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Author: College Art Association of America
Publisher:
ISBN: 9780960482603
Category : Art
Languages : en
Pages : 278
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Book Description
Includes section: Notes and reviews.
Author: College Art Association of America
Publisher:
ISBN: 9780960482603
Category : Art
Languages : en
Pages : 278
Get Book Here
Book Description
Includes section: Notes and reviews.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 54
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Book Description
Includes section: Notes and reviews.
Author: Ludwig Bachhofer
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Hanns Swarzenski
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Craig Harbison
Publisher: University of Washington Press
ISBN:
Category : Painting
Languages : en
Pages : 236
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Book Description
Jan van Eyck's surviving work comprises a series of painstakingly detailed oil paintings of astonishing verisimilitude. In a fascinating recovery of the neglected human dimension that is clearly present in these works, Craig Harbison interrogates the personal histories of the worldly participants of such masterpieces as the Virgin and Child with George van der Paele, the Arnolfini Double Portrait and the Virgin and Child with Nicolas Rolin. With the aid of abundant visual evidence in color and in black and white, Harbison reveals how van Eyck presented his contemporaries with a more subtle and complex view of the value of appearances as a route to understanding the meaning of life. "I found this an enthralling study"--"The Sunday Telegraph "A fascinating investigation into the nature of the great pioneer's clients ... some fine photo details"--"Art Review Copyright © Libri GmbH. All rights reserved.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Includes section: Notes and reviews.
Author: Yi Gu
Publisher: BRILL
ISBN: 1684176131
Category : Art
Languages : en
Pages : 336
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Book Description
"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."
Author: Peter H. Brieger
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
![[The art bulletin / Supplement ] ; The art bulletin : a quarterly publ. by the College Art Association of America. Suppl PDF](https://books.google.com/books/content/images/frontcover/GuKfAQAACAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Includes section: Notes and reviews.
Author: Harper Montgomery
Publisher: University of Texas Press
ISBN: 1477312544
Category : Art
Languages : en
Pages : 342
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Book Description
Presenting a paradigm-shifting view of early Latin American modernism, this book looks at how a transnational intellectual community of writers and critics forged an anticolonial aesthetic based in abstract artistic forms.
