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This vibrant collection of essays claims that a complex network of texts by critics, biographers and diarists established the credibility and influence of the Pre-Raphaelite movement. Throughout the twentieth century, Modernist taste failed to acknowledge the achievement of oppositional groupings such as the Pre-Raphaelites. The essays collected here, however, reveal that the British group anticipated later avant-gardes by using the written word to configure for itself a radical artistic identity. Public and critics alike were scandalized by the radicalism of Pre-Raphaelite painting, its unflinching portrayal of historical figures and of contemporary life, and its irreverent attitude to artistic convention. Pre-Raphaelitism's innovations were not confined to style: new forms of artistic identity and behaviour were explored. As the contributors interrogate the texts through which Pre-Raphaelitism was constructed, they demonstrate that the movement's wide influence as a cultural phenomenon derived from the interplay between exhibited works and critical discourse. Applying a range of sophisticated methodologies from the fields of literary studies, art history, and cultural studies, these interdisciplinary essays uncover the neglected role of texts in the success of the Pre-Raphaelite rebellion and argue in favor of a new centrality for this movement in the history of nineteenth-century European culture.
Author: R.R. Bowker Company. Department of Bibliography
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1400
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